List Of Ottoman Calligraphers
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List Of Ottoman Calligraphers
The following is an incomplete List of Ottoman Calligraphers: 15th–16th century *Hâfiz Osman *Seyyid Kasim Gubari * Ahmed Karahisari *Sheikh Hamdullah * Kahdi Mahmud Efendi (d. 1575) * Ahmed Pasa (d. 1611) son of Kahdi Mahmud Efendi * Mustafa Ali (d. 1600) * Yûsuf Efendi (d. 1611) * Abdullah Amâsi- 16th-century calligrapher * Ahmed Şemseddin Karahisarî (d. 963/1556) * Gâbârî Adurrahman (d. 974/1566) * Rizâî Mahmud Baba Efendi (d. 987/1579) * Mustafa Dede – son of Sheikh Hamdullah (d. 945/1538) * Tâcîzâde Ca'fer Çelebi (1452–1515) poet, calligrapher and scholar * Ibrahim Vahdi (d. 1714) 17th–18th century *Ibrahim Afif (d. 1767) *Egrikapili Mehmed Rasim Efendi * İsmail Zühdi Efendi * Mehmed Esad Yesari * Mehmed Rasim (1687–1755) * Mustafa Kutahi (d. after 1785) * Musa al-'Abidi *Yesarizade Mustafa Izzet Efendi * Derviş Ali * Veliyyuddin Efendi * Mehmed Refi Efendi (d. 1769) * Abdul Rahman Hilmi (d. 1805) *Yedikuleli Seyyid 'Abdullah Efendi (d. 1731) ...
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Hâfiz Osman
Hâfiz Osman ( ota, حافظ عثمان Modern Turkish: ''Hâfız Osman'') (1642–1698) was an Ottoman calligrapher noted for improving the script and for developing a layout template for the hilye which became the classical approach to page design. History Born Osman Den Ali, in Istanbul, he was of Dervish origin and worked under the name of Hâfiz Osman. His father was a muezzin at the Khassèki mosque, a position which afforded he and his family great protection. He became an accomplished calligrapher and was a tutor to the sultans Ahmed II, Mustafa II and Ahmed III, and was held in high esteem by the sultan Mustafa II, who, according to legend often watched him work and held his inkwell as he wrote. He received his formal training with Suyolcuzade Mustafa Eyyubi and Derviş Ali. He studied ''nashk'' and ''sulus'' with Derviş Ali, and was certified by Suyolcuzade Mustafa Eyyubi. Osman also admired the work of the 15th-century calligrapher, Seyh Hamdullah, and spent many ...
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Esmâ Ibret Hanim
Esmâ Ibret Hanim (born 1780) was an Ottoman calligrapher and poet, noted as the most successful female calligrapher of her day. Life and work In the 18th-century Ottoman period, calligraphy was a male-dominated profession. However, a small number of female calligraphers, such as Esmâ Ibret and Şerife Fatma, successfully trained as calligraphers and were able to make valuable contributions in their field. Esmâ Ibret Hanim was born in Istanbul in 1194 (1780). Her father was Serhasekiyan-i hassa Ahmed Ağa, an official in the Royal Palace. She was an only child, and special attention was given to her education. From early childhood she showed an interest in calligraphy, writing in sülüs-nesih and icâzet and copying the work of Mahmud Celâleddin Efendi. Her father liked to trick his friends by showing her work and then watching his friends' amazed responses when they were told that his daughter was the scribe. At the age of 10, her father sent her to Sheikh Murad Derwish ...
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Mustafa Halim Özyazici
Mustafa ( ar, مصطفى , Muṣṭafā) is one of the names of Prophet Muhammad, and the name means "chosen, selected, appointed, preferred", used as an Arabic given name and surname. Mustafa is a common name in the Muslim world. Given name Moustafa * Moustafa Amar, Egyptian musician and actor * Moustafa Bayoumi, American writer * Moustafa Chousein-Oglou, English actor * Moustafa Farroukh, Lebanese painter * Moustafa Madbouly, Prime Minister of Egypt * Moustafa Al-Qazwini, an Islamic Scholar and religious leader * Moustafa Reyadh, Egyptian football player * Moustafa Shakosh, Syrian football player * Moustafa Ahmed Shebto, Qatari athlete Moustapha * Moustapha Akkad, Syrian American film producer * Moustapha Alassane, Nigerien filmmaker * Moustapha Agnidé, Beninese football player * Moustapha Lamrabat (born 1983), Moroccan-Flemish photographer * Moustapha Niasse, Senegalese politician and diplomat * Abdul Moustapha Ouedraogo, Ivorian football striker * Moustapha Bayal Sall, Sen ...
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Hamid Aytaç
Hamid Aytaç (pronounced Aytach) (b. 1891, Diyarbakır - d. 18 May 1982) was an Islamic calligrapher born during Ottoman times. In his later life, he was acknowledged as the Islamic world's leading calligrapher and was one of the last of the classical calligraphers. Life and career Born Sheikh Musa Azmi, in 1891 in Diyarbakır, his paternal great-grandfather was the calligrapher Adem-i Amidi. In international circles, he is also known as Hamid Al Amidi. Some of his works may be found to be signed as Azmi. He is known by the pseudonym Hamid."Hamid Aytac zmi, Musa; al-Amidi, Hamid(1891-1982)", ''Journal of Ottoman Calligraphy''Hamid Aytac (Azmi, Musa; al-Amidi, Hamid) (1891-1982)/ref> Hamid learned the jali-thuluth ( Turkish: celi-sülüs) style from Mehmed Nazif (1846–1913), the naskh and thuluth styles from Kamil Akdik (1862–1941) and the ta'liq style from Mehmed Hulusi (1869–1940). He was one of the final links in the strict master-student system that had been i ...
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Neyzen Emîn Efendi
The ''ney'' ( fa, Ney/نی, ar, Al-Nāy/الناي), is an end-blown flute that figures prominently in Persian music and Arabic music. In some of these musical traditions, it is the only wind instrument used. The ney has been played continually for 4,500–5,000 years in ancient Egypt, making it one of the oldest musical instruments still in use. The Egyptian ney consists of a hollow cylinder with finger-holes. Sometimes a brass, horn, or plastic mouthpiece is placed at the top to protect the wood from damage, and to provide a sharper and more durable edge to blow on. The ney consists of a piece of hollow cane or giant reed with five or six finger holes and one thumb hole. Modern neys may instead be made of metal or plastic tubing. The pitch of the ney varies depending on the region and the finger arrangement. A highly skilled ney player, called ''neyzen'', can reach more than three octaves, though it is more common to have several "helper" neys to cover different pitch range ...
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Bakkal Arif Efendi
Bakkal may refer to: People * Mesut Bakkal, Turkish football manager * Otman Bakkal Otman Bakkal (born 27 February 1985) is a Dutch retired international footballer who played as an attacking midfielder. He began his career at PSV, and was loaned to Den Bosch, Eindhoven, Twente and Feyenoord. After making a permanent move to ..., Dutch footballer of Moroccan origin Places * Baqqal, or Bakkal, village and municipality in the Shaki Rayon of Azerbaijan {{disambig Arabic-language surnames Turkish-language surnames ...
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Mustafa Râkim
Mustafa Râkim ( ota, مصطفى رآقم; Modern Turkish: ''Mustafa Râkım'') (1757–1826), was an Ottoman calligrapher. He extended and reformed Hâfiz Osman's style, placing greater emphasis on technical perfection, which broadened the calligraphic art to encompass the Sülüs script as well as the Nesih script. Life and career Mustafa Râkim was born in Unye on the Black Sea in 1758. When he was very young, his father, Mehmed Kaptan, took him to Istanbul to live with his brother, İsmail Zühdi Efendi, who was an established calligrapher. After Ismail was appointed as an instructor of calligraphy at the Imperial Palace, the young Râkim received his formal training there studying under his brother. Mustafa Râkim would become Ismail Zühidi's most celebrated pupil. Ismail Zühidi and Mustafa Râkim went on to develop their own style of calligraphy based on the work of Hâfiz Osman. They were able to develop a style of ''celî sülüs'' that was aesthetically pleasing, so ...
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Hattat Aziz Efendi
Hattat Aziz Efendi (born 1871, Maçka – August 16, 1934, İstanbul) ( ota, خطاط عزیز افندی) was an Ottoman Empire, Ottoman Islamic calligraphy, calligrapher. Life and work Born Mehmed Abdulaziz Efendi, in Maçka in 1871, his family moved to Istanbul, the Ottoman capital during Russo-Turkish War (1877–78). Aziz Efendi completed his primary education in 1885 and started to learn calligraphy from Ahmed Arif Effendi of Plovdiv (known more commonly as "Bakkal" -the grocer-) and he also studied at Hat Mektebi (Calligraphy School). He graduated in 1894 and continued to practise under the supervision of Muhsinzade Abdullah Hamdi Efendi until 1896. In 1921, Fuad I of Egypt, King Fuad of Egypt invited him to Cairo, where he transcribed the Quran and gilded the result. After completing his mission, he remained in Egypt, where he worked as a teacher and contributed to the establishment of schools to improve Arabic fonts. He returned to Istanbul in 1932, where he died two ...
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