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Lady Rokujō
is a fictional character in ''The Tale of Genji'' (''Genji Monogatari''). She is a mistress of the novel's protagonist, Hikaru Genji, with whom she becomes infatuated and jealous of his other lovers. Her jealousy subconsciously causes her ''ikiryō'' (wandering spirit) to become a Shiryo (also known as a ''Yūrei'') that attacks and murders multiple other mistresses and wives of Genji. Lady Rokujō is a relatively minor character in the novel. She appears in chapters Kiritsubo, Hana no En, Sakaki, Miotsukushi and Wakana. Outside of these chapters, Lady Rokujō has little mention or influence on the novel. Lady Rokujō is also the protagonist of two Nōh dramas. In ''Nonomiya'' ("The Shrine in the Fields")'','' Lady Rokujō pretends to be a village woman who tells a traveling monk of Lady Rokujō's story. In ''Aoi no Ue'' ("Lady Aoi"), Lady Rokujō possesses Genji's wife, Lady Aoi, out of jealousy, causing Lady Aoi to fall ill. ''Aoi no Ue'' was later adapted into a modern st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ikiryō
, also known as , , or , is a disembodied spirit or ghost in Japanese popular belief and fiction that leaves the body of a living person and subsequently haunts other people or places, sometimes across great distances. The term(s) are used in contrast to , which refers to the spirit of those who are already deceased. Summary The popular belief that the human spirit (or soul) can escape from the body has been around since early times, with eyewitness accounts and experiences (hauntings, possessions, out-of-body experience) reported in anecdotal and fictional writings. of the living are said to inflict upon the subject or subjects of their vengeance by means of transforming into their form. It is believed that if a sufficient grudge is held, all or part of the perpetrator's soul leaves the body, appearing in front of the victim to harm or curse them, a concept not so dissimilar from the evil eye. The has even made its way into Buddhist scriptures, where they are described as " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heian-kyō
Heian-kyō was one of several former names for the city now known as Kyoto. It was the official capital of Japan for over one thousand years, from 794 to 1868 with an interruption in 1180. Emperor Kanmu established it as the capital in 794, moving the Imperial Court there from nearby Nagaoka-kyō at the recommendation of his advisor Wake no Kiyomaro and marking the beginning of the Heian period of Japanese history. According to modern scholarship, the city is thought to have been modelled after the urban planning for the Tang dynasty Chinese capital of Chang'an (modern-day Xi'an). It remained the chief political center until 1185, when the samurai Minamoto clan defeated the Taira clan in the Genpei War, moving administration of national affairs to Kamakura and establishing the Kamakura shogunate. Though political power would be wielded by the samurai class over the course of three different shogunates, Heian-kyō remained the site of the Imperial Court and seat of Imperi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Azusa Yumi
An is a sacred bow (''yumi'') used in certain Shinto rituals in Japan, as well as a Japanese musical bow, made from the wood of the Japanese or Japanese cherry birch tree ('' Betula grossa''). Playing an ''azusa yumi'' forms part of some Shinto rituals; in Japan, it is believed that merely the twanging of the bowstring will frighten ghosts and evil spirits away from a house. In Japanese poetry, the word ''azusa yumi'' functions as a makurakotoba ("pillow word", a kind of epithet). The story is told in Japanese mythology that a golden bird perched on the bow of Emperor Jimmu, the great-grandson of the sun goddess Amaterasu, and the first human ruler of Japan. This was seen as an extremely good omen; Jimmu's bow developed the power to dispel evil by the mere plucking of its string. His bow was made of ''azusa'' wood. See also * Apotropaic magic * Amulet * Talisman * ( 御守 or お守り) * Ofuda ( 御札/ お札) -- a paper charm, similar to a Taoist/Daoist Fulu () are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kami
are the Deity, deities, Divinity, divinities, Spirit (supernatural entity), spirits, mythological, spiritual, or natural phenomena that are venerated in the traditional Shinto religion of Japan. ''Kami'' can be elements of the landscape, forces of nature, beings and the qualities that these beings express, and/or the spirits of venerated dead people. Many ''kami'' are considered the ancient ancestors of entire Japanese clans, clans (some ancestors became ''kami'' upon their death if they were able to embody the values and virtues of ''kami'' in life). Traditionally, great leaders like the Emperor of Japan, Emperor could be or became ''kami''. In Shinto, ''kami'' are not separate from nature, but are of nature, possessing positive and negative, and good and evil characteristics. They are manifestations of , the interconnecting energy of the universe, and are considered exemplary of what humanity should strive towards. ''Kami'' are believed to be "hidden" from this world, and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shinto
, also called Shintoism, is a religion originating in Japan. Classified as an East Asian religions, East Asian religion by Religious studies, scholars of religion, it is often regarded by its practitioners as Japan's indigenous religion and as a nature religion. Scholars sometimes call its practitioners ''Shintoists'', although adherents rarely use that term themselves. With no central authority in control of Shinto, there is much diversity of belief and practice evident among practitioners. A polytheism, polytheistic and animism, animistic religion, Shinto revolves around supernatural entities called the (神). The are believed to inhabit all things, including forces of nature and prominent landscape locations. The are worshipped at household shrines, family shrines, and Shinto shrine, ''jinja'' public shrines. The latter are staffed by priests, known as , who oversee offerings of food and drink to the specific enshrined at that location. This is done to cultivate harmony ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Murasaki No Ue
Murasaki no Ue (紫の上), also spelled ''Murasaki-no-Ue'', is the main heroine of ''The Tale of Genji''. She is also known as "Lady Murasaki" in some translations. She first appears in the fifth chapter, when she is a young girl. Prince Genji first encounters her in a village in Kitayama and becomes enamored with her, especially after learning that she is the niece of his stepmother, Lady Fujitsubo, whom he is enamored with and carries on an affair with. When Murasaki's father refuses to give him permission to adopt her, and dismisses his proposals as unserious, Genji decides to abduct Murasaki no Ue and raise her at his palace, where he grooms her into becoming similar to Fujitsubo, who embodies the feminine standards that he desires. Murasaki's relationship with Genji remains consistent through the novel, even when her heart is broken on multiple occasions when Genji participates in affairs with other women. Like most characters in ''Genji'', Murasaki no Ue is never given a na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ise Grand Shrine
The , located in Ise, Mie Prefecture of Japan, is a Shinto shrine dedicated to the solar goddess Amaterasu Ōmikami and the grain goddess Toyouke-hime (Toyouke Omikami). Also known simply as , Ise Shrine is a shrine complex composed of many Shinto shrines centered on two main shrines, and . The Inner Shrine, Naikū (also officially known as "Kōtai Jingū"), is dedicated to the worship of Amaterasu and is located in the town of Uji-tachi, south of central Ise, where she is believed to dwell. The shrine buildings are made of solid cypress wood and use no nails but instead joined wood. The Outer Shrine, ''Gekū'' (also officially known as "Toyouke Daijingū"), is located about six kilometers from Naikū and dedicated to Toyouke-Ōmikami, the god of agriculture, rice harvest and industry. Besides Naikū and Gekū, there are an additional 123 Shinto shrines in Ise City and the surrounding areas, 91 of them connected to Naikū and 32 to Gekū. Purportedly the home of the Sacred M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heian Period
The is the last division of classical Japanese history, running from 794 to 1185. It followed the Nara period, beginning when the 50th emperor, Emperor Kammu, moved the capital of Japan to Heian-kyō (modern Kyoto). means in Japanese. It is a period in Japanese history when the Chinese influence on Japanese culture, Chinese influences were in decline and the national culture matured. The Heian period is also considered the peak of the Japanese Emperors of Japan, imperial court, noted for its Japanese art, art, especially Japanese poetry, poetry and Japanese literature, literature. Two syllabaries unique to Japan, katakana and hiragana, emerged during this time. This gave rise to Japan's famous vernacular literature, with many of its texts written by court ladies who were not as educated in Chinese as their male counterparts. Although the Imperial House of Japan had power on the surface, the real power was in the hands of the Fujiwara clan, a powerful Kuge, aristocratic family wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pseudonym
A pseudonym (; ) or alias () is a fictitious name that a person assumes for a particular purpose, which differs from their original or true meaning ( orthonym). This also differs from a new name that entirely or legally replaces an individual's own. Many pseudonym holders use them because they wish to remain anonymous and maintain privacy, though this may be difficult to achieve as a result of legal issues. Scope Pseudonyms include stage names, user names, ring names, pen names, aliases, superhero or villain identities and code names, gamertags, and regnal names of emperors, popes, and other monarchs. In some cases, it may also include nicknames. Historically, they have sometimes taken the form of anagrams, Graecisms, and Latinisations. Pseudonyms should not be confused with new names that replace old ones and become the individual's full-time name. Pseudonyms are "part-time" names, used only in certain contexts: to provide a more clear-cut separation between one's privat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lady Aoi
''The Lady Aoi'' is a play written by Yukio Mishima in 1954, which appears in his '' Five Modern Noh Plays''. It modernizes the noh drama ''Aoi no Ue''. English Version Donald Keene has translated this play into English. Notable productions Bahram Beyzai produced this play in Persian in Tehran Tehran (; , ''Tehrân'') is the capital and largest city of Iran. It is the capital of Tehran province, and the administrative center for Tehran County and its Central District (Tehran County), Central District. With a population of around 9. ... in 1998. References Plays by Yukio Mishima 1954 plays {{1950s-play-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
