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Landó (music)
Landó is an Afro-Peruvian form of music in the musica criolla genre. Influences There are theories of the origin of this genre. According to the Peruvian reciter and ethnomusicologist Nicomedes Santa Cruz Nicomedes Santa Cruz Gamarra (June 4, 1925 – February 5, 1992) was a Peruvian singer, songwriter and musicologist. He was primarily a '' decimista'' (or ''decimero''), a singer of ''décimas''. He researched most forms of Afro-Peruvian music an ... (1925-1992), the word "landó" derives from ''ondú'', an African dance. It is also suggested that the landó comes from the Brazilian dance ''lundu''. Likewise, the term "landó" is hardly found in the literature of the time of the Viceroyalty of Peru, although there is some mention of the "zamba landa". No reliable historical sources have yet been found on which an accurate description of the development of the landau in Peru can be elaborated; the only available source is the scant information provided by twentieth-century ...
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Afro-Peruvian
Black Peruvians or Afro-Peruvians are Peruvian of mostly or partially African descent. They mostly descend from enslaved Africans brought to Peru after the arrival of the conquistadors. Early history The first Africans arrived with the conquerors in 1521, mostly as slaves, and some returned with colonists to settle in 1525. Between 1529 and 1537, when Francisco Pizarro was granted permits to import 363 slaves to colonial Peru, a large group of Africans were imported to do labor for public construction, building bridges and road systems. They also fought alongside the conquistadors as soldiers and worked as personal servants and bodyguards. In 1533, Afro-Peruvian slaves accompanied Spaniards in the conquest of Cuzco. Two types of black slaves were forced to travel to Peru. Those born in Africa were commonly referred to as '' negros bozales'' ("untamed blacks"), which was also used in a derogatory sense. These slaves could have been directly shipped from west or southwest Afric ...
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Music
Music is generally defined as the The arts, art of arranging sound to create some combination of Musical form, form, harmony, melody, rhythm or otherwise Musical expression, expressive content. Exact definition of music, definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a elements of music, few specific elements, there is Elements of music#Selection of elements, no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into #Academic study, academic disciplines, Music journalism, criticism, Philosophy of music, philosophy, and Music psychology, psychology. Music may be performed or improvised using a vast range of musical instrument, instruments, including the human voice. In some musical contexts, a performance or composi ...
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Musica Criolla
Musica (Latin), or La Musica (Italian) or Música (Portuguese and Spanish) may refer to: Music Albums * ''Musica è'', a mini album by Italian funk singer Eros Ramazzotti 1988 * ''Musica'', an album by Ghaleb 2005 * ), a German album by Giovanni 2008 * , an album by Paolo Meneguzzi 2007 * ''Musica'', an album by Pepito Bueno and Badal Roy 2000 * ''Musica'', an album by WalFredo Vargas 2001 * ''Musica'', an album by Paulinho da Viola 2005 * ', a Spanish album by Mocedades 1900 Songs * "Musica", an Italian song by Air (French band), Air 2003 * "Música", a Spanish song by Al Bano, 1968 * "Musica", an Italian song by Angelo Branduardi 1981 * , a song by Gemelli Diversi 2000 * "Música", a song by Il Divo on ''Siempre (Il Divo album), Siempre'' 2006 * "Musica", an English song by Fantastique (pop duo), Fantastique, 1982 * , an English-language single by Fly Project 2012 * "Musica", a French song by Pierre Kartner 1984 * "Música", a Spanish song by Lucero (entertainer), Lucerito, 1 ...
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Nicomedes Santa Cruz
Nicomedes Santa Cruz Gamarra (June 4, 1925 – February 5, 1992) was a Peruvian singer, songwriter and musicologist. He was primarily a '' decimista'' (or ''decimero''), a singer of ''décimas''. He researched most forms of Afro-Peruvian music and dance, becoming the leading ethnomusicologist in Peru. Biography Santa Cruz was born in La Victoria District, Lima, Peru, to Nicomedes Santa Cruz Aparicio and Victoria Gamarra Ramírez, and was the ninth of ten siblings. After his schooling, it was decided that he would work as a blacksmith, which he did until 1956 when he left his workshop and traveled throughout Peru and Latin America, composing and reciting his poems. In 1945, he met Don Porfirio Vasquez (father of the singer Pepe Vazquez), who became a decisive influence on Santa Cruz's development as a ''decimero'', a composer using the décima form. Porfirio Vasquez came to Lima in 1920 and was an early pioneer of the movement to regain the lost cultural identity of Afro-Peruvi ...
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Cajón
A cajón (; "box", "crate" or "drawer") is a box-shaped percussion instrument originally from Peru, played by slapping the front or rear faces (generally thin plywood) with the hands, fingers, or sometimes implements such as brushes, mallets, or sticks. Cajones are primarily played in Afro-Peruvian music (specifically música criolla), but has made its way into flamenco as well. The term cajón is also applied to other box drums used in Latin American music, such as the Cuban cajón de rumba and the Mexican cajón de tapeo. Description Sheets of 13 to 19 mm (1/2 to 3/4 inch) thick wood are generally used for five sides of the box. A thinner sheet of plywood is nailed on as the sixth side, and acts as the striking surface or head. The striking surface of the cajón drum is commonly referred to as the ''tapa''. A sound hole is cut on the back side. The modern cajón may have rubber feet, and has several screws at the top for adjusting percussive timbre. Originally the ...
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Bell Pattern
A bell is a directly struck idiophone percussion instrument. Most bells have the shape of a hollow cup that when struck vibrates in a single strong strike tone, with its sides forming an efficient resonator. The strike may be made by an internal "clapper" or "uvula", an external hammer, or—in small bells—by a small loose sphere enclosed within the body of the bell ( jingle bell). Bells are usually cast from bell metal (a type of bronze) for its resonant properties, but can also be made from other hard materials. This depends on the function. Some small bells such as ornamental bells or cowbells can be made from cast or pressed metal, glass or ceramic, but large bells such as a church, clock and tower bells are normally cast from bell metal. Bells intended to be heard over a wide area can range from a single bell hung in a turret or bell-gable, to a musical ensemble such as an English ring of bells, a carillon or a Russian zvon which are tuned to a common scale and insta ...
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