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Linked Ring
The Linked Ring (also known as "The Brotherhood of the Linked Ring") was a British photographic society created to propose and defend that photography was just as much an art as it was a science, motivated to propelling photography further into the fine art world. Members dedicated to the craft looked for new techniques that would cause the less knowledgeable to steer away, persuading photographers and enthusiasts to experiment with chemical processes, printing techniques and new styles. Motivation to create the Linked Ring Photography was interpreted in two ways: art photography and science photography. The science of photography requires practice that determines the outcome of the image, whereas the art aspect of photography concerns itself with the aesthetic experience and success of the photograph to the viewer. These differences created a tension in the craft that the Linked Ring sought to change. The group was founded in May 1892 by Henry Peach Robinson, former Photographic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Benington
Walter Benington (1872–1936) was a British photographer. Working in the Victorian era and the first half of the twentieth century, his important contribution to early twentieth century photography has been more fully recognised in the doctoral thesis of Robert Crow. Biography Walter Benington (sometimes spelt as Bennington) was born in 1872 in Stockton on Tees, in County Durham. He was the son of George and Helena Benington. The 1881 census shows his father's occupation as a Tea Dealer. Benington married Kathleen Inez Whitwell (d. 1953) in 1905. The 1911 Census reveals that the couple had a son, Anthony, and a daughter Barbara. Benington's occupation is described as Photographer and his place of residence to be in Southgate in north London. Benington died in 1936, his death registered in the Oxford district. Work and legacy Benington started taking photographs while still at school. Taking his schoolboy hobby into adulthood Benington took up platinotype printing and pic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Selecting Committee Of The Photographic Salon Of The Linked Ring (8386802526)
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Sutcliffe
Francis Meadow (Frank) Sutcliffe (6 October 1853 – 31 May 1941) was an English pioneering photographic artist whose work presented an enduring record of life in the seaside town of Whitby, England, and surrounding areas, in the late Victorian era and early 20th century. His documentation of the Victorian and Edwardian periods in Whitby, led him to be labelled as the "pictorial Boswell of Whitby.' Early life He was born in Headingley, Leeds, to the painter Thomas Sutcliffe and Sarah Lorentia Button. Frank was the eldest of eight children, and as a child, he slept in his father's studio. He had an elementary education at a dame school before moving into the new technology of photography. His father moved the family to Whitby in 1870 with the hope of commissions, but he died a year later when Francis was 18, leaving him as head of the family. Career He made a living as a portrait photographer, working first in Tunbridge Wells, Kent, and then for the rest of his life in Whit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Steichen
Edward Jean Steichen (March 27, 1879 – March 25, 1973) was a Luxembourgish American photographer, painter, and curator, renowned as one of the most prolific and influential figures in the history of photography. Steichen was credited with transforming photography into an art form. His photographs appeared in Alfred Stieglitz's groundbreaking magazine ''Camera Work'' more often than anyone else during its publication run from 1903 to 1917. Stieglitz hailed him as "the greatest photographer that ever lived". As a pioneer of fashion photography, Steichen's gown images for the magazine ''Art et Décoration'' in 1911 were the first modern fashion photographs to be published. From 1923 to 1938, Steichen served as chief photographer for the Condé Nast magazines ''Vogue'' and ''Vanity Fair'', while also working for many advertising agencies, including J. Walter Thompson. During these years, Steichen was regarded as the most popular and highest-paid photographer in the world. After ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eva Watson-Schütze
Eva Watson-Schütze (1867–1935) was an American photographer who was one of the founding members of the Photo-Secession. Life She was born as Eva Lawrence Watson in Jersey City, New Jersey on September 16, 1867. Her parents were Dr. John and Mary Lawrence Watson, whose family had come from Scotland. She was the youngest of four children, but little else is known about her family or early childhood. In 1883, when she was sixteen, she enrolled in the Pennsylvania Academy of the Fine Arts in Philadelphia, where she studied under well-known painter and photographer Thomas Eakins. Her interests at that time were watercolor and oil painting, and it’s unknown if she took any interests in Eakins’ photography. Around the 1890s Watson began to develop a passion for photography, and soon she decided to make it her career. Between 1894 and 1896 she shared a photographic studio with Amelia Van Buren, another Academy alumna, in Philadelphia, and the following year she opened her own ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William B
William is a male given name of Germanic origin.Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford University Press, 2nd edition, , p. 276. It became very popular in the English language after the Norman conquest of England in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will, Wills, Willy, Willie, Bill, and Billy. A common Irish form is Liam. Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie or the play ''Douglas''). Female forms are Willa, Willemina, Wilma and Wilhelmina. Etymology William is related to the given name ''Wilhelm'' (cf. Proto-Germanic ᚹᛁᛚᛃᚨᚺᛖᛚᛗᚨᛉ, ''*Wiljahelmaz'' > German '' Wilhelm'' and Old Norse ᚢᛁᛚᛋᛅᚼᛅᛚᛘᛅᛋ, ''Vilhjálmr''). By regular sound changes, the native, inherited English form of the name shoul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Eugene
Frank Eugene (19 September 1865 – 16 December 1936) was an American-born photographer who was a founding member of the Photo-Secession and one of the first university-level professors of photography in the world. Early life Eugene was born in New York City as Frank Eugene Smith. His father was Frederick Smith, a German baker who changed his last name from Schmid after moving to America in the late 1850s. His mother was Hermine Selinger Smith, a singer who performed in local German beer halls and theaters. About 1880, Eugene began to photograph for amusement, possibly while he was attending the City College of New York. In 1886, he moved to Munich in order to attend the Bavarian Academy of Fine Arts, where he studied drawing and stage design. Career After graduating from the Bavarian Academy of Fine Arts, he started a career as a theatrical portraitist, drawing portraits of actors and actresses. He continued his interest in photography, although little is known of his teache ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Devens
Mary Devens (17 May 1857 – 13 March 1920) was an American photographer who was considered one of the ten most prominent pictorial photographers of the early 20th century. She was listed as a founding member of Alfred Stieglitz’s famed Photo-Secession. Life Devens was born on 17 May 1857 in Ware, Massachusetts, the daughter of Arthur Lithgow Devens and Agnes Howard White Devens. She grew up in Cambridge, Massachusetts and developed an interest in photography sometime in early life. She had a strong interest in printing techniques that could be manipulated by the photographer, including ozotype, gum bichromate and platinum printing. She mastered the gum bichomate process so well that she gave a lecture on it to the Cambridge Photographic Club in 1896. At some point before her mid-30s, Devens met Boston photographer F. Holland Day, who influenced her career through encouragement and advocacy of her work. He personally submitted five of her prints to the London Photographic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
291 (art Gallery)
291 is the commonly known name for an internationally famous art gallery that was located in Midtown Manhattan at 291 Fifth Avenue in New York City from 1905 to 1917. Originally called the "Little Galleries of the Photo-Secession", the gallery was established and managed by photographer Alfred Stieglitz. The gallery is recognized for two achievements: First, its exhibitions helped bring art photography to the same stature in America as painting and sculpture. Pioneering artistic photographers such as Stieglitz, Edward Steichen, Alvin Langdon Coburn, Gertrude Käsebier and Clarence H. White all gained critical recognition through exhibitions at 291. Equally important, Stieglitz used this space to introduce to the United States some of the most avant-garde European artists of the time, including Henri Matisse, Auguste Rodin, Henri Rousseau, Paul Cézanne, Pablo Picasso, Constantin Brâncuși, and the Dadaists Francis Picabia and Marcel Duchamp. Background At the beginning of the 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pictorialism
Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of creating an image rather than simply recording it. Typically, a pictorial photograph appears to lack a sharp focus (some more so than others), is printed in one or more colors other than black-and-white (ranging from warm brown to deep blue) and may have visible brush strokes or other manipulation of the surface. For the pictorialist, a photograph, like a painting, drawing or engraving, was a way of projecting an emotional intent into the viewer's realm of imagination. Pictorialism as a movement thrived from about 1885 to 1915, although it was still being promoted by some as late as the 1940s. It began in response to claims that a photograph was nothin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gertrude Käsebier
Gertrude Käsebier (née Stanton; May 18, 1852 – October 12, 1934) was an American photographer. She was known for her images of motherhood, her portraits of Native Americans, and her promotion of photography as a career for women. Biography Early life (1852–1873) Käsebier was born Gertrude Stanton on May 18, 1852 in Fort Des Moines (now Des Moines, Iowa). Her mother was Muncy Boone Stanton. and her father was John W. Stanton. He transported a saw mill to Golden, Colorado at the start of the Pike's Peak Gold Rush of 1859, and he prospered from the building boom that followed. In 1860, eight-year-old Stanton traveled with her mother and younger brother to join her father in Colorado. That same year, her father was elected the first mayor of Golden, which was then the capital of the Colorado Territory. Her father died suddenly in 1864 and afterward the family moved to Brooklyn, New York, where her mother, Muncy Boone Stanton, opened a boarding house to support the family. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zaida Ben-Yusuf
Zaida Ben-Yusuf (21 November 1869 – 27 September 1933) was an English-born, New York–based portrait photographer noted for her artistic portraits of wealthy, fashionable, and famous Americans during the turn of the 19th–20th century. In 1901, ''The Ladies Home Journal'' featured her and six other photographers as "The Foremost Women Photographers in America". In 2008, the Smithsonian National Portrait Gallery mounted an exhibition dedicated solely to Ben-Yusuf's work, re-establishing her as a key figure in the early development of fine art photography. Biography Early life Ben-Yusuf was born as Esther Zeghdda Ben Youseph Nathan in London, England, on 21 November 1869, the eldest daughter of a German mother, Anna Kind Ben-Youseph Nathan and an Algerian father, Mustapha Moussa Ben Youseph Nathan.Chr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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