Les Éolides
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Les Éolides
''Les Éolides'', (Op. 26), FWV 43, CFF 127,The opus number wasn't used by composer when he published the piece. is a symphonic poem by French composer César Franck written in 1876 and premiered the next year. Its approximate duration is 11 minutes. Background The initial inspiration for the piece came from a poem by Leconte de Lisle about the Aeolids, daughters of the keeper of the winds Aeolus. The work, begun early in 1875, didn't go well until Franck came for summer vacation in Languedoc. He finished the piece in September 1875 and revised it in 1876. The instrumentation was completed on 7 June, but a performance was a difficult task, as at that time the ''Société Nationale de Musique'' rarely organised orchestral concerts. The piece was premiered on 13 May 1877 on the 70th concert of the ''Société'' in the '' Salle Érard'' (Paris). Although he had mauled Franck's oratorio ''Rédemption'' some years earlier, Édouard Colonne was appointed to conduct. ''Les Éolides'' we ...
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List Of Compositions By César Franck
Most of César Franck's works seem to have been published during his lifetime, although only 21 works received a publisher's opus number. The mature published works were catalogued by Wilhelm Mohr in his Franck Werke Verzeichnis (FWV). He divided Franck's compositions into two main groups: instrumental works, M.1-48, and vocal works, M.49-91, arranging them by genre, and by composition date order within each genre. The CFF catalogue (see § External links) compiled by Joël-Marie Fauquet (published in 1999) details almost every known work by Franck, including many not listed by Mohr. In addition, many dates are listed in Fauquet's catalogue that are incorrect in Mohr's, or missing altogether. Juvenile works Franck wrote a number of juvenile works between 1834-7 to which he assigned an opus number; he later disowned all these early works, except for the Premiere Grande Fantaisie for piano, Op.12 (1836), which he occasionally played in later life. These opus numbers are not to ...
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Franck Eolides Eulenburg 3
Franck can refer to: People * Franck (name) Other * Franck (company), Croatian coffee and snacks company * Franck (crater), Lunar crater named after James Franck See also * Franc (other) * Franks * Frank (other) * Frankie (other) * Frankel Frankel is the surname of: * Benjamin Frankel (1906–1973), British composer * Bethenny Frankel (born 1970), American chef and reality television personality * Charles Frankel (1917–1975), American philosopher, known for Charles Frankel Priz ..., Frankl {{DEFAULTSORT:Franck ...
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Columbia Records
Columbia Records is an American record label owned by Sony Music, Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of Japanese Conglomerate (company), conglomerate Sony. It was founded on January 15, 1889, evolving from the Graphophone#Commercialization, American Graphophone Company, the successor to the Volta Laboratory and Bureau#Commercialization of phonograph patents, Volta Graphophone Company. Columbia is the oldest surviving brand name in the recorded sound business, and the second major company to produce records. From 1961 to 1991, its recordings were released outside North America under the name CBS Records International, CBS Records to avoid confusion with EMI's Columbia Graphophone Company. Columbia is one of Sony Music's four flagship record labels, alongside former longtime rival RCA Records, as well as Arista Records and Epic Records. Artists who have recorded for Columbia include AC/DC, Adele, Aerosmith, Julie And ...
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National Orchestra Of Belgium
The Belgian National Orchestra ( nl, Nationaal Orkest van België, french: Orchestre National de Belgique) is a Belgian orchestra, based in Brussels. Its principal concert venue is the Brussels Centre for Fine Arts ( Bozar). The orchestra also gives concerts outside of Brussels in such cities as Sankt-Vith and Hasselt. History The orchestra was founded in 1931 by Désiré Defauw as the Brussels Symphony Orchestra, and later reorganized in 1936 into its present form. With its base in the Centre for Fine Arts, Brussels and subsidized by the Belgian government, the BNO performs 70 concerts each season in Belgium and abroad, employing 96 musicians. It specializes in the music of the 19th and 20th centuries and film scores. In 2003, contestants in the final round of the Queen Elisabeth Music Competition were accompanied by the orchestra, under the direction of Gilbert Varga. Prior to the 1958 appointment of André Cluytens as its music director and permanent conductor, the NOB work ...
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André Cluytens
André Cluytens (, ; born Augustin Zulma Alphonse Cluytens; 26 March 19053 June 1967)Baeck E. ''André Cluytens: Itinéraire d’un chef d’orchestre.'' Editions Mardaga, Wavre, 2009. was a Belgian-born French conductor who was active in the concert hall, opera house and recording studio. His repertoire extended from Viennese classics through French composers to 20th century works. Although much of his career was spent in France, he was the first French conductor at Bayreuth in 1955; he also conducted '' The Ring'' and '' Parsifal'' at La Scala. Life and career Belgium Cluytens was born in Antwerp into a musical family: his paternal grandfather, father and uncles were all professional musicians. His mother was a soprano at the opera, and after she died in 1906 his father married another singer. He entered the Royal Conservatoire of Antwerp at the age of 9, graduating at 16 with first prizes in harmony and counterpoint, and piano.Sanders A. Liner notes to Andre Cluytens – A Fre ...
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Netherlands Philharmonic Orchestra
The Netherlands Philharmonic Orchestra (NedPhO; nl, Nederlands Philharmonisch Orkest) is a Dutch symphony orchestra based in Amsterdam. History The NedPhO was formed in 1985 from the merger of three orchestras: the Amsterdam Philharmonic Orchestra, the Utrecht Symphony Orchestra Utrecht and the Netherlands Chamber Orchestra. The Netherlands Chamber Orchestra ( nl, Nederlands Kamer Orkest, NKO) continues to give concerts under its own name, with both it and the NedPhO as part of the Netherlands Philharmonic Orchestra Foundation (), which is headquartered in Amsterdam. The NedPhO Foundation comprises the largest orchestra organisation in the Netherlands, with 130 musicians on staff. Since 2012, both the NedPhO and the NKO rehearse at the NedPho Koepel, a former church converted into a dedicated rehearsal space in eastern Amsterdam. The NedPhO gives concerts in Amsterdam at the Concertgebouw. In addition, the NedPhO currently serves as the principal orchestra for productions at Dutch ...
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Walter Goehr
Walter Goehr (; 28 May 19034 December 1960) was a German composer and conductor. Biography Goehr was born in Berlin, where he studied with Arnold Schoenberg and embarked on a conducting career, before being forced as a Jew to seek employment outside Germany after working for Berlin Radio in 1932. He was invited to become music director for the Gramophone Company (later EMI), so he moved to London. In 1937, he conducted the London Philharmonic Orchestra in the premiere recording of Bizet's Symphony in C. During his years as a staff conductor for EMI, he conducted the orchestra for many recordings, including accompaniments for arias sung by Beniamino Gigli, Richard Tauber and Joseph Schmidt. In more popular items, his name appears on the record labels as 'G. Walter' or 'George Walter'. In addition, he conducted for many concerto recordings, including some by Benno Moiseiwitsch, Myra Hess and others. After the war he conducted for several smaller recording companies based in Europe ...
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Cornet
The cornet (, ) is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B, though there is also a soprano cornet in E and cornets in A and C. All are unrelated to the Renaissance and early Baroque cornett. History The cornet was derived from the posthorn by applying rotary valves to it in the 1820s, in France. However, by the 1830s, Parisian makers were using piston valves. Cornets first appeared as separate instrumental parts in 19th-century French compositions.''Encyclopædia Britannica'', Micropedia, Volume III, William Benton, Chicago Illinois, 1974, p. 156 The instrument could not have been developed without the improvement of piston valves by Silesian horn players Friedrich Blühmel (or Blümel) and Heinrich Stölzel, in the early 19th century. These two instrument makers almost simultaneously invented valves, though it is ...
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C Major
C major (or the key of C) is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor. The C major scale is: : On the piano, the C major scale can be played by playing only the white keys starting on C. Compositions Twenty of Joseph Haydn's 106 symphonies are in C major, making it his second most-used key, second to D major. Of the 134 symphonies mistakenly attributed to Haydn that H. C. Robbins Landon lists in his catalog, 33 are in C major, more than any other key. Before the invention of the valves, Haydn did not write trumpet and timpani parts in his symphonies, except those in C major. Landon writes that it wasn't "until 1774 that Haydn uses trumpets and timpani in a key other than C major... and then only sparingly." Most of Haydn's symphonies in C major are labelled "festive ...
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Motif (music)
In music, a motif IPA: ( /moʊˈtiːf/) (also motive) is a short musical phrase, a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition: "The motive is the smallest structural unit possessing thematic identity". The '' Encyclopédie de la Pléiade'' regards it as a " melodic, rhythmic, or harmonic cell", whereas the 1958 ''Encyclopédie Fasquelle'' maintains that it may contain one or more cells, though it remains the smallest analyzable element or phrase within a subject. It is commonly regarded as the shortest subdivision of a theme or phrase that still maintains its identity as a musical idea. "The smallest structural unit possessing thematic identity". Grove and Larousse also agree that the motif may have harmonic, melodic and/or rhythmic aspects, Grove adding that it "is most often thought of in melodic terms, and it is this aspect of the motif that is connoted by the term ...
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E-flat Major
E-flat major (or the key of E-flat) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E minor, (or enharmonically D minor). The E-flat major scale is: : Characteristics The key of E-flat major is often associated with bold, heroic music, in part because of Beethoven's usage. His ''Eroica Symphony'', ''Emperor Concerto'' and ''Grand Sonata'' are all in this key. Beethoven's (hypothetical) 10th Symphony is also in E-flat. But even before Beethoven, Francesco Galeazzi identified E-flat major as "a heroic key, extremely majestic, grave and serious: in all these features it is superior to that of C." Three of Mozart's completed Horn Concertos and Joseph Haydn's Trumpet Concerto are in E-flat major, and so is Anton Bruckner's Fourth Symphony with its prominent horn theme in the first movement. Another notable heroic piece in the key of E-flat m ...
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F-sharp Minor
F-sharp minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature has three sharps. Its relative major is A major and its parallel major is F-sharp major (or enharmonically G-flat major). The F-sharp natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The F-sharp harmonic minor and melodic minor scales are: : : Music in F-sharp minor Very few symphonies are written in this key, Haydn's '' Farewell Symphony'' being one famous example. George Frederick Bristow and Dora Pejačević also wrote symphonies in this key. The few concerti written in this key are usually written for the composer himself to play, including Rachmaninoff's Piano Concerto No. 1, Scriabin's Piano Concerto, Wieniawski's Violin Concerto No. 1, Vieuxtemps's Violin Concerto No. 2, and Koussevitzky's Double Bass Concerto. In addition to the ''Farewel ...
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