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Malagueña Margariteña Melodic Formula
Malagueña may refer to: * Malagueña, pertaining to the city of Málaga, Spain * La malagueña, a painting from 1917 by Julio Romero de Torres Music *Malagueña (genre), a Venezuelan genre of folk music *Malagueña (song), the sixth movement of the ''Suite Andalucia'' by Ernesto Lecuona, which became a popular song *Malagueñas (flamenco style), the flamenco palo or style *"Malagueña Salerosa", a 1947 Mexican song by Elpidio Ramírez, Roque Ramírez and Pedro Galindo *Malagueña, the second movement of Dmitri Shostakovich's Fourteenth Symphony *Malagueña, the second movement of Maurice Ravel's ''Rapsodie espagnole'' *Malagueña, a piece from Spanish composer Isaac Albéniz's famous piano composition ''España'', Opus 165 *Malagueña, a piece from composer Pablo de Sarasate's ''Spanish Dances Spanish might refer to: * Items from or related to Spain: **Spaniards are a nation and ethnic group indigenous to Spain **Spanish language, spoken in Spain and many countries in the Am ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Málaga
Málaga (; ) is a Municipalities in Spain, municipality of Spain, capital of the Province of Málaga, in the Autonomous communities of Spain, autonomous community of Andalusia. With a population of 591,637 in 2024, it is the second-most populous city in Andalusia and the Ranked lists of Spanish municipalities#By population, sixth most populous in the country. It lies in Southern Iberian Peninsula, Iberia on the Costa del Sol ("Coast of the Sun") of the Mediterranean, primarily in the left bank of the Guadalhorce. The urban core originally developed in the space between the Gibralfaro, Gibralfaro Hill and the Guadalmedina. Málaga's history spans about 2,800 years, making it one of the List of cities by time of continuous habitation#Europe, oldest continuously inhabited cities in Western Europe. According to most scholars, it was founded about 770BC by the Phoenicians from Tyre, Lebanon, Tyre as ''Malaka''. From the 6th centuryBC the city was under the hegemony of Ancient Cartha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julio Romero De Torres
Julio Romero de Torres (9 November 1874 – 10 May 1930) was a Spanish painter. His brothers, Rafael and , also became painters. Biography He was the son of Rafael Romero Barros, a painter who served as Director of the Fine Arts Museum of Córdoba. When he was ten, he began his apprenticeship with his father at the School Of Fine Arts. His first known works, ''Head of an Arab'' and ''On Horseback'', date from 1889. Two years later, he was providing illustrations for the '' Diario de Córdoba. In 1895, he had his first showing at the National Exhibition of Fine Arts, where he received honorable mention. Although he attempted to win a scholarship to the Spanish Academy in Rome in 1897, he was unsuccessful. The following year, his brother Rafael died, aged only thirty-three. He participated in the 1899 National Exhibition, being awarded a third-class medal. It was then that he began teaching at the art school and married Francisca Pellicer López, who was also from a fam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malagueña (genre)
The malagueña () is a genre of folk music from eastern Venezuela, most notably from the island of Margarita. It is characterized by a solo vocal performance and typical accompaniment of a mandolin, a cuatro and a guitar, with a rhythm in 3/4 time. History and Etymology The malagueña traces its origins back to Andalusia, evidenced clearly in the name, as "malagueña" pertains to the city of Málaga in southern Andalusia. This link is further evidenced by the malagueñas palo of flamenco, which has a similar harmonic progression to the Venezuelan genre. There is a further possibility that the malagueña entered Venezuela not directly from Andalusia but instead through settlers from the Canary Islands. ''Isleño'' folk music also includes a style of malagueña which derives from the flamenco palo. Like the Venezuelan malagueña, the ''isleño'' malagueña's timple accompaniment marks the beats of the 3/4 time, where in flamenco it is more common to perform the malagueñas in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malagueña (song)
"Malagueña" (, from Málaga) is a song by Cuban composer Ernesto Lecuona. It was originally the sixth movement of Lecuona's ''Suite Andalucía'' (1933), to which he added lyrics in Spanish. The song has since become a popular, jazz, marching band, and drum and bugle corps standard and has been provided with lyrics in several languages. In general terms, malagueñas are flamenco dance styles with paso doble elements from Málaga, in the southeast of Spain. Origins The melodic themes which form the basis of "Malagueña" were not of Ernesto Lecuona's invention, having been prominent in Spanish folk songs named "malagueñas" for several centuries, though at least one was popularised internationally by 19th-century American composer Louis Moreau Gottschalk in his solo piano composition ''Souvenirs d'Andalousie'' ( English: ''Memories of Andalusia''). The malagueña originates in the fandango style of Málaga, hence its name. It was also exported to the Canary Islands around t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malagueñas (flamenco Style)
''Malagueñas'' () is one of the traditional styles of Andalusian music (flamenco), derived from earlier types of fandango from the area of Málaga, classified among the Cantes de Levante. Originally a folk-song type, it became a flamenco style in the 19th century. It is not normally used for dance, as it is generally interpreted with no regular rhythmic pattern, as a "cante libre." It has a very rich melody with virtuous flourishes and use of microtones. Its guitar accompaniment is normally played in open position first inversion giving E for the tonic, which can be transposed by using a capo. History Origins Malagueñas derive from local variety of the Fandangos, a type of dance that, with different regional variations and even different names, became very popular in great part of Spain in the 18th century. Although nowadays malagueñas are a typical instance of "cante libre", performed at libitum and normally not used for the dance, folkloric fandangos were originally sung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malagueña Salerosa
— also known as — is a well-known Son Huasteco or Huapango song from Mexico, which has been covered more than 200 times by recording artists. The song is that of a man telling a woman (from Málaga, Spain) how beautiful she is, and how he would love to be her man, but that he understands her rejecting him for being too poor. is attributed to Elpidio Ramírez and Pedro Galindo, published by Peer International in 1947 (monitored by BMI), although Mexican composer Nicandro Castillo questions the validity of that authorship. As he mentions: : The issue is controversial because ... composerdon Nicandro Castillo wrote that several tunes from la Huasteca which in decades past were known as , composed by Elpidio Ramírez, Roque Ramírez and Pedro Galindo, were actually anonymous songs, as was the case of and , which like or , were in the public domain, written "long before the construction of the Cathedral of Huejutla". Recordings Many have recorded and played this so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony, or Mahler's Second Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rapsodie Espagnole
''Rapsodie espagnole'' is an orchestral rhapsody written by Maurice Ravel. Composed between 1907 and 1908, the ''Rapsodie'' is one of Ravel's first major works for orchestra. It was first performed in Paris in 1908 and quickly entered the international repertoire. The piece draws on the composer's Spanish heritage and is one of several of his works set in or reflecting Spain. Background The genesis of the ''Rapsodie'' was a Habanera, for two pianos, which Ravel wrote in 1895. It was not published as a separate piece, and in 1907 he composed three companion pieces. A two-piano version was completed by October of that year, and the suite was fully orchestrated the following February.Orenstein, p. 57 At about this time there was a distinctly Spanish tone to Ravel's output, perhaps reflecting his own Spanish ancestry.Goodwin, p. 4 His opera '' L'heure espagnole'' was completed in 1907, as was the song "Vocalise-Etude en forme de habanera". In the interval between the composition of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isaac Albéniz
Isaac Manuel Francisco Albéniz y Pascual (; 29 May 1860 – 18 May 1909) was a Spanish virtuoso pianist, composer, and conductor. He is one of the foremost composers of the post-romantic era who also had a significant influence on his contemporaries and younger composers. He is best known for his piano works that incorporate Spanish folk music idioms and elements. his compositions, particularly those in his suite ''Iberia'' (1905–1908), are considered masterpieces and have influenced both classical music and Spanish nationalism in music. Isaac Albéniz was close to the Generation of '98. Transcriptions of many of his pieces, such as '' Asturias (Leyenda)'', ''Granada'', ''Sevilla'', '' Cadiz'', '' Córdoba'', '' Cataluña'', ''Mallorca'', and Tango in D, are important pieces for classical guitar, though he never composed for the guitar. Some of Albéniz's personal papers are held in the Library of Catalonia. Life Born in Camprodon, province of Girona, to Ánge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pablo De Sarasate
Pablo Martín Melitón de Sarasate y Navascués (; 10 March 1844 – 20 September 1908), commonly known as Pablo de Sarasate, was a Spanish violinist, composer and Conducting, conductor of the Romantic music, Romantic period. His best known works include ''Zigeunerweisen'' (''Gypsy Airs''), the ''Spanish Dances'', and the ''Carmen Fantasy (Sarasate), Carmen Fantasy''. Biography Sarasate was born in Pamplona, Navarre, in 1844, the son of Don Miguel Sarasate, a local artillery bandmaster. Apparently, after seeing his father struggle with a passage for a long time, he picked up the violin and played it perfectly. He began studying the violin with his father at the age of five and later took lessons from a local teacher. His musical talent became evident early on and he appeared in his first public concert in A Coruña at the age of eight. His performance was well-received, and caught the attention of a wealthy patron who provided the funding for Sarasate to study under Manuel Rodr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
