Le Maçon
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Le Maçon
' (French for ''The Mason'') is an ''opéra comique'' in three acts by Daniel Auber to a libretto by Eugène Scribe and Germain Delavigne. It premiered at the Opéra-Comique Salle Feydeau in Paris on 3 May 1825. It was to become Auber's first enduring success.Letellier, Robert Ignatius, ed. ''Daniel-François-Esprit Auber: 'Le Maçon''. Cambridge Scholars Publishing, 2011. Among the original cast was the tenor Antoine Ponchard. Synopsis ''Le maçon'' is set in Paris, in the Faubourg Saint-Antoine, around 1820. Act 1 Roger, a mason, and his bride Henriette (the sister of his friend Baptiste, a locksmith) are rejoicing at their wedding. An officer, Léon de Mérinville, whose life was once saved by Roger, arrives at the wedding reception. He explains that he is on his way to a nearby château A château (; plural: châteaux) is a manor house or residence of the lord of the manor, or a fine country house of nobility or gentry, with or without fortifications, originally, ...
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Faubourg Saint-Antoine
The Faubourg Saint-Antoine was one of the traditional suburbs of Paris, France. It grew up to the east of the Bastille around the abbey of Saint-Antoine-des-Champs, and ran along the Rue du Faubourg Saint-Antoine. Location The Faubourg Saint-Antoine extended from the Porte Saint-Antoine towards the abbey of Saint-Antoine-des-Champs, then to the Château de Vincennes. Roads led to the villages of Charenton, Charonne, Reuilly and Montreuil, which provided large amounts of wine, fruit and vegetables to the city. Today the former faubourg is divided by the rue du Faubourg Saint-Antoine between the 11th arrondissement of Paris, which extends to the north of the road, and 12th arrondissement, which extends to the south. History Early years The suburb was the location of the Battle of the Faubourg St Antoine on 2 July 1652. In the 17th century, according to Piganiol de La Force, "The Faubourg Saint-Antoine increased prodigiously from the large number of houses that were built t ...
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Operas Set In France
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ...
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Libretti By Germain Delavigne
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ...
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Libretti By Eugène Scribe
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a very detailed description of the ballet's story, scene by sce ...
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