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Lorenzo Costa (c
Lorenzo Costa (1460 – 5 March 1535) was an Italian painter of the Renaissance. Biography He was born at Ferrara, but moved to Bologna by his early twenties, and was probably influenced by the Bolognese School. However, many artists worked in both cities, and thus some consider him a product of the School of Ferrara. It is possible that he trained with Cosimo Tura. In 1483 he painted the famous ''Bentivoglio Altarpiece'' and other frescoes on the walls of the Bentivoglio chapel in San Giacomo Maggiore. He was a great friend of Francesco Francia, who was much influenced by him. In 1509 he moved to Mantua to become the court painter of Marquis Francesco Gonzaga and Isabella d'Este. For the latter's studiolo in the Ducal Palace, he painted the ''Allegory of Isabella d'Este's Coronation'' (now at the Louvre) and the '' Reign of Comus'', two mythological paintings based on Mantegna's drawings. He died at Mantua in 1535. His sons Ippolito and Girolamo were also painters, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holy Family (Costa)
''Holy Family'' or ''Nativity'' is an oil on panel painting created by Lorenzo Costa, Italian painter of the Renaissance, around 1490. It was acquired by the Museum of Fine Arts of Lyon in 1892. Musée des Beaux-Arts de Lyon References External links Musée des Beaux-Arts de Lyon 1490s paintings 15th-century paintings Paintings in the M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Francia
__NOTOC__ Francesco Francia, whose real name was Francesco Raibolini (1447 – 5 January 1517) was an Italian painter, goldsmith, and medallist from Bologna, who was also director of the city mint.Levinson:492 He may have trained with Marco Zoppo and was first mentioned as a painter in 1486. His earliest known work is the ''Felicini Madonna'', which is signed and dated 1494. He worked in partnership with Lorenzo Costa, and was influenced by Ercole de' Roberti's and Costa's style. After 1505 he was influenced more by Perugino and Raphael. He had a large workshop and trained Marcantonio Raimondi, Ludovico Marmitta, and several other artists; he produced niellos, in which Raimondi first learnt to engrave, soon excelling his master, according to Vasari. Raphael's ''Santa Cecilia'' is supposed to have produced such a feeling of inferiority in Francia that it caused him to die of depression. However, as his friendship with Raphael is now well-known, this story has been discredited. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet). Attendance in 2021 was 2.8 million due to the COVID-19 pandemic, up five percent from 2020, but far below pre-COVID attendance. Nonetheless, the Louvre still topped the list of most-visited art museums in the world in 2021."The Art Newspaper", 30 March 2021. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Pisano
Nicola Pisano (also called ''Niccolò Pisano'', ''Nicola de Apulia'' or ''Nicola Pisanus''; c. 1220/1225 – c. 1284) was an Italian sculpture, sculptor whose work is noted for its classical Ancient Rome, Roman sculptural style. Pisano is sometimes considered to be the founder of modern sculpture. Early life His birth date or origins are uncertain. He was born in Apulia, as the son of "Petrus de Apulia", as stated in the archives of the Cathedral of Siena. Nicola Pisano was probably trained in the local workshops of the Holy Roman Emperor, emperor Frederick II, Holy Roman Emperor, Frederick II, and he attended his coronation. Here he was trained to give to the traditional representations more movement and emotions, intertwining Classical and Christian traditions. His only remaining works from this period are two Griffin, griffon heads with a soft chiaroscuro effect. Around 1245 he moved to Tuscany to work at the Prato Castle. The lions on the portal of this castle are probably ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Leonbruno
Lorenzo Leonbruno (10 March 1489 – 1537), also known as Lorenzo de Leombeni, was an Italian painter during the early Renaissance period. He was born in Mantua (Mantova), an Italian commune in Lombardy, Italy. Leonbruno is most well known for being commissioned by the court of Francesco Gonzaga, Marquis of Mantua, and his wife Isabella d'Este. The patronage continued with their eldest son Federico II Gonzaga, who was the fifth Marquis of Mantua. Leonbruno was the court painter for the Gonzaga family from 1506–24. Leonbruno's most significant artistic commission was his decoration of the Camera Grande in the Gonzaga palace in Mantua, which was completed in 1523 for his patron Isabella d'Este. Biography Lorenzo Leonbruno was adopted by the Mantuan court painter Giovanni Luca de' Liombini, and was raised as Liombini's own son. Although there remains little extant documentation on his early life and artistic training, some of Leonbruno's early training is attributed to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovico Mazzolino
Ludovico Mazzolino (1480 – c. 1528) - also known as Mazzolini da Ferrara, Lodovico Ferraresa, and Il Ferrarese - was an Italian Renaissance painter active in Ferrara and Bologna. Biography He was born and died in Ferrara. He appears to have studied under such as Lorenzo Costa, who also may have trained Dosso Dossi, and came under the influence of Ercole Roberti. In 1521 he married Giovanna, the daughter of Bartolomeo Vacchi, a Venetian painter. Much of his work was commissioned by the duke Ercole I d'Este from Ferrara. Mazzolino was influenced by il Garofalo and Boccaccino. He is known for devotional cabinet pictures, in a style somewhat regressive, or primitive, relative to the modern classicism then emerging. For example, his ''Massacre'' canvas has a turbulent and cartoonish crowding. The exact date, or even year, of his death is not known, but he died during a plague which devastated the area. Paintings at National Gallery, London *''The Holy Family with Saint Francis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dosso Dossi
Giovanni di Niccolò de Luteri, better known as Dosso Dossi ( 1489–1542), was an Italian Renaissance painter who belonged to the School of Ferrara, painting in a style mainly influenced by Venetian painting, in particular Giorgione and early Titian. From 1514 to his death he was court artist to the Este Dukes of Ferrara and of Modena, whose small court valued its reputation as an artistic centre. He often worked with his younger brother Battista Dossi, who had worked under Raphael. He painted many mythological subjects and allegories with a rather dream-like atmospheres, and often striking disharmonies in colour. His portraits also often show rather unusual poses or expressions for works originating in a court. Biography Dossi was born in San Giovanni del Dosso, a village in the province of Mantua. His early training and life are not well documented; his father, originally of Trento, was a bursar (''spenditore'' or ''fattore'') for the Dukes of Ferrara. He may have had traini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ippolito Costa
Ippolito Costa (1506 – 8 November 1561) was an Italian painter of the Renaissance period. He was born in Mantua, the son of the painter Lorenzo Costa. Although not a pupil of Giulio Romano, his style closely imitated that master. He mentored his brother Girolamo Costa (1525-1595) and the painter Bernardino Campi Bernadino Campi (1522–1591) was a Renaissance painter from Cremona, who worked in Reggio Emilia. He is known as one of the teachers of Sofonisba Anguissola and of Giovanni Battista Trotti (il Malosso). In Cremona, his extended family owned .... References * 1506 births 1561 deaths 16th-century Italian painters Italian male painters Painters from Mantua Italian Renaissance painters {{Italy-painter-16thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Mantegna
Andrea Mantegna (, , ; September 13, 1506) was an Italian painter, a student of Roman archeology, and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g. by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. He also led a workshop that was the leading producer of prints in Venice before 1500. Biography Youth and education Mantegna was born in Isola di Carturo, Venetian Republic close to Padua (now Italy), second son of a carpenter, Biagio. At the age of 11, he became the apprentice of Paduan painter Francesco Squarcione. Squarcione, whose original profession was tailoring, appears to have had a remarkable enthusiasm for ancient art, and a faculty for acting. Like his famous compatriot Petrarca, Squarcione was an ancient Rome enthusiast: he traveled in Italy, and perhaps a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reign Of Comus (Lorenzo Costa)
The ''Reign of Comus'' is a Renaissance painting painted by Lorenzo Costa for the ''Studiolo'' of Isabella d'Este in the Ducal Palace, Mantua. It is in tempera on canvas, and measures 152 cm (59.8 in) by 238 cm (93.7 in). It is now in the Louvre in Paris. The first paintings for the Studiolo were completed by Andrea Mantegna, and he appears to have started this painting, but it was completed by Costa between 1506 - 1511, after Mantegna's death, when Costa had been named court painter. The iconography of this painting is complex. To the left of the foreground tree, a sitting Comus, the ruler of a land of bacchanals, with his head tilted looks at Venus. To his right, Apollo seems to serenade another sitting woman. In the center, Dionysus strokes the hair of a drunken maiden, identified as Nicaea. She had spurned his advances; and he overpowered her with wine in order to rape her. Meanwhile, to the right of an elaborate arch, Janus bifrons and Hermes shoo away poorly clothed figure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coronation Of Isabella D'Este
The ''Allegory of Isabella d'Este's Coronation'' is a painting by the Italian Renaissance painter Lorenzo Costa the Elder, dating to about 1505–1506. It is displayed in the Louvre Museum of Paris, France. History The painting was the fourth commissioned by Isabella d'Este for her ''studiolo'', after two canvasses by Andrea Mantegna (''Parnassus'' and the '' Triumph of the Virtues'', respectively from 1497 and 1499-1502) and Perugino's '' Combat of Love and Chastity'' (1503). The subject was provided by the court poet Paride of Ceresara and was initially assigned to Mantegna. However, after the latter's death in 1506, he was replaced by Lorenzo Costa, who deleted all the work made by his predecessor. Isabella liked the painting, and this granted Costa the position as the new court painter of the Gonzaga of Mantua. Duke Charles I of Nevers gifted this and the other paintings in the ''studiolo'' to Cardinal Richelieu, and the ''Allegory'' thus went to Paris. After belongin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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