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La Stagione Frankfurt
La Stagione Frankfurt is a German ensemble of Baroque and classical music, adept at historically informed performance. History The ensemble La Stagione Frankfurt was founded in 1988 by the German flautist and conductor Michael SchneiderBooklet of the CD ''Harpsichord Concertos'' by Georg Anton Benda (CPO 777 088-2). around the members of the ensemble Camerata Köln. Schneider began his career as a solo flutist by winning a prize at the 1978 ARD International Competition in Munich. In 1979, he was one of the founding members of the chamber music ensemble Camerata Köln. In 1988, he founded the ensemble La Stagione Frankfurt with which he recorded more than 100 discs in the genres of opera, oratorio and symphony, in the spirit of historically informed interpretation, i.e. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Ramea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gotthold Schwarz
Gotthold Schwarz (born 2 May 1952 in Zwickau) is a German Bass-baritone and conductor. Based in Leipzig, he started as a member of the Thomanerchor and has conducted the Gewandhausorchester. Between 2016 and 2021, he was the 17th Thomaskantor after Johann Sebastian Bach. Biography Schwarz was the son of the cantor of St. Paul Church in Zwickau, which gave him an early contact with music. He began his musical career in 1964 as a member of the Thomanerchor, the boys' choir in Leipzig founded in 1212 and directed by Johann Sebastian Bach, among others, as the Thomaskantor. Schwarz has collaborated with the choir since in several functions. After completion of a church music education at the College of Church Music in Dresden, he studied at the Hochschule für Musik "Felix Mendelssohn Bartholdy" in Leipzig, voice with Gerda Schriever, organ with and Hannes Kästner, and conducting with Max Pommer and Hans-Joachim Rotzsch. Later he studied privately with Peter Schreier, Hermann Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jiří Antonín Benda
Georg Anton Benda ( cz, Jiří Antonín Benda, italic=no, link=no; 30 June 17226 November 1795) was a composer, violinist and Kapellmeister of the Classical period (music), classical period from the Kingdom of Bohemia. Biography Born into a Benda family, family of notable musicians in Old Benatek (today Benátky nad Jizerou), Kingdom of Bohemia, Bohemia, he studied at the Piarists, Piarist Gymnasium (school), Gymnasium (grammar school) in Kosmonosy, Kosmanos and at the Society of Jesus, Jesuit Gymnasium in Jičín, Gitschin from 1735 to 1742. Benda was 19 when Frederick the Great bestowed upon him in 1741 the position of second violinist in the chapel of Berlin. The following year Benda was summoned to Potsdam as a composer and Arrangement, arranger for his older brother Franz Benda, Franz, himself an illustrious composer and violinist. Seven years later, in 1749, he entered the service of the Frederick III, Duke of Saxe-Gotha-Altenburg, Duke of Gotha as ''Kapellmeister,'' where h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Beck
Franz Beck (4 March 1930 – 5 October 2000) was a Liechtensteiner alpine skier who competed in the 1948 Winter Olympics The 1948 Winter Olympics, officially known as the V Olympic Winter Games (german: V. Olympische Winterspiele; french: Ves Jeux olympiques d'hiver; it, V Giochi olimpici invernali; rm, V Gieus olimpics d'enviern) and commonly known as St. Moritz ... and in the 1956 Winter Olympics. References External links * 1930 births 2000 deaths Liechtenstein male alpine skiers Olympic alpine skiers for Liechtenstein Alpine skiers at the 1948 Winter Olympics Alpine skiers at the 1956 Winter Olympics {{Liechtenstein-alpine-skiing-bio-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sabine Bauer
Sabine Bauer is a German harpsichordist, pianofortiste and flautist specialising in the repertoire of Baroque music and classical period, adept at historically informed performance, i.e. performance on ancient instruments (or copies of ancient instruments). Formation Bauer studied the flute at the conservatories of Cologne, Berlin and Frankfurt with Michael Schneider, and the harpsichord with and Harald Hoeren.Livret du CD ''Harpsichord Concertos'' by Georg Anton Benda (CPO 777 088-2) She then continued her studies with Andreas Staier, Ton Koopman and Gustav Leonhardt. Career In 1979, Bauer was one of the founding members of the ensemble Camerata Köln, together with Michael Schneider (flute), Ingeborg Scheerer (violin), Sabine Lier (violin) and Rainer Zipperling (cello and viola da gamba). Alain Pâris, ''Le nouveau dictionnaire des interprètes'', Robert Laffont, 2015. She then joined the ensemble La Stagione Frankfurt founded by Michael Schneider. In addition to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpsichordist
A harpsichordist is a person who plays the harpsichord. Harpsichordists may play as soloists, as accompanists, as chamber musicians, or as members of an orchestra, or some combination of these roles. Solo harpsichordists may play unaccompanied sonatas for harpsichord or concertos accompanied by orchestra. Accompanist harpsichordists might accompany singers or instrumentalists (e.g., a violinist or Baroque flute player), either playing works written for a voice (or an instrument) and harpsichord or an orchestral reduction of the orchestra parts. Chamber musician harpsichordists could play in small groups of instrumentalists, such as a quartet or quintet. Baroque-style orchestras and opera pit orchestras typically have a harpsichordist to play the chords in the basso continuo part. History Many baroque composers played the harpsichord, including Johann Sebastian Bach, Domenico Scarlatti, George Frideric Handel, François Couperin and Jean-Philippe Rameau. At this time, it was common ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Adolph Hasse
Johann Adolph Hasse (baptised 25 March 1699 – 16 December 1783) was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a considerable quantity of sacred music. Married to soprano Faustina Bordoni and a friend of librettist Pietro Metastasio, whose libretti he frequently set, Hasse was a pivotal figure in the development of '' opera seria'' and 18th-century music. Early career Hasse was baptised in Bergedorf near Hamburg where his family had been church organists for three generations. His career began in singing when he joined the Hamburg Oper am Gänsemarkt in 1718 as a tenor. In 1719 he obtained a singing post at the court of Brunswick, where in 1721 his first opera, ''Antioco'', was performed; Hasse himself sang in the production. He is thought to have left Germany during 1722. During the 1720s he lived mostly in Naples, dwelling there for six or sev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them '' Orfeo ed Euridice'' and '' Alceste'', he broke the stranglehold that Metastasian ''opera seria'' had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera. Future composers like Mozart, Schubert, Berlioz and Wagner revered Gluck very highly. The strong influence of French opera encouraged Gluck to move to Paris in November 1773. Fusing the traditions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Scarlatti
Pietro Alessandro Gaspare Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan school of opera. Nicknamed by his contemporaries "the Italian Orpheus", he divided his career between Naples and Rome, where he received his training; a significant part of his works was composed for the papal city. He is often considered the founder of the Neapolitan school, although he has only been its most illustrious representative: his contribution, his originality and his influence were essential, as well as lasting, both in Italy and in Europe. Particularly known for his operas, he brought the Italian dramatic tradition to its maximum development, begun by Monteverdi at the beginning of 17th century and continued by Cesti, Cavalli, Carissimi, Legrenzi and Stradella, designing the final form of the '' Da capo aria'', imitated throughout Europe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandrine Piau
Sandrine Piau (born 5 June 1965) is a French soprano. She is particularly renowned in Baroque music although also excels in Romantic and modernist art songs. She has the versatility to perform works from Vivaldi, Handel, Mozart to Schumann, Debussy, and Poulenc. In addition to an active career in concerts and operas, she is prolific in studio recordings, primarily with Harmonia Mundi, Naïve, and Alpha since 2018. Biography Born in Issy-les-Moulineaux, she initially studied harp and turned to singing at the Conservatoire de Paris. After meeting William Christie, she commenced her exposure to Baroque music and their collaboration notably at the Aix-en-Provence Festival. She proceeded further vocal studies with Rachel Yakar and René Jacobs. She collaborated with many of the leading European conductors of the Baroque revival, including Marc Minkowski, Philippe Herreweghe, Paul McCreesh, Alan Curtis, Christophe Rousset, René Jacobs, and Fabio Biondi. Piau also ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbara Schlick
Barbara Schlick (born 21 July 1943, Würzburg) is a German soprano who is particularly admired for interpretations of the concert literature of the baroque era. Career Schlick studied singing under at the Hochschule für Musik Würzburg and in Essen under Hilde Wesselmann. She later pursued further studies with Rudolf Piernay and Gisela Rohmert. Starting in 1966, Schlick began to appear throughout Europe as a soloist with Adolf Scherbaum's Baroque ensemble. She appeared for the first time in North America in a tour with Paul Kuentz and his chamber orchestra. She has since appeared at major concert halls, performance venues, and music festivals throughout Europe, Israel, Japan, Canada, the United States and Russia, singing under the batons of people like Frans Brüggen, William Christie, Michel Corboz, Reinhard Goebel, Philippe Herreweghe, René Jacobs, Sigiswald Kuijken, and Karl-Friedrich Beringer. She took part in the project of Ton Koopman and the Amsterdam Baroque O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
