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La Vestale
''La vestale'' (''The Vestal Virgin'') is an opera composed by Gaspare Spontini to a French libretto by Étienne de Jouy. It takes the form of a ''tragédie lyrique'' in three acts. It was first performed on 15 December 1807 by the Académie Impériale de Musique (Paris Opera) at the Salle Montansier and is regarded as Spontini's masterpiece. The musical style shows the influence of Gluck and anticipates the works of Berlioz, Wagner, and French Grand opera. Composition history Spontini had finished ''La vestale'' by the summer of 1805 but had faced opposition from leading members of the Opéra and rivalry from fellow composers.Del Teatro The premiere was made possible with the help of Spontini's patron, the Empress Joséphine, but only after being rearranged by Jean-Baptiste Rey and Louis-Luc Loiseau de Persuis. ''La vestale'' was an enormous success, enjoying over two hundred performances by 1830. Performance history Its fame soon spread abroad; it appeared in Naples and in Vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragédie Lyrique
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own inventors. Other fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ANNO (Austrian Newspapers Online)
AustriaN Newspapers Online (ANNO) is a project run by the Austrian National Library (''Österreichische Nationalbibliothek'') for the conservation of historic newspapers, whereby particularly important and popular newspapers are scanned in and made available on the Internet. By the end of 2009 ANNO had about 4.76 million digitized pages. Digitalised Newspapers The range of papers is constantly being expanded.For the range and current new additions see Neu bei ANNO', full index from August 2003 {, width="100%" , ----- valign="top" , width="33%" , * Agramer Zeitung * Akademische Frauenblätter * Allgemeine Automobil Zeitung * Allgemeine Bauzeitung * Allgemeine Eisenbahn-Zeitung * Allgemeine musikalische Zeitung * Allgemeine land- und forstwirthschaftliche Zeitung * Allgemeine Sport-Zeitung * Der Alpenfreund * An der Schönen Blauen Donau * Die Arbeit * Anzeiger für die Region Bludenz * Arbeiterinnen-Zeitung * Der Architekt * Badener Bezirks-Blatt * Badener Zeitung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raina Kabaivanska
Raina Yakimova Kabaivanska ( bg, Райна Якимова Кабаиванска); born 15 December 1934) is a Bulgarian opera singer, one of the leading lirico-spinto sopranos of her generation, particularly associated with Verdi and Puccini, although she sang a wide range of roles. Biography Born in Burgas, Bulgaria, she studied in Sofia with Prokopova and Yosifov, and made her debut at the Bulgarian National Opera in Sofia as Tatjana in Tchaikovsky's ''Eugene Onegin'' in 1957. The following year, she left for Italy for further studies with Zina Fumagalli-Riva in Milan and with Giulia Tess in Vercelli. Two years later she made a breakthrough in Fano, Italy, as Nedda in Leoncavallo's ''Pagliacci''. In 1961, she gave her first performance at La Scala in Milan, as Agnese in Bellini's ''Beatrice di Tenda'', opposite Dame Joan Sutherland. She sang widely in Italy, Genoa, Venice, Parma and notably in Turin in 1973, as Elena in '' I vespri siciliani'', in the only production ev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montserrat Caballé
Montserrat Caballé i Folch or Folc (full name: María de Montserrat Bibiana Concepción Caballé i Folch (, , ; (12 April 1933 – 6 October 2018), known simply as Montserrat Caballé, was a Catalan Spanish operatic soprano. She sang a wide variety of roles, but is best known as an exponent of the works of Verdi and of the bel canto repertoire, notably the works of Rossini, Bellini, and Donizetti. She was noticed internationally when she stepped in for a performance of Donizetti's '' Lucrezia Borgia'' at Carnegie Hall in 1965, and then appeared at leading opera houses. Her voice was described as pure but powerful, with superb control of vocal shadings and exquisite pianissimo. Caballé became popular to non-classical music audiences in 1987, when she recorded, at the request of the International Olympic Committee, "Barcelona", a duet with Freddie Mercury, which became an official theme song for the 1992 Olympic Games. She received several international awards and also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renata Scotto
Renata Scotto (born 24 February 1934) is an Italian soprano and opera director. Recognized for her sense of style, her musicality, and as a remarkable singer-actress, Scotto is considered one of the preeminent singers of her generation. Since retiring from the stage as a singer in 2002, she has turned successfully to directing opera as well as teaching in Italy and America, along with academic posts at the Accademia Nazionale di Santa Cecilia in Rome and the Juilliard School in New York. Singing career Renata Scotto was born in Savona, Italy. She made her operatic debut in her home town on Christmas Eve of 1952 at the age of 18 in front of a sold-out house as Violetta in Verdi's '' La traviata''.The next day, she made her 'official' opera debut at the Teatro Nuovo in Milan as Violetta. Shortly after, she performed in her first Puccini opera, '' Madama Butterfly'', in Savona and was paid twenty-five thousand lire. Both roles would later become closely associated with her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leyla Gencer
Ayşe Leyla Gencer (, née Çeyrekgil; 10 October 192810 May 2008) was a Turkish operatic soprano. Gencer was a notable ''bel canto'' soprano who spent most of her career in Italy, from the early 1950s through the mid-1980s, and had a repertoire encompassing more than seventy roles. She made very few commercial recordings; however, numerous bootleg recordings of her performances exist. She was particularly associated with the heroines of Donizetti. Early life Leyla Gencer was born in Polonezköy (near Istanbul) to a Turkish father and a Polish mother. Her father, Hasanzade İbrahim Bey (who took the surname ''Çeyrekgil'' under the Surname Law of 1934), was a wealthy businessman, whose family was from the city of Safranbolu. Her mother, Lexanda Angela Minakovska, was from a Roman Catholic family of the Lithuanian aristocracy (she later converted to Islam and chose the name ''Atiye'' after her husband's death.) Gencer's father died when she was very young. She grew up in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luchino Visconti
Luchino Visconti di Modrone, Count of Lonate Pozzolo (; 2 November 1906 – 17 March 1976) was an Italian filmmaker, stage director, and screenwriter. A major figure of Italian art and culture in the mid-20th century, Visconti was one of the fathers of cinematic neorealism, but later moved towards luxurious, sweeping epics dealing with themes of beauty, decadence, death, and European history, especially the decay of the nobility and the bourgeoisie. He was the recipient of many accolades, including the Palme d'Or and the Golden Lion, and many of his works are regarded as highly-influential to future generations of filmmakers. Born to a Milanese noble family, Visconti explored artistic proclivities from an early age, working as an assistant director to Jean Renoir. His 1943 directorial debut, '' Ossessione,'' was condemned by the Fascist regime for its unvarnished depictions of working-class characters resorting to criminality, but is today renowned as a pioneering work of Ita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Callas
Maria Callas . (born Sophie Cecilia Kalos; December 2, 1923 – September 16, 1977) was an American-born Greek soprano who was one of the most renowned and influential opera singers of the 20th century. Many critics praised her ''bel canto'' technique, wide-ranging voice and dramatic interpretations. Her repertoire ranged from classical ''opera seria'' to the ''bel canto'' operas of Donizetti, Bellini and Rossini and, further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. Her musical and dramatic talents led to her being hailed as ''La Divina'' ("the Divine one"). Born in Manhattan, New York City, to Greek immigrant parents, she was raised by an overbearing mother who had wanted a son. Maria received her musical education in Greece at age 13 and later established her career in Italy. Forced to deal with the exigencies of 1940s wartime poverty and with near-sightedness that left her nearly blind onstage, she endured strug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Scala
La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performance was Antonio Salieri's '' Europa riconosciuta''. Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as one of the leading opera and ballet theatres globally. It is home to the La Scala Theatre Chorus, La Scala Theatre Ballet, La Scala Theatre Orchestra, and the Filarmonica della Scala orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy ( it, Accademia Teatro alla Scala, links=no), which offers professional training in music, dance, stagecraft, and stage management. Overview La Scala's season opens on 7 December, Saint Ambrose's Day, the feast day of Milan's patron saint. All performances must end bef ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Caniglia
Maria Caniglia (5 May 1905 – 16 April 1979) was one of the leading Italian spinto sopranos of the 1930s and 1940s. Life and career Caniglia was born in Naples and studied at the Music Conservatories of Naples with Agostino Roche. She made her professional debut in Turin as Chrysothemis in '' Elektra'' in 1930. The same year she sang Magda in Respighi's ''La campana sommersa'' in Geneva and Elsa in Wagner's ''Lohengrin'' in Rome and made her debut at La Scala in Milan as Maria in Pizzetti's ''Lo straniero''. She sang regularly at La Scala until 1951 in the leading dramatic soprano roles in opera, such as ''Un ballo in maschera'', ''La forza del destino'', ''Aida'', ''Andrea Chénier'', ''Tosca'' and ''Adriana Lecouvreur''. She was particularly successful in roles from the latter verismo school. On the international scene, Caniglia appeared in venues such as the Palais Garnier, Covent Garden, and the Teatro Colón. She made her debut at the Metropolitan Opera in New Yor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maggio Musicale Fiorentino
The Maggio Musicale Fiorentino (English: Florence Musical May) is an annual Italian arts festival in Florence, including a notable opera festival, under the auspices of the Opera di Firenze. The festival occurs between late April into June annually, typically with four operas. History In April 1933, on 's idea, Vittorio Gui founded the festival, with the aim of presenting contemporary and forgotten operas in visually dramatic productions. It was the first music festival in Italy and the oldest in Europe after the Salzburg Festival. The first opera presented was Verdi's early ''Nabucco'', his early operas then being rarely staged. The first festival's success, which included two performances of Spontini's '' La Vestale'' with Rosa Ponselle, led to it becoming a biennial event in 1937 with the presentation of nine operas. After 1937, it became an annual festival, except during World War II. Performances took place in the Teatro Comunale and Piccolo Teatro, plus the Teatro dell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosa Ponselle
Rosa Melba Ponzillo, known as Rosa Ponselle (January 22, 1897 – May 25, 1981) was an American operatic soprano. She sang mainly at the New York Metropolitan Opera and is generally considered to have been one of the greatest sopranos of the 20th century. Early life She was born Rosa Ponzillo on January 22, 1897, in Meriden, Connecticut, the youngest of three children. The family lived on the city's west side in a neighbourhood chiefly populated by immigrants from the south of Italy, first at the corner of Lewis Avenue and Bartlett Street, then on Foster Street, where Ponselle was born, moving when she was three to Springdale Avenue. Her parents were Italian immigrants from Caiazzo, near Caserta. Ponselle had an exceptionally mature voice at an early age and, at least in her early years, sang on natural endowment with little, if any, vocal training. Instead, her early prowess as a piano student (which was cultivated by a local music teacher, Anna Ryan, the organist of a nearby ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
