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Madīd (metre)
The Madīd (, "protracted") metre is one of the metres used in classical Arabic poetry. The theoretical pattern of the metre is as follows, where u = a short syllable, – a long syllable, and x = ''anceps'' (either long or short): : : :, x u – x , x u – , x u – – , x u – , However, more usually the metre is found in a trimeter version. The full version of the trimeter is as follows: : : :, x u – x , x u – , x u – – , In two of the examples below, the metre is used in a catalectic trimeter version (i.e. shortened by one syllable), as follows: : : :, x u – x , x u – , x u – , In the above catalectic trimeter version, the 2nd and 3rd ''anceps'' syllables (x) are usually long (never both short),"Madīd" ''Encyclopaedia of Islam, Second Edition''. and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catalectic
A catalectic line is a metrically incomplete line of verse, lacking a syllable at the end or ending with an incomplete foot. One form of catalexis is headlessness, where the unstressed syllable is dropped from the beginning of the line. A line missing two syllables is called brachycatalectic. A line with an ''additional'' syllable is called hypercatalectic. In English Poems can be written entirely in catalectic lines, or entirely in acatalectic (complete) lines, or a mixture, as in the following carol, composed by Cecil Frances Alexander in 1848. The 7-syllable lines are catalectic: :Once in Royal David's city (8 syllables) : Stood a lowly cattle shed, (7 syllables) :Where a mother laid her Baby (8 syllables) : In a manger for His bed: (7 syllables) :Mary was that mother mild, (7 syllables) :Jesus Christ her little Child. (7 syllables) It has been argued that across a number of Indo-European languages, when the two types of line a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basit
() or (), is a metre used in classical Arabic poetry. The word literally means "extended" or "spread out" in Arabic. Along with the , , and , it is one of the four most common metres used in pre-Islamic and classical Arabic poetry. Form of the metre The metrical form of the is often as follows (where "–" is a long syllable, "u" is a short syllable, and "x" is , i.e., a syllable which can be either long or short): :, x – u – , x u – , – – u – , u u – , The mnemonic words () used by Arab prosodists to describe this metre are: ' (). The metre is usually used in couplets of eight feet each. Example An example is the by al-Mutanabbi (915–965): “The poet reproaches Sayf al-Dawla” (king of Aleppo), a poem of 38 couplets, from which come the following well-known verses: :, u – u – , u u – , – – u – , u u – , :, u – u – , – u – , – – u – , u u – , : : : : : : : : : : : : : : : :If you see the lion’s fan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Poetry Forms
Arabic (, , or , ) is a Central Semitic language of the Afroasiatic language family spoken primarily in the Arab world. The International Organization for Standardization (ISO) assigns language codes to 32 varieties of Arabic, including its standard form of Literary Arabic, known as Modern Standard Arabic, which is derived from Classical Arabic. This distinction exists primarily among Western linguists; Arabic speakers themselves generally do not distinguish between Modern Standard Arabic and Classical Arabic, but rather refer to both as ( "the eloquent Arabic") or simply ' (). Arabic is the third most widespread official language after English and French, one of six official languages of the United Nations, and the liturgical language of Islam. Arabic is widely taught in schools and universities around the world and is used to varying degrees in workplaces, governments and the media. During the Middle Ages, Arabic was a major vehicle of culture and learning, especially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Rhythm
In poetry Poetry (from the Greek language, Greek word ''poiesis'', "making") is a form of literature, literary art that uses aesthetics, aesthetic and often rhythmic qualities of language to evoke meaning (linguistics), meanings in addition to, or in ..., metre (British English, Commonwealth spelling) or meter (American English, American spelling; see American and British English spelling differences#-re, -er, spelling differences) is the basic rhythm, rhythmic structure of a verse (poetry), verse or Line (poetry), lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, "Prosody (linguistics), prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Poetry
Arabic poetry ( ''ash-shi‘r al-‘arabīyy'') is one of the earliest forms of Arabic literature. Pre-Islamic Arabic poetry contains the bulk of the oldest poetic material in Arabic, but Old Arabic inscriptions reveal the art of poetry existed in Arabic writing in material as early as the 1st century BCE, with oral poetry likely being much older still. Arabic poetry is categorized into two main types, rhymed or measured, and prose, with the former greatly preceding the latter. The rhymed poetry falls within fifteen different meters collected and explained by al-Farahidi in ''The Science of ‘ Arud''. Al-Akhfash, a student of al-Farahidi, later added one more meter to make them sixteen. The meters of the rhythmical poetry are known in Arabic as "seas" (''buḥūr''). The measuring unit of seas is known as "''taf‘īlah''," and every sea contains a certain number of taf'ilas which the poet has to observe in every verse ('' bayt'') of the poem. The measuring procedure of a p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Prosody
(, ) or () is the study of poetic meters, which identifies the meter of a poem and determines whether the meter is sound or broken in lines of the poem. It is often called the ''Science of Poetry'' (, ). Its laws were laid down by Al-Khalīl ibn Aḥmad al-Farāhīdī (d. 786), an early Arab lexicographer and philologist. In his book (), which is no longer extant, he described 15 types of meter. Later Al-Akhfash al-Akbar described a 16th meter, the . Following al-Khalil, the Arab prosodists scan poetry not in terms of syllables but in terms of vowelled and unvowelled letters, which were combined into larger units known as or "peg" (pl. ) and "cord" (pl. ). These larger units make up feet (, pl. ). Western prosodists, on the other hand, usually analyse the meters in terms of syllables, which can be long (–), short (u) and ''anceps'' (x), that is, a syllable which can be optionally long or short. Certain meters also have ''biceps'' positions where a pair of short syllable ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metre (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abraham Ibn Ezra
Abraham ben Meir Ibn Ezra (, often abbreviated as ; ''Ibrāhim al-Mājid ibn Ezra''; also known as Abenezra or simply ibn Ezra, 1089 / 1092 – 27 January 1164 / 23 January 1167)''Jewish Encyclopedia''online; '' Chambers Biographical Dictionary'' gives the dates 1092/93 – 1167 was one of the most distinguished Jewish biblical commentators and philosophers of the Middle Ages. He was born in Tudela, Taifa of Zaragoza (now Navarre). Biography Abraham Ibn Ezra was born in Tudela, one of the oldest and most important Jewish communities in Navarre. At the time, the town was under the rule of the emirs of the Muslim Taifa of Zaragoza. However, when he later moved to Córdoba, he claimed it was his birthplace. Ultimately, most scholars agree that his place of birth was Tudela. From outside sources, little is known of ibn Ezra's family; however, he wrote of a marriage to a wife who produced five children. While it is believed four died early, the last-born, Isaac, became an influ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piyyut
A piyyuṭ (plural piyyuṭim, ; from ) is a Jewish liturgical poem, usually designated to be sung, chanted, or recited during religious services. Most piyyuṭim are in Mishnaic Hebrew or Jewish Palestinian Aramaic, and most follow some poetic scheme, such as an acrostic following the order of the Hebrew alphabet or spelling out the name of the author. Many piyyuṭim are familiar to regular attendees of synagogue services. For example, the best-known piyyuṭ may be ''Adon Olam'' "Lord of the World." Its poetic form consists of a repeated rhythmic pattern of short-long-long-long (the so-called hazaj meter). It is so beloved that it is often sung after many synagogue services after the ritual nightly recitation of the Shema and during the morning ritual of putting on tefillin. Another beloved piyyuṭ is ''Yigdal'' "May God be Hallowed," which is based upon the thirteen principles of faith set forth by Maimonides. Scholars of piyyuṭ today include Shulamit Elizur and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al-Mutanabbi
Abū al-Ṭayyib Aḥmad ibn al-Ḥusayn al-Mutanabbī al-Kindī ( – 965 AD), commonly known as Al-Mutanabbi (), was an Abbasid-era Arab poet at the court of the Hamdanid emir Sayf al-Dawla in Aleppo, and for whom he composed 300 folios of poetry. His poetic style earned him great popularity in his time and many of his poems are not only still widely read in today's Arab world but are considered to be proverbial. He started writing poetry when he was nine years old. He is well known for his sharp intelligence and wittiness. Among the topics he discussed were courage, the philosophy of life, and the description of battles. As one of the greatest, most prominent and influential poets in the Arabic language, much of his work has been translated into over 20 languages worldwide. His great talent brought him very close to many leaders of his time, whom he extolled in return for money and gifts. His political ambitions, however, ultimately soured his relations with his patrons a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
