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Lüshi (poetry)
''Lüshi'' () refers to a specific form of Classical Chinese poetry verse form. One of the most important poetry forms of classical Chinese poetry, the ''lüshi'' refers to an eight-line regulated verse form with lines made up of five, six, or seven characters; thus: *Five-character eight-line regulated verse (''wulü''): a form of regulated verse with eight lines of five characters each. *Six-character eight-line regulated verse is relatively rare. *Seven-character eight-line regulated verse (''qilü''): a form of regulated verse with eight lines of seven characters each. *Extended forms (''pailü''): expansion of the forms listed above with more than eight lines. All ''lüshi'' forms are rhymed on the even lines, with one rhyme being used throughout the poem. Also, and definitionally, the tonal profile of the poem is controlled (that is, "regulated"). Historical development Although the idea of regulating the tonal pattern of poetry can be traced back to Shen Yue, the ''lüshi' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Chinese Poetry
Classical Chinese poetry is traditional Chinese poetry written in Classical Chinese and typified by certain traditional forms, or modes; traditional genres; and connections with particular historical periods, such as the poetry of the Tang dynasty. The existence of classical Chinese poetry is documented at least as early as the publication of the ''Classic of Poetry'' (''Shijing''). Various combinations of forms and genres have developed over the ages. Many or most of these poetic forms were developed by the end of the Tang dynasty, in 907 CE. The use and development of Classical Chinese poetry actively continued up until the May Fourth Movement, in 1919, and is still developed even today. Poetry created during this period of more-or-less continuous development displays a great deal of diversity – categorized by both major historical periods and by dynastic periods (the traditional Chinese historical method). Another key aspect of Classical Chinese poetry is its intense int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regulated Verse
Regulated verse – also known as Jintishi () – is a development within Classical Chinese poetry of the ''shi'' main formal type. Regulated verse is one of the most important of all Classical Chinese poetry types. Although often regarded as a Tang Dynasty innovation, the origin of regulated verse within the Classical Chinese poetic tradition is associated with Shen Yue (441–513), based on his "four tones and eight defects" (四聲八病) theory regarding tonality.Watson, 110–112 There are three types of regulated verse: the eight-lined '' lüshi'', the four-lined ''jueju'', and the linked couplets of indeterminate length '' pailu''. All regulated verse forms are rhymed on the even lines, with one rhyme being used throughout the poem. Also, and definitionally, the tonal profile of the poem is controlled (that is, "regulated"). Furthermore, semantic and tonal parallelism is generally required of certain interior couplets. During the Tang Dynasty, the "Shen-Song" team of Shen Quanq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pailü
''Pailü'' () is one of the main forms of Classical Chinese poetry. It is a style of regulated verse (''jintishi''): the rules and regulations of the ''pailü'' allow for a poem composed of an unlimited series of linked couplets. The ''pailü'' form seems to have developed as part of 7th-century Tang poetry. See also * Classical Chinese poetry forms * Regulated verse * Chinese poetry Chinese poetry is poetry written, spoken, or chanted in the Chinese language. While this last term comprises Classical Chinese, Standard Chinese, Mandarin Chinese, Yue Chinese, and other historical and vernacular forms of the language, its poetry ... * Chinese literature References *Davis, A. R. (Albert Richard), Editor and Introduction, ''The Penguin Book of Chinese Verse''. (Baltimore: Penguin Books (1970). *Watson, Burton (1971). ''Chinese Lyricism: Shih Poetry from the Second to the Twelfth Century''. New York: Columbia University Press. * Yip, Wai-lim (1997). ''Chinese Poetry: An Antholog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shen Yue
Shen Yue (; 441–1 May 513), courtesy name Xiuwen (休文), was a Chinese historian, music theorist, poet, and politician born in Huzhou, Zhejiang. He served emperors under the Liu Song Dynasty, the Southern Qi Dynasty (see Yongming poetry), and the Liang Dynasty. He was a prominent scholar of the Liang Dynasty and the author of the ''Book of Song'', an historical work covering the history of the previous Liu Song Dynasty. He is probably best known as the originator of the first deliberately applied rules of tonal euphony (so called "four tones and eight defects" 四聲八病) in the history of Chinese prosody. He was also the leading scholar on the musical practices of his time and author of the essays on qilin and omenology. Poetry Shen Yue was known for his love of poetry. For example, he wrote a set of poems, called by Burton Watson the ''Six Poems on Remembering'', describing his beloved during six times of the day. The ''Six Poems on Remembering'' get fairly close to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tang Poet
Tang or TANG most often refers to: * Tang dynasty * Tang (drink mix) Tang or TANG may also refer to: Chinese states and dynasties * Jin (Chinese state) (11th century – 376 BC), a state during the Spring and Autumn period, called Tang (唐) before 8th century BC * Tang dynasty (唐; 618–907), a major Chinese dynasty * Later Tang (唐; 923–937), a state during the Five Dynasties and Ten Kingdoms period * Southern Tang (唐; 937–975), a state during the Five Dynasties and Ten Kingdoms period Food * Tang (drink mix), a brand name of instant fruit flavored drinks, produced by Mondelēz International * Guk, soup or stew in Korean cuisine, sometimes known as "tang" Places Europe * Tang, County Westmeath, a village in Ireland * Tang, North Yorkshire, a settlement in England Asia * Tang, Ardabil, a village in Ardabil Province, Iran * Tang, Badakhshan, a village in Afghanistan * Tang, a village in Bumthang District, Bhutan * Tang (唐镇), a town in Pudong, Shanghai, Chi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Li Bai
Li Bai (, 701–762), also pronounced as Li Bo, courtesy name Taibai (), was a Chinese poet, acclaimed from his own time to the present as a brilliant and romantic figure who took traditional poetic forms to new heights. He and his friend Du Fu (712–770) were two of the most prominent figures in the flourishing of Chinese poetry in the Tang dynasty, which is often called the " Golden Age of Chinese Poetry". The expression "Three Wonders" denotes Li Bai's poetry, Pei Min's swordplay, and Zhang Xu's calligraphy. Around 1000 poems attributed to Li are extant. His poems have been collected into the most important Tang dynasty poetry, ''Heyaue yingling ji'', compiled in 753 by Yin Fan. Thirty-four of Li Bai’s poems are included in the anthology ''Three Hundred Tang Poems'', which was first published in the 18th century. Around the same time, translations of his poems began to appear in Europe. The poems were models for celebrating the pleasures of friendship, the depth of nature ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Chinese Poetry Forms
Classical Chinese poetry forms are poetry forms or modes which typify the traditional Chinese poems written in Literary Chinese or Classical Chinese. Classical Chinese poetry has various characteristic forms, some attested to as early as the publication of the ''Classic of Poetry'', dating from a traditionally, and roughly, estimated time of around 10th–7th century BCE. The term "forms" refers to various formal and technical aspects applied to poems: this includes such poetic characteristics as meter (such as, line length and number of lines), rhythm (for example, presence of caesuras, end-stopping, and tone contour), and other considerations such as vocabulary and style. These forms and modes are generally, but not invariably, independent of the Classical Chinese poetry genres. Many or most of these were developed by the time of the Tang Dynasty, and the use and development of Classical Chinese poetry and genres actively continued up until the May Fourth Movement, and still c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jueju
''Jueju'' (), or Chinese quatrain, is a type of '' jintishi'' ("modern form poetry") that grew popular among Chinese poets in the Tang Dynasty (618–907), although traceable to earlier origins. ''Jueju'' poems are always quatrains; or, more specifically, a matched pair of couplets, with each line consisting of five or seven syllables. The five-syllable form is called ''wujue'' () and the seven-syllable form ''qijue'' (). History The origins of the ''jueju'' style are uncertain. Fränkel states that it arose from the ''yuefu'' form in the fifth or sixth century. This pentasyllabic song form, dominant in the Six Dynasties period, may have carried over into ''shi'' composition and thus created a hybrid of the ''yuefu'' quatrain and ''shi'' quatrain. Indeed, many Tang dynasty ''wujue'' poems were inspired by these ''yuefu'' songs. In the seventh century the jueju developed into its modern form, as one of the three "modern" verse forms, or ''jintishi'', the other two types o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regulated Verse
Regulated verse – also known as Jintishi () – is a development within Classical Chinese poetry of the ''shi'' main formal type. Regulated verse is one of the most important of all Classical Chinese poetry types. Although often regarded as a Tang Dynasty innovation, the origin of regulated verse within the Classical Chinese poetic tradition is associated with Shen Yue (441–513), based on his "four tones and eight defects" (四聲八病) theory regarding tonality.Watson, 110–112 There are three types of regulated verse: the eight-lined '' lüshi'', the four-lined ''jueju'', and the linked couplets of indeterminate length '' pailu''. All regulated verse forms are rhymed on the even lines, with one rhyme being used throughout the poem. Also, and definitionally, the tonal profile of the poem is controlled (that is, "regulated"). Furthermore, semantic and tonal parallelism is generally required of certain interior couplets. During the Tang Dynasty, the "Shen-Song" team of Shen Quanq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
