Léonce Bénédite
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Léonce Bénédite
Léonce Bénédite (14 January 1859 – 12 May 1925) was a French art historian and curator. He was a co-founder of the Société des Peintres Orientalistes Français (Society for French Orienalist Painters) and was instrumental in establishing Orientalist art as a legitimate genre. He was the assistant curator at the Chateau de Versailles between 1882 and 1886; the assistant curator at the Chateau de Versailles between 1886; and from 1886 he was the first assistant director at Étienne Arago at the Musée du Luxembourg until 1892 when he became the Director. For Bénédite, writing was inseparable from his function as curator. He was a prolific writer, contributing to books, catalogs and art journals. Bénédite was one of the executors of Auguste Rodin's will, with responsibility for managing Rodin's artistic heritage. He was a key figure in establishing the Rodin Museum at the Hôtel Biron in 1919 and became the Museum's first Curator. Life and career Bénédite was born ...
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Amélie Beaury-Saurel
Am̩lie Beaury-Saurel (1849 РMay 30, 1924) was a French painter noted for portraiture. Life and career Born in Barcelona as Am̩lie Beaury, she added "Saurel" to her name in recognition of her mother's family who could trace their lineage to the Byzantine emperors of the 11th century. Her family lived in Spain and Corsica, but eventually settled in France where she enrolled in the Academie Julian and paid for her studies by carrying out administrative duties and managing the finances. At various times, she was a pupil of J. Lefebvre, T. Robert-Fleury and J.P. Laurens in Acad̩mie Julian, and became a very popular portrait painter, thanks to L̩on Bonnat. She married Rodolphe Julian in 1895 and took on charge a women's atelier. In her publications, Marie Bashkirtseff (also a Julian pupil) talked distrustfully about "l'espagnole" (''the Spanish woman''). She made her ''d̩but'' in the ''Salon de Paris'' in 1874, where she was considered one of the most important artists ...
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François Bonvin
Fran̤ois Bonvin (November 22, 1817 РDecember 19, 1887) was a French Realism (arts), realist painter. Early life Bonvin was born in humble circumstances in Paris, the son of a police officer and a seamstress. When he was four years old his mother died of tuberculosis and young Fran̤ois was left in the care of an old woman who underfed him. Soon his father married another seamstress and brought the child back into the household. Nine additional children were born (one of whom was L̩on Bonvin). The family's resources were severely strained, and to make matters worse his stepmother took to abusing and undernourishing Fran̤ois. The young Bonvin started drawing at an early age. His potential was recognized by a friend of the family, who paid for him to attend a school for drawing instruction at age eleven. Bonvin attended the Ecole de Dessin in Paris from 1828 until 1830,Oxford Art Online. when his father apprenticed him to a Typesetting, printer. Bonvin later studied at the ...
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Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ...
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Olympia (Manet)
''Olympia'' is a painting by Édouard Manet, first exhibited at the 1865 Paris Salon, which shows a nude woman ("Olympia") lying on a bed being brought flowers by a servant. Olympia was modelled by Victorine Meurent and Olympia's servant by the art model Laure. Olympia's confrontational gaze caused shock and astonishment when the painting was first exhibited because a number of details in the picture identified her as a prostitute. The French government acquired the painting in 1890 after a public subscription organized by Claude Monet. The painting is on display at the Musée d'Orsay, Paris. Content What shocked contemporary audiences was not Olympia's nudity, nor the presence of her fully clothed maid, but her confrontational gaze and a number of details identifying her as a ''demi-mondaine'' or prostitute. These include the orchid in her hair, her bracelet, pearl earrings and the oriental shawl on which she lies, symbols of wealth and sensuality. The black ribbon around her n ...
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Manet
A wireless ad hoc network (WANET) or mobile ad hoc network (MANET) is a decentralized type of wireless network. The network is ad hoc because it does not rely on a pre-existing infrastructure, such as routers in wired networks or access points in wireless networks. Instead, each node participates in routing by forwarding data for other nodes, so the determination of which nodes forward data is made dynamically on the basis of network connectivity and the routing algorithm in use. In the Windows operating system, ad hoc is a communication mode (setting) that allows computers to directly communicate with each other without a router. Wireless mobile ad hoc networks are self-configuring, dynamic networks in which nodes are free to move. Such wireless networks lack the complexities of infrastructure setup and administration, enabling devices to create and join networks "on the fly". Each device in a MANET is free to move independently in any direction, and will therefore change it ...
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Judith Cladel
Judith Cladel, (March 25, 1873 – January 29, 1958) was a French playwright, novelist, biographer and journalist. Life and career Born and lived in Paris, she was a member of the jury of the prix Femina from 1916 to 1958. She began to write at a very young age, encouraged by her father, the novelist Léon Cladel. Her first work was the play ''Le Volant'', performed at the Théâtre de l'Oeuvre in 1895 when she was 22 years old. Léon Cladel died when Judith was 19 years old. As her father's friend and her future lover, Edmond Picard predicted, Cladel was entrusted by her family with upkeeping his memory. Judith Cladel is the author of two biographical works about the life and work of her father. Her next biographies focused on the sculptor, Auguste Rodin. Her biography ''Rodin, sa vie glorieuse, sa vie inconnue'' is her best known work and was considered the authoritative biography of the sculptor for over 50 years. She played a key role in the founding of the Musée Rodin in 191 ...
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James Abbott McNeill Whistler
James Abbott McNeill Whistler (; July 10, 1834July 17, 1903) was an American painter active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo "art for art's sake". His signature for his paintings took the shape of a stylized butterfly possessing a long stinger for a tail. The symbol combined both aspects of his personality: his art is marked by a subtle delicacy, while his public persona was combative. He found a parallel between painting and music, and entitled many of his paintings "arrangements", "harmonies", and "nocturnes", emphasizing the primacy of tonal harmony. His most famous painting, ''Arrangement in Grey and Black No. 1'' (1871), commonly known as ''Whistler's Mother'', is a revered and often parodied portrait of motherhood. Whistler influenced the art world and the broader culture of his time with his theories and his friendships with other lea ...
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Max Liebermann
Max Liebermann (20 July 1847 – 8 February 1935) was a German painter and printmaker, and one of the leading proponents of Impressionism in Germany and continental Europe. In addition to his activity as an artist, he also assembled an important collection of French Impressionist works. The son of a Jewish banker, Liebermann studied art in Weimar, Paris, and the Netherlands. After living and working for some time in Munich, he returned to Berlin in 1884, where he remained for the rest of his life. He later chose scenes of the bourgeoisie, as well as aspects of his garden near Lake Wannsee, as motifs for his paintings. Noted for his portraits, he did more than 200 commissioned ones over the years, including of Albert Einstein and Paul von Hindenburg. Liebermann was honored on his 50th birthday with a solo exhibition at the Prussian Academy of Arts in Berlin, and the following year he was elected to the academy. From 1899 to 1911 he led the premier avant-garde formation in Germany ...
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Alphonse Legros
Alphonse Legros (8 May 1837 – 8 December 1911) was a French, later British, painter, etcher, sculptor, and medallist. He moved to London in 1863 and later took British citizenship. He was important as a teacher in the British etching revival. Life Legros was born in Dijon; his father was an accountant, and came from the neighbouring village of Véronnes. While young, Legros visited the farms of his relatives, and the peasants and landscapes of that part of France are the subjects of many of his works. He was sent to the art school at Dijon with a view to qualifying for a trade, and was apprenticed to Maître Nicolardo, house decorator and painter of images. In 1851, Legros left for Paris to take another situation; but passing through Lyon he worked for six months as journeyman wall-painter under the decorator Beuchot, who was painting the chapel of Cardinal Bonald in the cathedral. In Paris, Legros studied with Charles-Antoine Cambon, scene-painter and decorator of the ...
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Henri Fantin-Latour
Henri Fantin-Latour (14 January 1836 – 25 August 1904) was a French painter and lithography, lithographer best known for his flower paintings and group portraits of Parisian artists and writers. Biography He was born Ignace Henri Jean Théodore Fantin-Latour in Grenoble, Isère. As a youth, he received drawing lessons from his father, who was an artist.Poulet & Murphy 1979, p. 73. In 1850 he entered the Ecole de Dessin, where he studied with Horace Lecoq de Boisbaudran, Lecoq de Boisbaudran. After studying at the ''École des Beaux-Arts'' in Paris from 1854, he devoted much time to copying the works of the old masters in the Musée du Louvre. Although Fantin-Latour befriended several of the young artists who would later be associated with Impressionism, including James McNeill Whistler, Whistler and Édouard Manet, Manet, Fantin's own work remained conservative in style. Whistler brought attention to Fantin in England, where his still-lifes sold so well that they were "practic ...
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Alexandre Falguière
Jean Alexandre Joseph Falguière (also given as Jean-Joseph-Alexandre Falguière, or in short Alexandre Falguière) (7 September 183120 April 1900) was a French sculptor and painter. Biography Falguière was born in Toulouse. A pupil of the École des Beaux-Arts, he won the Prix de Rome in 1859; he was awarded the medal of honor at the Paris Salon in 1868 and was appointed Officer of the Legion of Honor in 1878. Falguière's first bronze statue of importance was ''Le Vainqueur au Combat de Coqs (Victor of the Cockfight)'' (1864), and ''Tarcisius the Christian Boy-Martyr'' followed in 1867; both were exhibited in the Luxembourg Museum and are now in the Musée d'Orsay. His more important monuments are those to Admiral Courbet (1890) at Abbeville and the famous Joan of Arc. Other works include ''Eve'' (1880), ''Diana'' (1882 and 1891), ''Woman and Peacock'' (a. k. a. ''Juno and The Peacock''), and ''The Poet'', astride his Pegasus spreading wings for flight. He sculpted ''The D ...
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Théodore Chassériau
Théodore Chassériau (September 20, 1819 – October 8, 1856) was a Captaincy General of Santo Domingo, Dominican-born French Romanticism, Romantic Painting, painter noted for his portraits, historical and religious paintings, allegorical murals, and Orientalism, Orientalist images inspired by his travels to Algeria. Early in his career he painted in a Neoclassicism, Neoclassical style close to that of his teacher Jean-Auguste-Dominique Ingres, but in his later works he was strongly influenced by the Romantic style of Eugène Delacroix. He was a prolific draftsman, and made a suite of prints to illustrate William Shakespeare, Shakespeare's ''Othello''. The portrait he painted at the age of 15 of Prosper Marilhat, makes Théodore Chassériau the youngest painter exhibited at the Louvre museum.Jean-Baptiste Nouvion, ''Chassériau Correspondance oubliée'', preface by Marianne de Tolentino, Paris, Les Amis de Théodore Chassériau, 2014 Life and work Chassériau was born in El Limà ...
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