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Le Tréhou Parish Close
The Le Tréhou Parish close (Enclos paroissial) is located at Le Tréhou in the arrondissement of Brest, France, Brest in Brittany (administrative region), Brittany in north-western France. The parish close was first established in 1555 then reconstructed in the 17th century and reworked in the 18th century. The church, the Église Sainte-Pitère, is dedicated to Saint Pitère (or Saint Pithère or Saint Piterre) and is shaped in the form of a Latin cross. The south porch was added in 1610, with a statue of Saint Pitère over the entrance. The nave has six transepts and aisles with two lateral chapels forming a ''faux'' transept. The ''enclos paroissial'' is distinguished first and foremost by the architectural quality of the church with its 1649 Renaissance double-galleried bell tower. The calvary (sanctuary), calvary is a listed Monument historique, historical monument since 1926. Calvaire Statues On a pedestal by the second column in the nave on the Evangelist side there is a 1 ...
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Le Tréhou (29) Église Sainte-Pitère 01
Le Tréhou (; ) is a commune in the Finistère department of Brittany in north-western France.Commune du Tréhou (29294)
INSEE


Population

Inhabitants of Le Tréhou are called in ''Tréhousiens''.


See also

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Andrew The Apostle
Andrew the Apostle ( ; ; ; ) was an apostle of Jesus. According to the New Testament, he was a fisherman and one of the Apostles in the New Testament, Twelve Apostles chosen by Jesus. The title First-Called () used by the Eastern Orthodox Church stems from the Gospel of John, where Andrew, initially a disciple of John the Baptist, follows Jesus and, recognising him as the Messiah, introduces his brother Simon Peter to him. According to Eastern Orthodox tradition, the apostolic successor to Andrew is the Ecumenical Patriarch of Constantinople. Life Early life The name "Andrew (name), Andrew" (meaning ''manly, brave'', from ), like other Greek names, appears to have been common among the Jews and other Hellenization, Hellenised people since the second or third century B.C.MacRory, Joseph; "Saint An ...
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Baptistry
In Christian architecture the baptistery or baptistry (Old French ''baptisterie''; -4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it wa ... ''baptisterie''; Latin ''baptisterium''; Greek language">Greek , 'bathing-place, baptistery', from , baptízein, 'to baptize') is the separate centrally planned structure surrounding the baptismal font. The baptistery may be incorporated within the body of a church or cathedral, and provided with an altar as a chapel. In the early early Christianity, Church, the catechumens were instructed and the sacrament of baptism was administered in the baptistery. Design The sacramental importance and sometimes architectural splendour of the baptistery reflect the historical importance of baptism to Christians. Beginning in the fourth century, baptisteries in Italy were often designed with an octagonal plan. The octagonal plan of the Lateran Baptistery, the first structure expre ...
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Virgin Mary
Mary was a first-century Jewish woman of Nazareth, the wife of Saint Joseph, Joseph and the mother of Jesus. She is an important figure of Christianity, venerated under titles of Mary, mother of Jesus, various titles such as Perpetual virginity of Mary, virgin or Queen of Heaven, queen, many of them mentioned in the Litany of Loreto. The Eastern Orthodox Church, Eastern and Oriental Orthodox, Catholic, Anglican, Methodist, Reformed Christianity, Reformed, Baptist, and Lutheran churches believe that Mary, as mother of Jesus, is the Theotokos, Mother of God. The Church of the East historically regarded her as Christotokos, a term still used in Assyrian Church of the East liturgy. Other Protestant views on Mary vary, with some holding her to have lesser status. She has the Mary in Islam, highest position in Islam among all women and is mentioned numerous times in the Quran, including in a chapter Maryam (surah), named after her.Jestice, Phyllis G. ''Holy people of the world: a cros ...
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Christ In Majesty
Christ in Majesty or Christ in Glory () is the Western Christian image of Christ seated on a throne as ruler of the world, always seen frontally in the centre of the composition, and often flanked by other sacred figures, whose membership changes over time and according to the context. The image develops from Early Christian art, as a depiction of the Heavenly throne as described in 1 Enoch, Daniel 7, and The Apocalypse of John. In the Byzantine world, the image developed slightly differently into the half-length Christ Pantocrator, "Christ, Ruler of All", a usually unaccompanied figure, and the Deesis, where a full-length enthroned Christ is entreated by Mary and St. John the Baptist, and often other figures. In the West, the evolving composition remains very consistent within each period until the Renaissance, and then remains important until the end of the Baroque, in which the image is ordinarily transported to the sky. Development From the latter part of the fourth cen ...
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Mary Magdalene
Mary Magdalene (sometimes called Mary of Magdala, or simply the Magdalene or the Madeleine) was a woman who, according to the four canonical gospels, traveled with Jesus as one of his followers and was a witness to crucifixion of Jesus, his crucifixion and Resurrection of Jesus, resurrection. In Gnosticism, Gnostic writings, Mary Magdalene is depicted as Jesus’s closest disciple who uniquely understood his teachings, causing tension with Saint Peter, Peter, and is honored as the “apostle to the apostles.” Mary Magdalene was a historical figure, possibly from Magdala. She was a prominent follower of Jesus who was believed to have been healed by him, supported his ministry financially, and was present at his Crucifixion of Jesus, crucifixion and burial. She played a key role among his female disciples. Overall, there is limited information about her life. Speculations about Mary Magdalene range from scholarly theories that she was the “disciple whom Jesus loved” in the ...
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Emblem
An emblem is an abstract art, abstract or representational pictorial image that represents a concept, like a moral truth, or an allegory, or a person, like a monarch or saint. Emblems vs. symbols Although the words ''emblem'' and ''symbol'' are often used interchangeably, an emblem is a pattern that is used to represent an idea or an individual. An emblem develops in concrete, visual terms some abstraction: a deity, a tribe or nation, or a virtue or vice. An emblem may be worn or otherwise used as an identifying badge or Embroidered patch, patch. For example, in America, police officers' badges refer to their personal metal emblem whereas their woven emblems on uniforms identify members of a particular unit. A real or metal Cockle (bivalve), cockle shell, the emblem of St James the Great, James the Great, sewn onto the hat or clothes, identified a medieval pilgrim to his shrine at Santiago de Compostela. In the Middle Ages, many saints were given emblems, which served to ide ...
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Speech Scroll
In art history, a speech scroll (also called a banderole or phylactery). is an illustrative device denoting speech, song, or other types of sound. Developed independently on two continents, the device was in use by artists within Mesoamerican cultures from as early as 650 BC until after the Spanish conquest in the 16th century, and 13th and 14th century European painters. While European speech scrolls were drawn as if they were an actual unfurled scroll or strip of parchment, Mesoamerican speech scrolls are scroll-''shaped'', looking much like a question mark. It is used in heraldry for mottos or slogans and war-cries. Mesoamerica Speech scrolls are found throughout the Mesoamerica area. An early example is a Olmec ceramic cylinder seal dated to , where two lines emit from a bird's mouth followed by glyphs proposed to be "''3 Ajaw''," a ruler's name. The murals of the Classic era site at Teotihuacan are filled with speech scrolls, in particular tableaus in the Tepantitla co ...
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Chevet
In architecture, an apse (: apses; from Latin , 'arch, vault'; from Ancient Greek , , 'arch'; sometimes written apsis; : apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an '' exedra''. In Byzantine, Romanesque architecture, Romanesque, and Gothic architecture, Gothic Architecture of cathedrals and great churches, Christian church architecture, church (including cathedral and abbey) architecture Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and construction, constructi ..., the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east and west, liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, espec ...
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Annunciation
The Annunciation (; ; also referred to as the Annunciation to the Blessed Virgin Mary, the Annunciation of Our Lady, or the Annunciation of the Lord; ) is, according to the Gospel of Luke, the announcement made by the archangel Gabriel to Mary that she would conceive and bear a son through a virgin birth and become the mother of Jesus Christ, the Messiah and Son of God, marking the Incarnation. According to the Annunciation occurred in the sixth month of Elizabeth's pregnancy with John the Baptist. Many Christians observe this event with the Feast of the Annunciation on 25March, an approximation of the northern vernal equinox nine full months before Christmas, the traditional birthday of Jesus. The Annunciation is a key topic in Christian art in general, as well as in Marian art in the Catholic Church, having been especially prominent during the Middle Ages and Renaissance. A work of art depicting the Annunciation is sometimes itself called an ''Annunciation'' ...
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Antependium
An ''antependium'' (from Latin ''ante-'' and ''pendēre'', "to hang before"; : ''antependia''), also known as a pulpit fall, parament or hanging, or, when speaking specifically of the hanging for the altar, an altar frontal (Latin: ''pallium altaris''), is a decorative piece, usually of textile, but also metalwork, stone or other material, that can adorn a Christian altar. Antependium can also be used to describe the decorated front of the altar itself, especially if it is in an inflexible material such as wood, stone or metal. Specifically, and as the etymology of the word suggests, an antependium hangs down in front of whatever it covers, and is to be distinguished from the altar linens which are used in the service of the Eucharist, and an altar cloth which covers the top of the altar table (''mensa''). The true liturgical decoration of the altar and its oldest adornment is the frontal. Types of ''antependia'' Western Christianity “''Antependium''” is the word used ...
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Rosary
The Rosary (; , in the sense of "crown of roses" or "garland of roses"), formally known as the Psalter of Jesus and Mary (Latin: Psalterium Jesu et Mariae), also known as the Dominican Rosary (as distinct from other forms of rosary such as the Rosary-based prayers, Franciscan Crown, Bridgettine Rosary, Rosary of the Holy Wounds, etc.), refers to a set of prayers used primarily in the Catholic Church, and to the physical string of knots or beads used to count the component prayers. When referring to the prayer, the word is usually capitalized ("the Rosary", as is customary for other names of prayers, such as "the Lord's Prayer", and "the Hail Mary"); when referring to the prayer beads as an object, it is written with a lower-case initial letter (e.g. "a rosary bead"). The prayers that compose the Rosary are arranged in sets of ten Hail Marys, called "decades". Each decade is preceded by one Lord's Prayer ("Our Father"), and traditionally followed by one Glory Be. Some Catholics ...
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