Louis-Guillaume Pécour
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Louis-Guillaume Pécour
Louis Pécour (also spelled Pecoor, Pecour, Pécourt; 10 August 1653 – 12 April 1729) was a French dancer and choreographer. He is most well known for his work with the Académie Royale de Musique (the name of the Paris Opera at the time). Biography Born Guillaume-Louis Pecour in Paris, he was the son of Jacques Pecour, a royal courier, and Marie Voisin (or Raisin), who lived in the rue des Petits-Champs.Astier 1998, p. 128. He studied dance with Pierre Beauchamps, and likely made his debut in January 1671, as one of eight Zephyrs in the third intermezzo of Psyché (play), ''Psyché'' at the Théâtre des Tuileries, theatre of the royal court in the Tuileries Palace.Craine & Mackrell 2000, p. 365. He first danced at the Paris Opera in 1674 in Jean-Baptiste Lully's ''Cadmus et Hermione''. Pécour performed as a principal dancer, both at the Opera's Théâtre du Palais-Royal (rue Saint-Honoré), Théâtre du Palais-Royal in Paris and for the royal court at the Château de Saint-G ...
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Toussaint Bertin De La Doué
Toussaint Bertin de la Doué (or Thomas Bertin de la Doué) (1680 – 6 February 1743) was a French composer of the Baroque era. He worked as an organist for the Theatines, as a musician for the Duc d'Orléans and as a violinist and harpsichordist at the Paris Opéra (between 1714 and 1734). He wrote sacred music, songs, trios for two violins and basso continuo, and several operas. Operas *''Cassandre'' (''tragédie en musique'', 1706) (with François Bouvard) *'' Diomède'' (''tragédie en musique'', 1710) *''Ajax'' (''tragédie en musique'', 1712) *''Le jugement de Pâris'' (''pastorale héroïque'', 1718) *''Les plaisirs de la campagne'' (''opéra-ballet ''Opéra-ballet'' (; plural: ''opéras-ballets'') is a genre of French Baroque lyric theatre that was most popular during the 18th century, combining elements of opera and ballet, "that grew out of the '' ballets à entrées'' of the early seven ...'', 1719) SourcesLe magazine de l'opéra baroque by Jean-Claude Brenac (i ...
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18th-century French Ballet Dancers
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand ...
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17th-century Ballet Dancers
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easil ...
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