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Mani's Community Established
''Mani's Community Established'' (Japanese: ) is a Manichaen silk color painting drawn in the coastal area of southern China during the yuan to ming period, depicts the missionary history of Manichaeism and the establishment of its churches in three scenes. The preservation is intact and undamaged. This painting was originally part of a large Manichae silk painting, The drawing technique and artistic style are very similar to "''Episodes from Mani's Missionary Work''", "The Birth of Mani", "Mani's Parents" and "The Manichean Universe Map". The painting is now in a private collection in Japan. In Japanese it is called with Episodes from Mani's Missionary Work being called Description According to the research of the Hungarian Asian religious art historian Zsuzsanna Gulácsi, the content described in this work continues "The Legend of the Holy One", using a method similar to the current collage to present the follow-up missionary history and development of the Manichae Order ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Language
is spoken natively by about 128 million people, primarily by Japanese people and primarily in Japan, the only country where it is the national language. Japanese belongs to the Japonic or Japanese- Ryukyuan language family. There have been many attempts to group the Japonic languages with other families such as the Ainu, Austroasiatic, Koreanic, and the now-discredited Altaic, but none of these proposals has gained widespread acceptance. Little is known of the language's prehistory, or when it first appeared in Japan. Chinese documents from the 3rd century AD recorded a few Japanese words, but substantial Old Japanese texts did not appear until the 8th century. From the Heian period (794–1185), there was a massive influx of Sino-Japanese vocabulary into the language, affecting the phonology of Early Middle Japanese. Late Middle Japanese (1185–1600) saw extensive grammatical changes and the first appearance of European loanwords. The basis of the standard dial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manichaeism
Manichaeism (; in New Persian ; ) is a former major religionR. van den Broek, Wouter J. Hanegraaff ''Gnosis and Hermeticism from Antiquity to Modern Times''SUNY Press, 1998 p. 37 founded in the 3rd century AD by the Parthian prophet Mani (AD 216–274), in the Sasanian Empire. Manichaeism teaches an elaborate dualistic cosmology describing the struggle between a good, spiritual world of light, and an evil, material world of darkness. Through an ongoing process that takes place in human history, light is gradually removed from the world of matter and returned to the world of light, whence it came. Its beliefs are based on local Mesopotamian religious movements and Gnosticism. It reveres Mani as the final prophet after Zoroaster, Gautama Buddha, and Jesus. Manichaeism was quickly successful and spread far through the Aramaic-speaking regions. It thrived between the third and seventh centuries, and at its height was one of the most widespread religions in the world. Manich ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Episodes From Mani's Missionary Work
''Episodes from Mani's Missionary Work'' is a Manichean silk color painting drawn in the coastal area of southern China during the yuan to ming period. It is now in a private Japanese collection. The whole picture can be roughly divided into five scenes, depicting the missionary process of a Manichean elector. According to Hungary Asian religious art historian Zsuzsanna Gulácsi, this priest is probably the founder of Manichaeism Mani himself. This painting was originally part of a large-scale Manichean silk painting. The drawing technique and artistic style are similar to "'' Mani's Community Established''" and " Mani's Parents", " The Birth of Mani" and " Manichean Universe Map". In Japanese it is called with Mani's Community Established being called Description Like the other two Manichaean works "''Sermon on Mani's Teaching of Salvation''" and "'' Mani's Community Established''" this picture also depicts several scenes, but it is different from the former and the lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Birth Of Mani
''The Birth of Mani'' is a Manichean silk cloth color painting painted in the Fujian Zhejiang area during the Yuan period, depicting the founder of the sect Mani The scene of birth, a scholar who specializes in Manichaeism Ma Xiaohe called it "a rare treasure". This picture is now in the collection of Japan Kyushu National Museum. The drawing technique and artistic style are similar to "'' Mani's Community Established''" and " Mani's Parents", "The Birth of Mani" and " Manichean Universe Map". " It was originally part of a large-scale Manichean silk painting, but now the silk painting has been lost, leaving only the birth picture. Description According to the research of the Hungarian Asian religious art historian Zsuzsanna Gulácsi , this painting mainly presents three themes: glory, incarnation , and birth celebration. The top of the center of the picture depicts ten Ji Letian in brightly colored costumes, driving two colorful auspicious clouds from the sky. Their position i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mani's Parents
''Mani's Parents'' is a color painting on silk drawn in the coastal areas of southern China during the late Yuan and early Ming dynasties. It is in the collection of the Asian Art Museum of San Francisco, US, and was donated by Ivory Brendage. The title given on the official website of the museum is "Fragment of a Manichaen Mandala". After Miki Morita's research, especially after comparing it with "The Birth of Mani", it is believed that the painting is a work of Manichaeism, depicting the image of the father and mother of Mani, the founder of the religion, Mani and Mani. Morita's research results were published in "Piecing a Picture Together: A New Manichaean Perspective on a Chinese Religious Painting in the Asian Art Museum of San Francisco", a view which was also adopted by the religious art historian Gu Leci in her work "Mani's Pictures". This painting was originally part of a large-scale Manichean silk painting. The drawing technique and artistic style are the same as thos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manichaean Diagram Of The Universe
The ''Manichaean Diagram of the Universe'' ( zh, t=摩尼教宇宙圖; ja, マニ教宇宙図) is a Yuan dynasty silk painting describing the cosmology of Manichaeism, in other words, the structure of universe according to Manichaean vision. The painting in vivid colours on a silk cloth (originally measuring approximately 158 by 60 centimetres) survives in three parts, whose proper relation to one another and digital reconstruction (shown here) was published by Zsuzsanna Gulácsi. The painting was discovered by with his research team in 2010, and identified as a depiction of the cosmos according to the Manichaean religion. According to the team, this piece of art was probably produced by a painter from southern China (Zhejiang or Fujian province) around the period of Yuan dynasty, which ruled China from 1271 to 1368; and the only painting currently known that covers Manichaeism's cosmologic view in complete form. How and when it was transferred to Japan is a mystery. Descripti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collection Of Chinese Manichaean Hanging Scrolls
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Icon Of Mani
''Icon of Mani'' ( ja, マニ像; Icon of Mani) is a silk painting hanging scroll from the Yuan or Ming period, from the coastal area of southern China, depicting Mani. The portrait of the founder Mani has been completely Sinicized. Discovery process The black and white photo of this painting was originally published in the 1937 Japanese Oriental Art Periodical "Guo Hua", but did not give the location of the collection and other relevant information. According to the research of Hungarian Asian religious art historian Zsuzsanna Gulácsi, the painting has similar features to the Mani statue depicted in the "Sermon on Mani's Teaching of Salvation". It should be an icon used by Manichae in southern China for religious worship. Originally it was not possible to verify the source, so it is generally believed that it was lost during World War II. However, the documentary linguistics professor Yoshida of Kyoto University discovered the original work of "Icon of Mani" at the Fujita Muse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manichaean Painting Of The Buddha Jesus
The ''Manichaean Painting of the Buddha Jesus'' ( zh, t=夷數佛幀, w=I2-shu4 fo2-chên1, p=Yí shù fó zhēn; ), is a Chinese Southern Song dynasty silk hanging scroll preserved at the Seiunji Temple in Kōshū, Yamanashi, Japan. It measures 153.5 cm in height, 58.7 cm in width, dates from the 12th to 13th centuries, and depicts a solitary nimbate figure on a dark-brown medieval Chinese silk. According to the Hungarian historian Zsuzsanna Gulácsi, this painting is one of the six documented Chinese Manichaean hanging scrolls from Zhejiang province from the early 12th century, which titled (lit. "Silk Painting of the Buddha rophetJesus").) is the Chinese translation of the name ''Jesus'' by the Manichaeans. Description The painting depicts a monumental, solitary figure, with glittering lines of gold and various colours. The upper half is occupied by a cloaked deity seated in lotus position and hands held close to one another in front of the chest. He is holdin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salvation Theory
Soteriology (; el, σωτηρία ' "salvation" from σωτήρ ' "savior, preserver" and λόγος ' "study" or "word") is the study of religious doctrines of salvation. Salvation theory occupies a place of special significance in many religions. In the academic field of religious studies, soteriology is understood by scholars as representing a key theme in a number of different religions and is often studied in a comparative context; that is, comparing various ideas about what salvation is and how it is obtained. Buddhism Buddhism is devoted primarily to liberation from '' Duḥkha'' or suffering by breaking free of '' samsara'', the cycle of compulsory rebirth, by attaining nirvana. Many types of Buddhism, Theravada, Mahayana and Vajrayana (or Tantric), emphasize an individual's meditation and subsequent liberation from ''samsara'', which is to become enlightened. However, the Pure Land traditions of Mahayana Buddhism generally focus on the saving nature of the Celestial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sermon On Mani's Teaching Of Salvation
''Sermon on Mani's Teaching of Salvation'' ( zh, t=冥王聖幀, l=Sacred Scroll of the King of the Underworld) is a Yuan dynasty silk hanging scroll, measuring 142 × 59 centimetres and dating from the 13th century, with didactic themes: a multi-scenic narrative that depicts Mani's Teachings about the Salvation combines a sermon subscene with the depictions of soteriological teaching in the rest of the painting. The painting was regarded as a depiction of the six realms of saṃsāra by Japanese Buddhists, therefore it was called "Painting of the Six Paths of Rebirth" ( ja, 六道図). After being studied by scholars like , , Zsuzsanna Gulácsi and Jorinde Ebert, they concluded that the painting is a Manichaean work of art. It was probably produced by a 13th-century painter from Ningbo, a city in southern China, and is kept today in the Museum of Japanese Art Yamato Bunkakan in Nara, Nara. Description The painting is divided into five scenes, with titles given by Zsuzsann ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosmology
Cosmology () is a branch of physics and metaphysics dealing with the nature of the universe. The term ''cosmology'' was first used in English in 1656 in Thomas Blount's ''Glossographia'', and in 1731 taken up in Latin by German philosopher Christian Wolff, in ''Cosmologia Generalis''. Religious or mythological cosmology is a body of beliefs based on mythological, religious, and esoteric literature and traditions of creation myths and eschatology. In the science of astronomy it is concerned with the study of the chronology of the universe. Physical cosmology is the study of the observable universe's origin, its large-scale structures and dynamics, and the ultimate fate of the universe, including the laws of science that govern these areas. It is investigated by scientists, such as astronomers and physicists, as well as philosophers, such as metaphysicians, philosophers of physics, and philosophers of space and time. Because of this shared scope with philosoph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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