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La Bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions ''quadri'', ''tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, fifty years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performance was later released by RCA Victor on vinyl record, tape and compact disc. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Puccini
Giacomo Puccini (Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera, he later developed his work in the realistic ''verismo'' style, of which he became one of the leading exponents. His most renowned works are ''La bohème'' (1896), ''Tosca'' (1900), '' Madama Butterfly'' (1904), and ''Turandot'' (1924), all of which are among the most frequently performed and recorded of all operas. Family and education Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca, Italy, in 1858. He was the sixth of nine children of Michele Puccini (1813–1864) and Albina Magi (1830–1884). The Puccini family was established in Lucca as a local musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théodore Barrière
Théodore Barrière (1823 – 16 October 1877), French playwright, was born in Paris. He belonged to a family of map engravers which had long been connected with the war department, and spent nine years in that service himself. The success of a vaudeville he had performed at the Beaumarchais and which was immediately snapped up for the repertory of the Palais Royal, showed him his real vocation. During the next thirty years he signed, alone or in collaboration, over a hundred plays; among the most successful were: *''La Vie de bohème'' (1849), adapted from Henri Murger’s book with the novelist's help *''Manon Lescaut'' (1851) *''Les Filles de marbre'' (1853) (subsequently adapted into English as ''The Marble Heart'' by Charles Selby)(27 May 1854)Dramatic - Adelphi ''The Musical World'', Vol. 32, No. 21, p. 352 *''Les Faux Bonshommes'' (1856) with Ernest Capendu *''L’Héritage de Monsieur Plumet'' (1858) *''Les Gens nerveux'' (1860), with Victorien Sardou Victorien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurizio Bensaude
Maurício (Moisés) Bensaúde (also known professionally as Maurizio Bensaude) (13 February 1863, in Ponta Delgada – 22 December 1912, in Lisbon), was a Portuguese operatic baritone. He arrived in Lisbon in 1884, where he received vocal training for a short time, and then made his debut in the same year at the Teatro da Trindade in Lisbon, in the opérette '' La petite mariée'' by Charles Lecocq. He then worked in another operetta at the Portuguese capital, in the Teatro de D. Maria, where he appeared in operettas and musical comedies. However, he continued to take singing lessons, and began to take on operatic roles as well at the end of the 1880s. He quickly became a success, and went on to have extensive international guest appearances. In 1896, he sang at the Teatro Costanzi in Rome, playing Riccardo in Bellini's ''I Puritani'' in 1897, and playing Gunther in ''Twilight of the Gods''. In the 1893–94 and 1898–99 seasons, he was engaged at the Metropolitan Opera in New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Dell'Opera Di Roma
The Teatro dell'Opera di Roma (Rome Opera House) is an opera house in Rome, Italy. Originally opened in November 1880 as the 2,212 seat ''Costanzi Theatre'', it has undergone several changes of name as well modifications and improvements. The present house seats 1,600. Original Teatro Costanzi: 1880 to 1926 The Teatro dell'Opera was originally known as the ''Teatro Costanzi'' after the contractor who built it, (1819–1898). It was financed by Costanzi, who commissioned the Milanese architect Achille Sfondrini (1836–1900), a specialist in the building and renovation of theatres. The opera house was built in eighteen months, on the site where the house of Heliogabalus stood in ancient times, and was inaugurated on 27 November 1880 with a performance of ''Semiramide'' by Gioachino Rossini. Designing the theatre, Sfondrini paid particular attention to the acoustics, conceiving the interior structure as a "resonance chamber", as is evident from the horseshoe shape in particular. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Comunale Di Bologna
The Teatro Comunale di Bologna is an opera house in Bologna, Italy. Typically, it presents eight operas with six performances during its November to April season. While there had been various theatres presenting opera in Bologna since the early 17th century, they had either fallen into disuse or burnt down. However, from the early 18th century, the ''Teatro Marsigli-Rossi'' had been presenting operatic works by popular composers of the day including Vivaldi, Gluck, and Niccolò Piccinni. The ''Teatro Malvezzi'', built in 1651, burned down in February 1745 and this event prompted the construction of a new public theatre, the ''Nuovo Teatro Pubblico'', as the Teatro Comunale was first called when it opened on 14 May 1763. Design and inauguration Despite opposition from other competitors, the architect Antonio Galli Bibiena won the theatre design contract. The theatre's inaugural performance was Gluck's ''Il trionfo di Clelia'', an opera which Gluck had composed for the occasion. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Magini-Coletti
Antonio Magini-Coletti (17 February 1855 – 21 July 1912) was a leading Italian baritone who had a prolific career in Europe and the United States during the late 19th century and the early part of the 20th century. A versatile artist, he appeared in several opera world premieres but was particularly associated with the works of Giuseppe Verdi, Richard Wagner and the verismo composers. He was also an accomplished exponent of the bel canto repertoire. Biography Magini-Coletti was born in 1855 in the medieval town of Iesi (written Jesi in Italian), which is situated inland from Ancona on central Italy's east coast. Published details of his early life are scant but sources agree that he studied singing during the 1870s with the distinguished pedagogue Venceslao Persichini at Rome's Conservatorio di Santa Cecilia. (Persichini's other students included the lyric tenor Francesco Marconi and Magini-Coletti's fellow baritones Mattia Battistini, Giuseppe De Luca and Titta Ruffo.) In 1880, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Di San Carlo
The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is an opera house in Naples, Italy, connected to the Royal Palace and adjacent to the Piazza del Plebiscito. It is the oldest continuously active venue for opera in the world, having opened in 1737, decades before either Milan's La Scala or Venice's La Fenice."The Theatre and its history" on the Teatro di San Carlo's official website. (In English). Retrieved 23 December 2013 The opera season runs from late November to July, with the ballet season taking place from December to early June. The house once had a seating capacity of 3,285, but has now been reduced to 1,386 seats. Given its size, structure and antiquity, it was the model for theatres that were l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tessitura
In music, tessitura (, pl. ''tessiture'', "texture"; ) is the most acceptable and comfortable vocal range for a given singer or less frequently, musical instrument, the range in which a given type of voice presents its best-sounding (or characteristic) timbre. This broad definition is often interpreted to refer specifically to the pitch range that most frequently occurs within a given part of a musical piece. Hence, in musical notation, ''tessitura'' is the ambitus, or a narrower part of it, in which that particular vocal (or less often instrumental) part lies—whether high or low, etc. However, the tessitura of a part or voice is not decided by the extremes of its range, but rather by the share of this total range which is most used. Hence, it is referred to as the "heart" of a range. For example, throughout the entirety of Wagner's ''Ring'', the music written for the tenor role of Siegfried ranges from C to C, but the tessitura is described as high because the phrases are mos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cesira Ferrani
Cesira Ferrani (May 8, 1863 in Turin – May 4, 1943 in Pollone) was an Italian people, Italian operatic soprano who is best known for debuting two of the most iconic roles in opera history, Mimì in the original 1896 production of Giacomo Puccini's ''La bohème'' and the title role in Puccini's ''Manon Lescaut (Puccini), Manon Lescaut'' in its 1893 world premiere. Ferrani sang a wide repertoire that encompassed not only verismo opera but the works of composers like Verdi, Gounod, Wagner, and Debussy. Career Born Cesira Zanazzio, Ferrani studied with Antonietta Fricci in Turin before making her professional opera début in 1887 as Micaëla in Bizet's ''Carmen'' at the Teatro Regio di Torino. That same year she sang Gilda from Verdi's ''Rigoletto'' and Marguerite in Gounod's ''Faust (opera), Faust'' at the same theater. Over the next four years she appeared in numerous productions in Catania, Genoa, and Venice. She also sang in several productions in France. In 1892 she appeared a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evan Gorga
Evangelista Gennaro Gorga (6 February 1865 – 5 December 1957) was an Italian lyric tenor. He is best known for originating the role of Rodolfo in the original production of Giacomo Puccini's ''La bohème'' at the Teatro Regio Torino in 1896. Early life Evan Gorga was born in Brocco (now Broccostella), Italy in the province of Caserta (now Frosinone). His father, Pietro Gorga, was a small land owner, while his mother, Matilde De Santis, was the daughter of a local nobleman. The family lived in a house that stood in what is now the historical center of Broccostella. Education and career As a teenager and a young man, Gorga studied voice with a teacher with the surname Franceschetti. In 1894, he made his professional opera debut in the title role of Verdi's ''Ernani'' when called in to replace the scheduled performer, Francesco Tamagno, who was sick. In 1895, he performed the role of Wilhelm Meister in Ambroise Thomas's ''Mignon'', Le Chevalier des Grieux in Jules Massenet's '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Music Online
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julian Budden
Julian Medforth Budden (9 April 1924 in Hoylake, Wirral – 28 February 2007 in Florence, Italy) was a British opera scholar, radio producer and broadcaster. He is particularly known for his three volumes on the operas of Giuseppe Verdi (published in 1973, 1978, and 1981), a single-volume biography in 1982 and a single-volume work on Giacomo Puccini and his operas in 2002. He is also the author of numerous entries in the '' Grove Dictionary of Music and Musicians''. Personal life His parents were the then professor of architecture at Liverpool University, Lionel Budden, and a poet, writer and journalist Maud, (née Fraser) who from 1938 until 1964 provided the rhymes for the strip ''Curly Wee and Gussie Goose'', which was syndicated in newspapers throughout the world. Neither of his parents was especially musical and were not interested in what little opera was available locally. His operatic awakening occurred at school when a touring company with piano accompaniment and spoke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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