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La Béarnaise
La Béarnaise is an opéra comique in three acts of 1885, with music by André Messager and a French language, French libretto by Eugène Leterrier and Albert Vanloo. Wagstaff J. André Messager. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. History The success of ''La fauvette du temple'' in early 1885 began to open doors for Messager. Delphine Ugalde, who had just taken over the direction of the Bouffes-Parisiens, staged as her first production ''La Béarnaise''. When the stage rehearsals began, the principal singer was found to be unable to sustain the lead role. At first it was thought that Ugalde's daughter Marguerite Ugalde, Marguerite would take over, but the director then approached Jeanne Granier, who, after only having heard a play-through of the first act, took on the double part of Jacquette-Jacquet. Coming out of semi-retirement, Granier made the success of the piece. ''La Béarnaise'' was first performed at the Bouffes-Parisiens on 1 ...
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Messager André Compositeur 1921
Messager is a surname. Notable people with the surname include: * André Messager (1853–1929), French composer and musician * Annette Messager Annette Messager (born 30 November 1943) is a French visual artist. In 2005 she won the Golden Lion Award at the Venice Biennale for her artwork at the French Pavilion. In 2016, she won the prestigious Praemium Imperiale International Arts Award. ...
(born 1943), French artist known for her installation art {{surname ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's '' La Cenerentola'', and Rosina in Rossini's '' Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, inc ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two style ...
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French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's '' Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created '' tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with ...
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Operas By André Messager
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of sin ...
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Les Annales Du Théâtre Et De La Musique
''Les Annales du Théâtre et de la Musique'' ("The Annals of Theatre and Music") was an annual French periodical which covered French dramatic and lyric theatre for 42 years, from 1875 to 1916. The volumes also covered concert series and necrology. It was co-edited by Édouard Noël (1848–1926) and Edmond Stoullig (1845–1918) and was published in Paris by Charpentier from 1876 to 1895 and Berger-Levrault in 1896. Beginning in 1897 it was published annually by Paul Ollendorff (with Stoullig as the sole editor) up to 1914 with the penultimate volume published in 1916 (covering the years 1914–1915) and the final volume in 1918 (covering the year 1916). A total of 41 volumes were published.Listings
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Parma
Parma (; egl, Pärma, ) is a city in the northern Italian region of Emilia-Romagna known for its architecture, music, art, prosciutto (ham), cheese and surrounding countryside. With a population of 198,292 inhabitants, Parma is the second most populous city in Emilia-Romagna after Bologna, the region's capital. The city is home to the University of Parma, one of the oldest universities in the world. Parma is divided into two parts by the stream of the same name. The district on the far side of the river is ''Oltretorrente''. Parma's Etruscan name was adapted by Romans to describe the round shield called '' Parma''. The Italian poet Attilio Bertolucci (born in a hamlet in the countryside) wrote: "As a capital city it had to have a river. As a little capital it received a stream, which is often dry", with reference to the time when the city was capital of the independent Duchy of Parma. History Prehistory Parma was already a built-up area in the Bronze Age. In the curr ...
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Henry IV Of France
Henry IV (french: Henri IV; 13 December 1553 – 14 May 1610), also known by the epithets Good King Henry or Henry the Great, was King of Navarre (as Henry III) from 1572 and King of France from 1589 to 1610. He was the first monarch of France from the House of Bourbon, a cadet branch of the Capetian dynasty. He was assassinated in 1610 by François Ravaillac, a Catholic zealot, and was succeeded by his son Louis XIII. Henry was the son of Jeanne III of Navarre and Antoine de Bourbon, Duke of Vendôme. He was baptised as a Catholic but raised in the Protestant faith by his mother. He inherited the throne of Navarre in 1572 on his mother's death. As a Huguenot, Henry was involved in the French Wars of Religion, barely escaping assassination in the St. Bartholomew's Day massacre. He later led Protestant forces against the French royal army. Henry became king of France in 1589 upon the death of Henry III, his brother-in-law and distant cousin. He was the first ...
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Béarn
The Béarn (; ; oc, Bearn or ''Biarn''; eu, Bearno or ''Biarno''; or ''Bearnia'') is one of the traditional provinces of France, located in the Pyrenees mountains and in the plain at their feet, in southwest France. Along with the three Basque provinces of Soule, Lower Navarre, and Labourd, the Principality of Bidache, as well as small parts of Gascony, it forms in the southwest the current ''département'' of Pyrénées-Atlantiques (64). The capitals of Béarn were Beneharnum (until 841), Morlaàs (from ca. 1100), Orthez (from the second half of the 13th century), and then Pau (beginning in the mid-15th century). Béarn is bordered by Basque provinces Soule and Lower Navarre to the west, by Gascony ( Landes and Armagnac) to the north, by Bigorre to the east, and by Spain (Aragon) to the south. Today, the mainstays of the Béarn area are the petroleum industry, the aerospace industry through the helicopter turboshaft engine manufacturer Turbomeca, tourism and ...
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Eugène Vauthier
Eugène Vauthier (29 September 1843 – 11 November 1910) was a French baritone whose career was in comic operas by Offenbach, Lecocq, Hervé and other composers of the genre. From 1869 until his retirement in 1905 he was a member of successive Parisian theatre companies, and also made occasional appearances in London. Life and career Vauthier was born in Auxerre in 1843. From childhood he was passionate about the theatre, and after learning his craft in the French provinces he made his Paris début in 1869 in an opéra-bouffe, ''Le Canard à trois becs'' – the duck with three beaks – at the Théâtre des Folies-Dramatiques. His acting and singing were received with enthusiasm."Eugène Vauthier"
''Le Figaro'', 12 November 1910, p. 2
After the
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the ave ...
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Mily-Meyer
Émilie Mily Meyer, stage name 'Mily-Meyer' was a French soprano, born 1852 in Paris, died there in 1927, who for a quarter of a century became a major star of the Parisian operetta stage, and is described by Gänzl as "impishly boyish yet obviously feminine soubrette".Gänzl, K. ''The Encyclopedia of the Musical Theatre.'' Oxford: Blackwell, 1994. Career Her professional début was at the Eldorado café-concert; she then went to the Théâtre de la Renaissance and appeared as the young duchess in the premiere of '' Le petit duc'' on 25 January 1878. Creations in ''La Camargo'' (1878), ''Petite Mademoiselle'' (1879) and ''Belle Lurette'' (1880) swiftly followed. Mily-Meyer appeared at the Théâtre des Nouveautés as Kate in the French premiere of ''Rip'' and at the Théâtre des Bouffes Parisiens as Bianca in the first run of ''La Béarnaise'' in 1885. Also at Théâtre des Variétés was '' La princesse de Trébizonde'', while at the Théâtre des Folies-Dramatiques she was in ...
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