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La Périchole
''La Périchole'' () is an opéra bouffe in three acts with music by Jacques Offenbach and words by Henri Meilhac and Ludovic Halévy. The opera depicts the mutual love of two impoverished Peruvian street singers – too poor to afford a marriage licence – and a lecherous viceroy, Don Andrès de Ribeira, who wishes to make La Périchole his mistress. Love eventually triumphs. The story is based loosely on the play ''Le carrosse du Saint-Sacrement'' by Prosper Mérimée (1828), and the title character is based on the Peruvian entertainer Micaela Villegas. ''La Perichole'' was first seen in a two-act version on 6 October 1868 at the Théâtre des Variétés, Paris, with Hortense Schneider in the title role, José Dupuis as Piquillo and Pierre-Eugène Grenier as the Viceroy. A revised three-act version premiered at the same theatre on 25 April 1874, with the same three stars. The work is considered more sentimental than the earlier Offenbach satires, and the score is infused with S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical canon; the " Habanera" and "Seguidilla" from act 1 and the " Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy Carmen. Jos� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Judic
Anne Marie-Louise Damiens, stage name Anna Judic (18 July 1849, Semur-en-Auxois – 15 April 1911, Golfe-Juan) was a French comic actress. Life Niece of Montigny (the director of the Gymnase), in 1866 she entered the Conservatoire de Paris in the class of François-Joseph Regnier, which she left the following year to make her debut at the Théâtre du Gymnase in ''Les Grandes Demoiselles'', a one-act comedy by Edmond Gondinet. However, it was at the Eldorado that she first really became known, in a répertoire of "chansons légères" in which her apparent innocence allowed her to make ruder double-entendres than she might otherwise have done. Over time, she adopted "Judic", the name of her husband whom she had married before she was 17. After the Franco-Prussian War and a spell at the Gaîté, where she was the lead in '' Le Roi Carotte'', an "opéra-féerie" by Jacques Offenbach and Victorien Sardou, she entered the Bouffes-Parisiens where she had her first successes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Lecocq
Alexandre Charles Lecocq (; 3 June 183224 October 1918) was a French composer, known for his opérettes and opéra comique, opéras comiques. He became the most prominent successor to Jacques Offenbach in this sphere, and enjoyed considerable success in the 1870s and early 1880s, before the changing musical fashions of the late 19th century made his style of composition less popular. His few serious works include the opera ''Plutus (opera), Plutus'' (1886), which was not a success, and the ballet ''Le Cygne (ballet), Le cygne'' (1899). His only piece to survive in the regular modern operatic repertory is his 1872 opéra comique ''La fille de Madame Angot'' (Mme Angot's Daughter). Others of his more than forty stage works receive occasional revivals. After study at the Conservatoire de Paris, Paris Conservatoire, Lecocq shared the first prize with Georges Bizet in an operetta-writing contest organised in 1856 by Offenbach. Lecocq's next successful composition was an opéra-bouffe, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular ''opéras comiques en vaudevilles'' of the Théâtre de la foire, Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" ''Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre Opéra-Comique, of the same name, ''opéra comique'' is not necessarily comical or shallow; ''Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs (''Vaudeville (song), vaudevilles''), with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franco-Prussian War
The Franco-Prussian War or Franco-German War, often referred to in France as the War of 1870, was a conflict between the Second French Empire and the North German Confederation led by the Kingdom of Prussia. Lasting from 19 July 1870 to 28 January 1871, the conflict was caused primarily by France's determination to reassert its dominant position in continental Europe, which appeared in question following the decisive Austro-Prussian War, Prussian victory over Austria in 1866. According to some historians, Prussian chancellor Otto von Bismarck deliberately provoked the French into declaring war on Prussia in order to induce four independent southern German states—Grand Duchy of Baden, Baden, Kingdom of Württemberg, Württemberg, Kingdom of Bavaria, Bavaria and Grand Duchy of Hesse, Hesse-Darmstadt—to join the North German Confederation. Other historians contend that Bismarck exploited the circumstances as they unfolded. All agree that Bismarck recognized the potential for new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hortense Schneider In Offenbach's La Périchole
Hortense is a French feminine given name that comes from Latin meaning ''gardener''. It may refer to: Persons * Hortense Allart (1801–1879), Italian-French feminist writer and essayist * Hortense de Beauharnais (1783–1837), stepdaughter of Napoleon and Queen consort of Holland * Hortense Béwouda (born 1978), sprinter from Cameroon * Hortense Clews (1926–2006), member of the Belgian Resistance in World War II * Hortense Dufour (born 1946), French writer * Hortense Ellis (1941–2000), Jamaican reggae singer * Hortense Calisher (1911–2009), American fiction writer, author of ''In the Absence of Angels'' * Hortense Gabel (1912–1990), New York Supreme Court Justice * Hortense Globensky-Prévost (1804–1873), Canadian heroine * Hortense Gordon (1886–1961), Canadian abstract painter * Hortense Haudebourt-Lescot (1784–1845), French painter of genre scenes * Hortense Mancini (1646–1699), Duchess of Mazarin and a mistress of Charles II, King of England * Horte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viceroyalty Of Peru
The Viceroyalty of Peru (), officially known as the Kingdom of Peru (), was a Monarchy of Spain, Spanish imperial provincial administrative district, created in 1542, that originally contained modern-day Peru and most of the Spanish Empire in South America, governed from the capital of Lima. Along with the Viceroyalty of New Spain, Peru was one of two Spanish Viceroyalty, viceroyalties in the Americas from the sixteenth to the eighteenth centuries. The Spanish did not resist the Portuguese colonization of the Americas, Portuguese expansion of Brazil across the meridian established by the Treaty of Tordesillas. The treaty was rendered meaningless between 1580 and 1640 while Iberian Union, Spain controlled Portugal. The creation during the 18th century of the Viceroyalties of Viceroyalty of New Granada, New Granada and Viceroyalty of the Río de la Plata, Río de la Plata (at the expense of Peru's territory) reduced the importance of Lima and shifted the lucrative Andean trade t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virginie Déjazet
Pauline Virginie Déjazet (30 August 17981 December 1875) was a French actress, famous soubrette, and a well-known Travesti (theatre) , travesti performer. Life Déjazet was born in Paris in 1798, and made her first appearance on the stage at the age of five. It was not until 1820, when she began her seven years' connexion with the recently founded Théâtre du Gymnase Marie Bell, Gymnase, that she won her triumphs in soubrette and "Breeches roles", which came to be known as "Dejazets." From 1828 she played at the Théatre des Nouveautés for three years, then at the Théâtre des Variétés, and finally she became manager, with her son, of the Folies-Déjazet, later renamed the Théâtre Déjazet. Here, at the age of sixty-five she still had success in youthful parts, especially in a number of Victorien Sardou, Sardou's earlier plays, previously unacted. Endnote: See Duval's ''Virginie Déjazet'' (1876). She retired in 1868, but then took a touring company to London's Opera C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Palais-Royal
The Théâtre du Palais-Royal () is a 750-seat Parisian theatre at 38 rue de Montpensier, located at the northwest corner of the Palais-Royal in the Galerie de Montpensier at its intersection with the Galerie de Beaujolais. Brief history Originally known as the Théâtre des Beaujolais, it was a puppet theatre with a capacity of about 750 that was built in 1784 to the designs of the architect Victor Louis. In 1790 it was taken over by Mademoiselle Montansier and became known as the Théâtre Montansier. She began using it for plays and Italian operas translated into French and the following year hired Louis to enlarge the stage and auditorium, increasing its capacity to 1300. After Napoleon's decree on the theatres in 1807 introduced significant constraints on the types of pieces that could be performed, it was used for lighter fare, such as acrobatics, rope dancing, performing dogs, and Neapolitan puppets. In 1812 the theatre was converted into a café with shows. After th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmanuel Théaulon
Marie-Emmanuel-Guillaume-Marguerite Théaulon de Lambert (14 August 1787, Aigues-Mortes – 16 November 1841) was a French playwright. A customs inspector, then an inspector of military hospitals, he composed an ''Ode'' on the birth of the King of Rome which brought him thanks from Napoleon himself. In 1814 he sang for the Bourbons and put on his first play, ''Les Clefs de Paris, ou le Dessert d’Henri IV'' (The Keys of Paris, or the Deservings of Henry IV), in their honour. In 1815, he composed and organised the posting of proclamations in honour of Louis XVIII. He collaborated on the royalist journals ''Le Nain rose'', ''La Foudre'', ''L’Apollon''. Selected works Above all during the Bourbon restoration, he wrote and put on a large number (sometimes alone, sometimes with collaborators), 250 according to one account. Written extremely quickly, most of them are only sketches, whose style often leaves something to be desired but which do not lack wit and beauty. He wrote two f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Jean Baptiste Choudard Desforges
Pierre-Jean-Baptiste Choudard, known under the pen name of Desforges, (15 September 1746 – 13 August 1806) was a French actor, dramatist, librettist and man of letters. Biography Choudard was born in Paris, the natural son of Dr. Antoine Petit. He was educated at the Collège Mazarin and the Collège de Beauvais and, in accordance with his father's wishes, began the study of medicine. He then turned to painting and did casual work. Dr. Petit's death left him dependent on his own resources, and after appearing on the stage of the Comédie-Italienne in Paris he joined a troupe of wandering actors, whom he served in the capacity of playwright. He was known under the pen name of Desforges, which also was the name he had on the stage. He married an actress; the two were welcomed in Saint Petersburg, where they spent three years (1779 to 1782). After his return to Paris he dedicated himself completely to literature. Desforges was one of the first to avail himself of the new facil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
