Lucille Tostée
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Lucille Tostée
Lucille Tostée (1837- 1874) was a French soprano, associated with opéra-bouffe in Paris and the US in the mid-19th century, particularly in the works of Jacques Offenbach, Offenbach.Gänzl K. ''The Encyclopaedia of the Musical Theatre.'' Blackwell, Oxford, 1994. Life and career Tostée's first role at the Théâtre des Bouffes Parisiens was as Scipionne in ''Les vivandières de la grande-armée'' in 1859, swiftly followed by a revival of ''La rose de Saint-Flour'', and she remained a star in the Paris opéra-bouffe from the early 1860s to her death. She created roles in Offenbachs's ''Le pont des soupirs'' (Amoroso, 1861), ''Les bavards'' (Béatrix, 1862), and ''Il signor Fagotto'' (Fabricio, 1863). She toured with the Bouffes company to Vienna in 1861 and 1862, appearing at the Theater am Franz-Josefs-Kai. In 1867 she travelled to New York to appear at the Théâtre Français, starring in ''Geneviève de Brabant'', ''La belle Hélène'', ''Lischen et Fritzchen'' and ''Orphée ...
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J Gurney & Son Cabinet Card Of Lucille Tostee French Soprano At 707 Broadway NYC-1
J, or j, is the tenth Letter (alphabet), letter of the Latin alphabet, used in the English alphabet, modern English alphabet, the alphabets of other western European languages and others worldwide. Its usual name in English is English alphabet#Letter names, ''jay'' (pronounced ), with a now-uncommon variant ''jy'' ."J", ''Oxford English Dictionary,'' 2nd edition (1989) When used in the International Phonetic Alphabet for the palatal approximant, voiced palatal approximant (the sound of "y" in "yes") it may be called ''yod'' or ''jod'' (pronounced or ). History The letter ''J'' used to be used as the swash (typography), swash letter ''I'', used for the letter I at the end of Roman numerals when following another I, as in XXIIJ or xxiij instead of XXIII or xxiii for the Roman numeral twenty-three. A distinctive usage emerged in Middle High German. Gian Giorgio Trissino (1478–1550) was the first to explicitly distinguish I and J as representing separate sounds, in his ...
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