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Manguin
Henri Charles Manguin (; 23 March 187425 September 1949)
2008
was a French painter, associated with the Fauvism, Fauves. Manguin entered the École des Beaux-Arts to study under Gustave Moreau, as did Henri Matisse and Charles Camoin with whom he became close friends. Like them, Manguin made copies of Renaissance art in the Louvre. Manguin was greatly influenced by Impressionism, as is seen in his use of bright pastel hues. He married in 1899 and made numerous portraits of his wife, Jeanne, and their family. In 1902, Manguin had his first exhibition at the Salon des Indépendants and Salon d'Automne. Many of his paintings were of Mediterranean landscapes; and would soon represent the height of his career as a Fauve artist.


1905 Indépendants

From 24 March to 30 April, the burgeoning of Fauvism was visible ...
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Fauvism
Fauvism ( ) is a style of painting and an art movement that emerged in France at the beginning of the 20th century. It was the style of (, ''the wild beasts''), a group of modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions. John Elderfield, The ''"Wild Beasts" Fauvism and Its Affinities,'' 1976, Museum of Modern Art, p.13, The leaders of the movement were André Derain and Henri Matisse. Artists and style Besides Matisse and Derain, other artists included Robert Deborne, Albert Marquet, Charles Camoin, Bela Czobel, Louis Valtat, Jean Puy, Maurice de Vlaminck, Henri Manguin, Raoul Dufy, Othon Friesz, Adolphe Wansart, Georges Rouault, Jean Metzinger, Kees van Dongen, Émilie Charmy and Georges Braque (subsequently ...
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