Live In Kraków
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Live In Kraków
''Live in Kraków'' is a live album by Barry Altschul's 3dom Factor, led by drummer Altschul, and featuring saxophonist Jon Irabagon and double bassist Joe Fonda. The trio's third release, it was recorded on December 4, 2016, at the Alchemia club in Kraków, Poland, and was issued on CD in 2017 by Not Two Records. Reception In a review for ''All About Jazz'', John Sharpe noted that in a "concert setting the group makes the most of the opportunity to stretch out and strut their stuff." He wrote: "Over the four years since their inception, The 3Dom Factor has grown into a real unit, knowing who's capable of what, when and how... It's all done with an unselfconscious joy which brings a smile to the face." Philip Clark of ''Jazzwise'' suggested that the trio's first two releases "were such confident statements that this new one is more about evolution than radical revolution," and stated: "the way these guys mess with time and math, they might well squeeze a fourth album into their ...
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Barry Altschul
Barry Altschul (born January 6, 1943, in New York City) is a free jazz and hard bop drummer who first came to notice in the late 1960s for performing with pianists Paul Bley and Chick Corea. Biography Altschul is of Russian Jewish heritage, the son of a laborer who did construction work and drove a taxi. Having initially taught himself to play drums, Altschul studied with Charlie Persip during the 1960s. In the latter part of the decade, he performed with Paul Bley. In 1969 he joined with Chick Corea, Dave Holland and Anthony Braxton to form the group Circle. At the time, he made use of a high-pitched Gretsch kit with add-on drums and percussion instruments. In the 1970s, Altschul worked extensively with Anthony Braxton's quartet featuring Kenny Wheeler, Dave Holland, and George E. Lewis. Braxton, signed to Arista Records, was able to secure a large enough budget to tour with a collection of dozens of percussion instruments, strings and winds. In addition to his partici ...
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Free Jazz
Free jazz, or free form in the early to mid-1970s, is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, Musical tone, tones, and chord changes. Musicians during this period believed that the bebop and modal jazz that had been played before them was too limiting, and became preoccupied with creating something new. The term "free jazz" was drawn from the 1960 Ornette Coleman recording ''Free Jazz: A Collective Improvisation''. Europeans tend to favor the term "free improvisation". Others have used "modern jazz", "creative music", and "art music". The ambiguity of free jazz presents problems of definition. Although it is usually played by small groups or individuals, free jazz big band, big bands have existed. Although musicians and critics claim it is innovative and forward-looking, it draws on early styles of jazz ...
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Tales Of The Unforeseen
''Tales of the Unforeseen'' is an album by Barry Altschul's 3dom Factor, led by drummer Altschul, and featuring saxophonist Jon Irabagon and double bassist Joe Fonda. The trio's second release, it was recorded during February 11–12, 2014, at Sear Sound Studios in New York City, and was issued on CD in 2015 by TUM Records. Reception In a review for ''The New York City Jazz Record'', Thomas Conrad stated that the album "confirms Irabagon's reputation as one of the most exciting reed players to enter jazz in the new millennium. It reveals that Fonda, under the radar for 40 years, is a special bassist. And it continues the recording comeback of a major drummer." Karl Ackermann of ''All About Jazz'' wrote: "Free improvisation is often license for an abrasiveness that can obscure the substantial intelligence and effort involved in a project but Altschul, Irabagon and Fonda shine in this environment. Their objectives on ''Tales of the Unforeseen'' are clear and carried out with consi ...
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Long Tall Sunshine
''Long Tall Sunshine'' is a live album by Barry Altschul's 3dom Factor, led by drummer Altschul, and featuring saxophonist Jon Irabagon and double bassist Joe Fonda. The trio's fourth release, it was recorded during a 2019 European tour, and was issued on CD in 2021 by Not Two Records. Reception In an article for ''The New York Times'', Giovanni Russonello called Altschul's drumming "a study in something more than contrast," and wrote: "He knows how to skip across the surface of a beat while also giving it serious heft; his pocket is magnetic, but he'll just as soon dice it up or splatter it to bits." He described the title piece as "brimming and charging but holding back too (thanks especially to Fonda's bass), with a harmonically rangy melody that sets up Irabagon for an uncorked solo." Selwyn Harris of ''Jazzwise'' suggested that listening to the album was like "going back to when jazz was a voice for raw spontaneity and creative excess in the progressive tradition." ''Jazz ...
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Jon Irabagon
Jon Irabagon is a Filipino-American saxophonist, composer, and founder of Irabbagast Records. Winner of the 2008 Thelonious Monk Jazz Competition and one of '' Time Outs "25 essential New York City jazz icons", Irabagon is known for the breadth of his work on a jazz continuum ranging "from postbop to free improvisation, avant country to doom metal". His "extraordinary eclecticism" has led to performances with such diverse artists as Wynton Marsalis, Lou Reed, Evan Parker, Billy Joel, the Maria Schneider Orchestra, Bertha Hope, Herbie Hancock, Conor Oberst, Christian McBride, Mike Pride, Kenny Barron, Darcy James Argue's Secret Society, Bill Laswell, Peter Evans, Tyshawn Sorey, Ingrid Laubrock, Ava Mendoza, Mick Barr, and Tom Rainey. Irabagon's many projects as bandleader include a quartet with Luis Perdomo, Yasushi Nakamura, and Rudy Royston, as well as a trio with Mark Helias and Barry Altschul. He is also a member of the Mary Halvorson Quintet, Septet, and Octet; the Dav ...
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Joe Fonda
Joe Fonda (born December 16, 1954) is an American jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, h ... bassist. Career Fonda was born in Amsterdam, New York to parents who both played jazz. He played guitar as a youth but switched to bass guitar later. He studied bass at Berklee College of Music, where he also began playing upright bass. He played in the New Haven, Connecticut area in the early 1980s, and recorded with Wadada Leo Smith. In 1994 he began playing with Anthony Braxton, collaborating with him extensively for the next five years. He and Michael Jefry Stevens led the Fonda-Stevens band that began in 1991. Since the late 1990s Fonda has recorded often as a bandleader. Fonda has also explored dance in relation to jazz. He played bass with a dance company ...
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All About Jazz
''All About Jazz'' is a website established by Michael Ricci in 1995. A volunteer staff publishes news, album reviews, articles, videos, and listings of concerts and other events having to do with jazz. Ricci maintains a related site, ''Jazz Near You'', about local concerts and events. The Jazz Journalists Association voted ''All About Jazz'' Best Website Covering Jazz for thirteen consecutive years between 2003 and 2015, when the category was retired. In 2015, Ricci said the site received a peak of 1.3 million readers per month in 2007. Another source said that the site has over 500,000 readers around the world. Ricci was born in Philadelphia Philadelphia ( ), colloquially referred to as Philly, is the List of municipalities in Pennsylvania, most populous city in the U.S. state of Pennsylvania and the List of United States cities by population, sixth-most populous city in the Unit ..., Pennsylvania, United States. He heard classical and jazz from his father's music coll ...
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Jazzwise
''Jazzwise'' is a British monthly magazine focused on jazz, launched in 1997. The magazine covers a range of jazz sub-genres and provides news coverage, a national gig guide, a jazz-on-film page, feature articles, and a review section that evaluates new musical releases, DVDs, books, and live performances. News stories also feature on the ''Jazzwise'' magazine website. ''Jazzwise'' instructs new jazz writers through its ongoing intern scheme and '' The Write Stuff'' workshops held each November during the London Jazz Festival. Awards In 2006, ''Jazzwise'' editor Jon Newey won Journalist of the Year at the Parliamentary Jazz Awards. In 2007, ''Jazzwise'' won two awards – Best Jazz Publication at the Parliamentary Jazz Awards and Best Jazz Publication at the Ronnie Scott's awards. In 2009, ''Jazzwise'' writer Kevin Le Gendre won Journalist of the Year at the Parliamentary Jazz Awards. In 2010, ''Jazzwise'' won Best Jazz Publication for the second time, gig guide editor Mi ...
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Tom Hull – On The Web
Tom Hull is an American music critic, web designer, and former software developer. Hull began writing criticism for ''The Village Voice'' in the mid 1970s under the mentorship of its music editor Robert Christgau, but left the field to pursue a career in software design and engineering during the 1980s and 1990s, which earned him the majority of his life's income. In the 2000s, he returned to music reviewing and wrote a jazz column for ''The Village Voice'' in the manner of Christgau's "Consumer Guide", alongside contributions to ''Seattle Weekly'', '' The New Rolling Stone Album Guide'', NPR Music, and the webzine ''Static Multimedia''. Hull's jazz-focused database and blog ''Tom Hull – on the Web'' hosts his reviews and information on albums he has surveyed, as well as writings on books, politics, and movies. It shares a functional, low-graphic design with Christgau's website, which Hull also created and maintains as its webmaster. Education Hull attended Wichita State ...
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Ask Me Now
This is a list of compositions by jazz musician Thelonious Monk. 0-9 52nd Street Theme A contrafact based loosely on rhythm changes in C, and was copyrighted by Monk under the title "Nameless" in April 1944. The tune was also called "Bip Bop" by Monk, and he claims that the tune's latter title was the origin of the genre-defining name bebop. It quickly became popular as an opening and closing tune on the clubs on 52nd Street on Manhattan where Dizzy Gillespie and Charlie Parker played. It was first recorded by Dizzy Gillespie's sextet on February 22, 1946, under the title "52nd Street Theme". Leonard Feather claims he gave the latter title. A Ask Me Now A tonally ambiguous ballad in D first recorded on July 23, 1951, for the ''Genius of Modern Music'' sessions. It also appears on ''5 by Monk by 5'', and '' Solo Monk''. Jon Hendricks wrote lyrics to the tune and called it ”How I Wish”; it was first recorded by Carmen McRae on ''Carmen Sings Monk''. Mark Murphy sings a versi ...
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