Kuroda Seiki
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Kuroda Seiki
Viscount was a Japanese painter and teacher, noted for bringing Western art theory and practice to a wide Japanese audience. He was among the leaders of the ''yōga'' (or Western-style) movement in late 19th and early 20th-century Japanese painting, and has come to be remembered in Japan as "the father of Western-style painting." Biography Early years Kuroda was born in Takamibaba, Satsuma Domain (present day Kagoshima Prefecture), as the son of a ''samurai'' of the Shimazu clan, Kuroda Kiyokane and his wife Yaeko. At birth, the boy was named Shintarō; this was changed to Seiki in 1877, when he was 11. In his personal life, he used the name Kuroda Kiyoteru, which uses an alternate pronunciation of the same Chinese characters. Even before his birth, Kuroda had been chosen by his paternal uncle, Kuroda Kiyotsuna, as heir; formally, he was adopted in 1871, after traveling to Tokyo with both his birth mother and adoptive mother to live at his uncle's estate. Kiyotsuna was also a ...
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Kagoshima
, abbreviated to , is the capital city of Kagoshima Prefecture, Japan. Located at the southwestern tip of the island of Kyushu, Kagoshima is the largest city in the prefecture by some margin. It has been nicknamed the "Naples of the Eastern world" for its bay location (Aira Caldera), hot climate, and emblematic stratovolcano, Sakurajima. The city was officially founded on April 1, 1889. It merged with Taniyama City on April 29, 1967 and with Yoshida Town, Sakurajima Town, Kiire Town, Matsumoto Town and Kōriyama Town on November 1, 2004. Etymology The name "Kagoshima" (鹿児島) literally means "deer child island" or "young-deer island". In the Kagoshima dialect, local names for the city include “かごっま (Kagomma)”, “かごんま (Kagonma)”, “かごいま (Kagoima)” and “かごひま (Kagohima)”. While the kanji for Kagoshima ( 鹿 児 島) literally mean "deer child island", or "island of the fawn" for certain, the source etymology is not clear and ma ...
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Meiji Era
The is an era of Japanese history that extended from October 23, 1868 to July 30, 1912. The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign relations. The period corresponded to the reign of Emperor Meiji. It was preceded by the Keiō era and was succeeded by the Taishō era, upon the accession of Emperor Taishō. The rapid modernization during the Meiji era was not without its opponents, as the rapid changes to society caused many disaffected traditionalists from the former samurai cl ...
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Pierre Puvis De Chavannes
Pierre Puvis de Chavannes (14 December 1824 – 24 October 1898) was a French people, French Painting, painter known for his mural painting, who came to be known as "the painter for France". He became the co-founder and president of the Société Nationale des Beaux-Arts, and his work influenced many other artists, notably Robert Genin, and he aided Medalist, medallists by designs and suggestions for their works. Puvis de Chavannes was a prominent painter in the early French Third Republic, Third Republic. Émile Zola described his work as "an art made of reason, passion, and will". Early life and education Puvis de Chavannes was born Pierre-Cécile Puvis in a suburb of Lyon, France, on December 14, 1824. He was the son of a mining engineer and descended from an old noble family of Burgundy (region), Burgundy. He later added the ancestral "de Chavannes" to his name. Throughout his life, he spurned his Lyon origins, preferring to identify himself with the 'strong' blood of the ...
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Paris Salon
The Salon (french: Salon), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it has been managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the Académie royale de peinture et de sculpture (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salo ...
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Academic Art
Academic art, or academicism or academism, is a style of painting and sculpture produced under the influence of European academies of art. Specifically, academic art is the art and artists influenced by the standards of the French Académie des Beaux-Arts, which was practiced under the movements of Neoclassicism and Romanticism, and the art that followed these two movements in the attempt to synthesize both of their styles, and which is best reflected by the paintings of William-Adolphe Bouguereau, Thomas Couture, and Hans Makart. In this context it is often called "academism," "academicism," " art pompier" (pejoratively), and "eclecticism," and sometimes linked with "historicism" and "syncretism." Academic art is closely related to Beaux-Arts architecture, which developed in the same place and holds to a similar classicizing ideal. The academies in history The first academy of art was founded in Florence in Italy by Cosimo I de' Medici, on 13 January 1563, under the influe ...
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Raphaël Collin
Louis-Joseph-Raphaël Collin (17 June 1850 – 21 October 1916) was a French painter born and raised in Paris, where he became a prominent academic painter and a teacher. He is principally known for the links he created between French and Japanese art, in both painting and ceramics. Early life Collin studied at the school of Saint-Louis, then went to Verdun where he was at school with Jules Bastien-Lepage; they became close friends. Collin then went to Paris and studied in the atelier of Bouguereau and then joined Lepage at Alexandre Cabanel's atelier where they both worked alongside Fernand Cormon, Aimé Morot and Benjamin Constant. Collin painted still-lives, nudes, portraits and genre pieces, and preferred to render his subjects en plein air with a clear and luminous palette. Career Around 1873 he began successfully exhibiting at the Salon. He won a number of prizes that helped launch his career, and before long he was receiving increasingly prestigious commissions to pai ...
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Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ... of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. The term translates as "picture[s] of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment o ...
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Tadamasa Hayashi
was a Japanese art dealer who introduced traditional Japanese art such as ukiyo-e to Europe. Tadamasa was born to the Nagasaki family of physicians. When he was still a child, he was adopted into the Hayashi family, an upper-class samurai family of Toyama-han. He then attended the University of Tokyo. In 1878, he went to Paris as a translator to seek a new life abroad. In Paris, he began a career as Japanese art dealer. Hayashi provided the text for the May 1886 edition of ''Paris Illustré''. Vincent van Gogh traced the figure on the title page for his painting ''The Courtesan''. In 1900 he was a general commissioner of the Japanese art section at the World 's Fair in Paris. He also worked with Dr. George Frederick Kunz and Heber R. Bishop in writing and producing the catalog to the famous jade collection given to the Metropolitan Museum of Art in 1902.Bishop Collection, Heber R. Bishop, George Frederick Kunz, Stephen W. Bushell, Robert Lilley, and Tadamasa Hayashi. 1906. ...
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Fuji Masazō
Fuji may refer to: Places China * Fuji, Xiangcheng City (付集镇), town in Xiangcheng City, Henan Japan * Mount Fuji, the tallest mountain in Japan * Fuji River * Fuji, Saga, town in Saga Prefecture * Fuji, Shizuoka, city in Shizuoka Prefecture * Fuji Speedway, a major race track at the base of Mt Fuji People * Fuji (surname), a Japanese surname * Mr. Fuji, ring name of American professional wrestler and manager Harry Fujiwara (1934–2016) * Mr. Fuji, one of many modern monikers of the creator of Fuji musical genre, Ayinde Barrister Fictional characters * Fuji (comics), a character in the ''Stormwatch'' series Music * Mt. Fuji Jazz Festival, a jazz festival in Japan * Fuji Rock Festival, a rock festival in Japan * Fuji music, a music genre from Yorubaland of Nigeria Japanese companies * Fujifilm, a Japanese company producing cameras and photographic film * Fuji Heavy Industries, Ltd., the former name of Subaru Corporation, a Japanese company producing industrial products * ...
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Yamamoto Hōsui
was a Japanese artist. He is also sometimes known as Yamamoto Tamenosuke. Biography He was born in Mino Province. He first trained in the Nanga (Bunjinga) style before studying Western painting with Charles Wirgman and Goseda Horyu (1827–92) and under Antonio Fontanesi. Yamamoto then went to Paris, where he remained for over ten years and studied at the school of Fine Arts as Gérôme’s student 1878-1887. While in Paris he mixed with the city's artists and intelligentsia, and he supplied work for the illustrated edition of Robert de Montesquiou's ''Les chauves-souris''. Returning to Japan he opened a painting academy, the Seikokan, in Edo, teaching the French style of the Barbizon school. This was later renamed the Tenshin Dojo after his friend and fellow-artist Kuroda Seiki returned to Japan and joined him in teaching there, introducing the techniques of plein-air painting. Among his works are ''Junishi'' (1892), a cycle of twelve oil paintings in the Western st ...
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Watercolor
Watercolor (American English) or watercolour (British English; see spelling differences), also ''aquarelle'' (; from Italian diminutive of Latin ''aqua'' "water"), is a painting method”Watercolor may be as old as art itself, going back to the Stone Age when early ancestors combined earth and charcoal with water to create the first wet-on-dry picture on a cave wall." London, Vladimir. The Book on Watercolor (p. 19). in which the paints are made of pigments suspended in a water-based solution. ''Watercolor'' refers to both the medium and the resulting artwork. Aquarelles painted with water-soluble colored ink instead of modern water colors are called ''aquarellum atramento'' (Latin for "aquarelle made with ink") by experts. However, this term has now tended to pass out of use. The conventional and most common ''support''—material to which the paint is applied—for watercolor paintings is watercolor paper. Other supports or substrates include stone, ivory, silk, reed, papy ...
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