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Madanika (Temple De Chennakeshava à Belur, Inde) (14484817881)
A salabhanjika or shalabhanjika is a term found in Indian art and literature with a variety of meanings. In Buddhist art, it means an image of a woman or yakshi next to, often holding, a tree, or a reference to Maya under the ''sala'' tree giving birth to Siddhartha (Buddha). In Hindu and Jain art, the meaning is less specific, and it is any statue or statuette, usually female, that breaks the monotony of a plain wall or space and thus enlivens it. In Buddhist literature, ''salabhanjika'' also refers to an ancient Indian festival, one celebrated when ''sala'' tree blossoms in the context of Buddha's life. In literature, apart from the statue meaning, Salabhanjika can mean a doll, or fairy, or a seductress (harlot) depending on the context. In these contexts, they are also known as ''madanakai'', ''madanika'' or ''shilabalika''. In the context of Indian poetry and music, the term ''salabhanjika'' is synonymous with the ''pathyā'' meter – one of the minor ''chanda'' (poetic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
11th 12th Century Iswara Temple, Kamaleshwara Kalleswara Kamlishvara, Jalasangvi Karnataka India - 17
In music theory, an eleventh is a compound interval consisting of an octave plus a fourth. A perfect eleventh spans 17 and the augmented eleventh 18 semitones, or 10 steps in a diatonic scale. Since there are only seven degrees in a diatonic scale, the eleventh degree is the same as the subdominant (IV). The eleventh is considered highly dissonant with the major third. An eleventh chord is the stacking of five thirds in the span of an eleventh. In common practice tonality, it usually had subdominant function as minor eleventh chord on the second degree (supertonic) of the major scale. See also *Eleventh chord *Extended chord In music, extended chords are certain Chord (music), chords (built from third (chord), thirds) or triad (music), triads with notes ''extended'', or added, beyond the seventh (chord), seventh. Ninth chord, Ninth, Eleventh chord, eleventh, and T ... References Chord factors Fourths (music) Compound intervals {{music-theory-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Somanathapura
Somanathapura, also spelled Somnathpur temple or Somanathpura is a town in T Narasipura Taluk, Mysore district in the state of Karnataka in India. Census of India (2011) It is located from Keshava Temple at Somanathapura (Also called '''' temple). Demographics According to the 2011 Indian Census, the town consists of 4,692 people. The town has a literacy rate of 86.11 percent which is higher than |
Halebidu
Halebidu (IAST: Haḷēbīḍ, literally "old capital, city, encampment" or "ruined city") is a town located in Hassan District, Karnataka, India. Historically known as Dwārasamudra (also Dorasamudra), Halebidu became the regal capital of the Hoysala Empire in the 11th century CE. In the modern era literature it is sometimes referred to as Halebeedu or Halebid as the phonetic equivalent, a local name after it was damaged and deserted after being ransacked and looted twice by the forces of the Turko-Persian Delhi Sultanate in the 14th century. Halebidu is home to some of the best examples of Hindu and Jain temples with Hoysala architecture. These show the breadth of Hindu artwork traditions – Shiva, Vishnu, Devi and Vedic deities – fused into the same temple complex, depicted with a diversity of regional heritages, along with inscriptions in scripts from across India. The Hindu temples include Jaina reliefs in its panel. Similarly, the Jaina artwork includes the different ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belur, Karnataka
Belur () is a town and tehsil, taluk in Hassan district in the state of Karnataka, India. The town is renowned for its Chennakeshava Temple, Belur, Chennakeshava Temple dedicated to Vishnu, one of the finest examples of Hoysala architecture and the largest Hindu temple complex that has survived from pre-14th-century Karnata-Dravida tradition. It has been a Vaishnava Hindu pilgrimage center since at least the 12th century. It was also the first capital of the Hoysala dynasty, before they built Dwarasamudra (modern Halebid). Belur is also Town Municipal Council and taluka. The Hoysala monuments at Belur and Halebidu have been declared as UNESCO World Heritage Sites in 2023.Permanent Delegation of India to UNESCO (2014)Sacred Ensembles of the Hoysala UNESCO Geography Belur is situated on the banks of Yagachi River in the Hassan district of south Karnataka. It is about northwest of Hassan, Karnataka, Hassan and about west from the famous Hindu and Jain temples' town of Halebid, H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoysala
The Hoysala Kingdom was a kingdom originating from the Indian subcontinent that ruled most of what is now Karnataka, India, Karnataka, parts of Tamilnadu and South-Western Telangana between the 11th and the 14th centuries Common Era, CE. The capital of the Hoysalas was initially located at Belur, Karnataka, Belur, but was later moved to Halebidu. The Hoysala rulers were originally from Malenadu, an elevated region in the Western Ghats. In the 12th century, taking advantage of the internecine warfare between the Western Chalukya Empire and Kalachuris of Kalyani, the Hoysalas annexed areas of present-day Karnataka and the fertile areas north of the Kaveri delta in present-day Tamil Nadu. By the 13th century, they governed most of Karnataka, north-western Tamil Nadu and parts of western Andhra Pradesh in the Deccan Plateau (Now Telangana). The Hoysala era was an important period in the development of South Indian art, architecture, and religion. The Kingdom is remembered today pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pataliputra
Pataliputra (IAST: ), adjacent to modern-day Patna, Bihar, was a city in ancient India, originally built by Magadha ruler Ajatashatru in 490 BCE, as a small fort () near the Ganges river.. Udayin laid the foundation of the city of Pataliputra at the confluence of two rivers, the Son and the Ganges. He shifted his capital from Rajgriha to Pataliputra due to the latter's central location in the empire. It became the capital of major powers in ancient India, such as the Shishunaga Empire (–345 BCE), Nanda Empire (), the Maurya Empire (–180 BCE), and the Pala Empire (–1200 CE). During the Maurya period (see below), it became one of the largest cities in the world. As per the Greek diplomat, traveler and historian Megasthenes, during the Mauryan Empire (–180 BCE) it was among the first cities in the world to have a highly efficient form of local self government. The location of the site was first identified in modern times in 1892 by Laurence Waddell, published a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sunga Empire
The Shunga Empire (IAST: ') was a ruling entity centred around Magadha and controlled most of the northern Indian subcontinent from around 187 to 75 BCE. The dynasty was established by Pushyamitra, after taking the throne of Magadha from the Mauryas. The Shunga empire's capital was Pataliputra, but later emperors such as Bhagabhadra also held court at Besnagar (modern Vidisha) in eastern Malwa. This dynasty is also responsible for successfully fighting and resisting the Greeks in Shunga–Greek War. Pushyamitra ruled for 36 years and was succeeded by his son Agnimitra. There were ten Shunga rulers. However, after the death of Agnimitra, the second king of the dynasty, the empire rapidly disintegrated:K.A. Nilkantha Shastri (1970)''A Comprehensive History of India: Volume 2'' p.108: "Soon after Agnimitra there was no 'Sunga empire'." inscriptions and coins indicate that much of northern and central India consisted of small kingdoms and city-states that were independent of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kumhrar
Kumhrar or Kumrahar is the area of Patna where remains of the ancient city of Pataliputra were excavated by the Archaeological Survey of India starting from 1913. It is located 5 km east of Patna Railway Station. Archaeological remains of the Mauryan period (322–185 BCE) have been discovered here, this include the ruins of a hypostyle 80-pillared hallDevise plan to save Kumhrar site:HC , 1 February 2002. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanchi Stupa
Sanchi Stupa is a Buddhist art, Buddhist complex, famous for its Great Stupa, on a hilltop at Sanchi Town in Raisen District of the States and territories of India, State of Madhya Pradesh, India. It is located, about 23 kilometers from Raisen, Raisen town, district headquarter and north-east of Bhopal, capital of Madhya Pradesh. The Great Stupa at Sanchi is one of the oldest stone structures in India, and an important monument to the historical architecture of India. It was originally commissioned by the Maurya Empire, Mauryan emperor Ashoka the Great, Ashoka in the 3rd century BCE. Its nucleus was a simple hemispherical brick structure built over the relics of the Gautama Buddha, Buddha. It was crowned by the Chatra (umbrella), chatra, a parasol-like structure symbolising high rank, which was intended to honour and shelter the relics. The original construction work of this stupa was overseen by Ashoka, whose wife Devi was the daughter of a merchant of nearby Vidisha. Sanchi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natyashastra
The ''Nāṭya Shāstra'' (, ''Nāṭyaśāstra'') is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The text consists of 36 chapters with a cumulative total of 6,000 poetic verses describing performance arts. The subjects covered by the treatise include dramatic composition, structure of a play and the construction of a stage to host it, genres of acting, body movements, make up and costumes, role and goals of an art director, the musical scales, musical instruments and the integration of music with art performance. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, one which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is a desired effect of performance arts but not t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aśvaghoṣa
, also Devanagari transliteration, transliterated Ashvaghosha (, ; lit. "Having a Horse-Voice"; ; ) ( Common Era, CE), was a Buddhist philosopher, dramatist, poet, musician, and orator from India. He was born in Saketa, today known as Ayodhya. He is believed to have been the first Sanskrit dramatist, and is considered the greatest Indian poet prior to Kālidāsa. It seems probable that he was the contemporary and spiritual adviser of Kanishka in the first century of our era. He was the most famous in a group of Buddhist court writers, whose epics rivaled the contemporary ''Ramayana.'' Whereas much of Buddhist literature prior to the time of Aśvaghoṣa had been composed in Pāli and Prakrit, Aśvaghoṣa wrote in Classical Sanskrit. He may have been associated with the Sarvāstivāda or the Mahasanghika schools. Life He is said to have been born in Ayodhya. His original (lay) name is unknown, Aśvaghosa being a later nickname only. According to the traditional biography of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
