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Léandre Et Héro
''Léandre et Héro'' (''Leander and Hero'') is an opera by the French composer the Marquis de Brassac, first performed at the Académie Royale de Musique (the Paris Opera) on 25 April (or the 5 May) 1750.''Livrets baroques'' gives 25 April, Clément and Larousse 5 May It takes the form of a ''tragédie en musique'' in a prologue and five acts. The libretto, by Jean-Jacques Lefranc, Marquis de Pompignan, is based on the Greek legend of Hero and Leander Hero and Leander (, ) is the Greek myth relating the story of Hero (, ''Hērṓ''; ), a priestess of Aphrodite (Venus in Roman mythology) who dwelt in a tower in Sestos on the European side of the Hellespont, and Leander (, ''Léandros''; .... Notes and references Sources Libretto at "Livres baroques"Félix Clément and Pierre Larousse ''Dictionnaire des Opéras'', Paris, 1881 page 398. *(in FrenchScore at La Bibliothèque Nationale de France French-language operas Tragédies en musique Operas 1750 operas {{ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
France
France, officially the French Republic, is a country located primarily in Western Europe. Overseas France, Its overseas regions and territories include French Guiana in South America, Saint Pierre and Miquelon in the Atlantic Ocean#North Atlantic, North Atlantic, the French West Indies, and List of islands of France, many islands in Oceania and the Indian Ocean, giving it Exclusive economic zone of France, one of the largest discontiguous exclusive economic zones in the world. Metropolitan France shares borders with Belgium and Luxembourg to the north; Germany to the northeast; Switzerland to the east; Italy and Monaco to the southeast; Andorra and Spain to the south; and a maritime border with the United Kingdom to the northwest. Its metropolitan area extends from the Rhine to the Atlantic Ocean and from the Mediterranean Sea to the English Channel and the North Sea. Its Regions of France, eighteen integral regions—five of which are overseas—span a combined area of and hav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marquis De Brassac
A marquess (; ) is a nobleman of high hereditary rank in various European peerages and in those of some of their former colonies. The German-language equivalent is Markgraf (margrave). A woman with the rank of a marquess or the wife (or widow) of a marquess is a marchioness () or marquise (). These titles are also used to translate equivalent Asian styles, as in Imperial China and Imperial Japan. Etymology The word ''marquess'' entered the English language from the Old French ("ruler of a border area") in the late 13th or early 14th century. The French word was derived from ("frontier"), itself descended from the Middle Latin ("frontier"), from which the modern English word ''March (territory), march'' also descends. The distinction between governors of frontier territories and interior territories was made as early as the founding of the Roman Empire when some provinces were set aside for administration by the senate and more unpacified or vulnerable provinces were admini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Opera
The Paris Opera ( ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragédie En Musique
''Tragédie en musique'' (, musical tragedy), also known as ''tragédie lyrique'' (, lyric tragedy), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard ''tragédie en musique'' has five acts. Early works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (''petits a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Jacques Lefranc, Marquis De Pompignan
Jean-Jacques Lefranc (also Le Franc), Marquis de Pompignan (10 August 1709 – 1 November 1784) was a French man of letters and erudition, who published a considerable output of theatrical work, poems, literary criticism, and polemics; treatises on archeology, nature, travel and many other subjects; and a wide selection of highly regarded translations of the classics and other works from several European languages including English. His life and career, as well as his literary and other works are noteworthy today because of their location at the very center of the French Enlightenment; and although some of the positions he took are also considered to have been formative contributions to the counter-Enlightenment tendencies that were being articulated in parallel, he remains, in many respects, the typical Enlightenment man. The prolific volumes of literary works are now of academic interest only, mainly to flesh out aspects of the culture of the time, which embraced a period in wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hero And Leander
Hero and Leander (, ) is the Greek myth relating the story of Hero (, ''Hērṓ''; ), a priestess of Aphrodite (Venus in Roman mythology) who dwelt in a tower in Sestos on the European side of the Hellespont, and Leander (, ''Léandros''; or Λείανδρος), a young man from Abydos on the opposite side of the strait. The myth Leander falls in love with Hero and swims every night across the Hellespont to spend time with her. Hero lights a lamp at the top of her tower to guide his way. Leander's soft words and charms—and his argument that Aphrodite, as the goddess of love and sex, would scorn the worship of a virgin—convince Hero, and they make love. Their secret love affair lasts through a warm summer, but when winter and its rougher weather looms, they agree to part for the season and resume in the spring. One stormy winter night, however, Leander sees the torch at the top of Hero's tower. He attempts to go to her, but halfway through his swim, a strong winter w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is both the art of opera in France and opera in the French language. It is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV with Jean-Baptiste Lully's (1673), although there had been various experiments with the form before that, most notably by Robert Cambert. Lully and his librettist Quinault created , a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, Christoph Willibald Gluck was persuaded to produce six operas for the Paris Opera in the 1770s. They show the influence of Rameau, but simplified and with gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of Western theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western classical music, and Italian tradition in particular. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
