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Kama Shastra
In Indian literature, Kāmashastra refers to the tradition of works on Kāma: Desire (love, erotic, sensual and sexual desire in this case). It therefore has a practical orientation, similar to that of Arthashastra, the tradition of texts on politics and government. Just as the latter instructs kings and ministers about government, Kāmashastra aims to instruct the townsman (nāgarika) in the way to attain enjoyment and fulfillment. Etymology Kaama ( ) is a Sanskrit word that has the general meanings of "wish", "desire", and "intention" in addition to the specific meanings of "pleasure" and "(sexual) love". Used as a proper name it refers to Kamadeva, the Hindu god of Love. History During the 8th century BC, Shvetaketu, son of Uddalaka, produced a work too vast to be accessible. A scholar called Babhravya, together with his group of disciples, produced a summary of Shvetaketu's summary, which nonetheless remained a huge and encyclopaedic tome. Between the 3rd and 1st centuries ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Literature
Indian literature refers to the literature produced on the Indian subcontinent until 1947 and in the Republic of India thereafter. The Republic of India has 22 officially recognised languages. The earliest works of Indian literature were orally transmitted. Sanskrit literature begins with the oral literature of the Rig Veda, a collection of literature dating to the period 1500–1200 BCE. The Sanskrit epics ''Ramayana'' and ''Mahabharata'' were subsequently codified and appeared towards the end of the 2nd millennium BCE. Classical Sanskrit literature developed rapidly during the first few centuries of the first millennium BCE, as did the Pāli Canon and Tamil Sangam literature. In the medieval period, literature in Kannada and Telugu appeared in the 9th and 10th centuries respectively. Later, literature in Marathi, Gujarati, Bengali, Assamese, Odia, and Maithili appeared. Thereafter literature in various dialects of Hindi, Persian and Urdu began to appear as we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kshemendra
Kshemendra (; ) was an 11th-century Sanskrit polymath- poet, satirist, philosopher, historian, dramatist, translator and art-critic from Kashmir in India. Biography Kshemendra was born into an old, cultured, and affluent family. His father was Prakashendra, a descendant of Narendra who was the minister to Jayapida. Both his education and literary output were broad and varied. He studied literature under "the foremost teacher of his time, the celebrated Shaiva philosopher and literary exponent Abhinavagupta". Kshemendra was born a Shaiva, but later became a Vaishnava. He studied and wrote about both Vaishnavism and Buddhism. His son, Somendra, provides details about his father in his introduction to the ''Avadana Kalpalata'' and other works. Kshemendra refers to himself in his works as Vyasadasa (; ''Slave of Vyasa''), a title which was perhaps won or adopted after the completion of his . Kshemendra was in great demand as a skilled abridger of long texts. His literary ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamashastra
In Indian literature, Kāmashastra refers to the tradition of works on Kāma: Desire (love, erotic, sensual and sexual desire in this case). It therefore has a practical orientation, similar to that of Arthashastra, the tradition of texts on politics and government. Just as the latter instructs kings and ministers about government, Kāmashastra aims to instruct the townsman (nāgarika) in the way to attain enjoyment and fulfillment. Etymology Kaama ( ) is a Sanskrit word that has the general meanings of "wish", "desire", and "intention" in addition to the specific meanings of "pleasure" and "(sexual) love". Used as a proper name it refers to Kamadeva, the Hindu god of Love. History During the 8th century BC, Shvetaketu, son of Uddalaka, produced a work too vast to be accessible. A scholar called Babhravya, together with his group of disciples, produced a summary of Shvetaketu's summary, which nonetheless remained a huge and encyclopaedic tome. Between the 3rd and 1st centu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spam
Spam may refer to: * Spam (food), a canned pork meat product * Spamming, unsolicited or undesired electronic messages ** Email spam, unsolicited, undesired, or illegal email messages ** Messaging spam, spam targeting users of instant messaging (IM) services, SMS or private messages within websites Art and entertainment * Spam (gaming), the repetition of an in-game action * "Spam" (Monty Python), a comedy sketch * "Spam", a song on the album ''It Means Everything'' (1997), by Save Ferris * "Spam", a song by "Weird Al" Yankovic on the album ''UHF – Original Motion Picture Soundtrack and Other Stuff'' * Spam Museum, a museum in Austin, Minnesota, US dedicated to the canned pork meat product Other uses * Smooth-particle applied mechanics, the use of smoothed-particle hydrodynamics Smoothed-particle hydrodynamics (SPH) is a computational method used for simulating the mechanics of continuum media, such as solid mechanics and fluid flows. It was developed by Gingold and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
External Links
An internal link is a type of hyperlink on a web page to another page or resource, such as an image or document, on the same website or domain. Hyperlinks are considered either "external" or "internal" depending on their target or destination. Generally, a link to a page outside the same domain or website is considered external, whereas one that points at another section of the same web page or to another page of the same website or domain is considered internal. These definitions become clouded, however, when the same organization operates multiple domains functioning as a single web experience, e.g. when a secure commerce website is used for purchasing things displayed on a non-secure website. In these cases, links that are "external" by the above definition can conceivably be classified as "internal" for some purposes. Ultimately, an internal link points to a web page or resource in the same root directory. Similarly, seemingly "internal" links are in fact "external" for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kāvya
Kāvya (Devanagari: काव्य, IAST: ''kāvyá'') refers to the Sanskrit literary style used by Indian court poets flourishing between c.200 BCE and 1200 CE. This literary style, which includes both poetry and prose, is characterised by abundant usage of figures of speech such as metaphors, similes, and hyperbole to create its characteristic emotional effects. The result is a short lyrical work, court epic, narrative or dramatic work. Kāvya can refer to the style or the completed body of literature. Aśvaghoṣa (c. 80–150 AD), a philosopher and poet considered the father of Sanskrit drama, is attributed with first using the term. Early kāvya Although very little literature in the kāvya style written before the time of Kālidāsa (5th century CE) survives, it can be assumed from quotations in Patañjali's grammatical treatise the Mahābhāṣya (2nd century BCE), as well as from poems written on various inscriptions of the 4th to 6th centuries CE, that it dates back t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samaya Mātrikā
The Samaya Mātrikā ( en: ''The Courtesan's Keeper'') is a satire written by the 11th-century Kashmiri poet Kshemendra. Originally written in Sanskrit, the work has since been translated into English by A. N. D. Haksar. Description History ''Samaya Matrika'', or ''The Courtesan's Keeper'', was written by the Kashmiri poet Kshemendra. The poet was born in Kashmir in the 11th century, and much of his body of work was set in the Kashmir region. He studied both Vaishnavism and Buddhism, and was versed in several vedic texts.Warder, Anthony Kennedy (1992). ''Indian Kāvya Literature: The art of storytelling''. Delhi: Motilal Banarsidass Publ. . pp. 365 After years of recording, abridging, and translating various texts, the poet began to produce his own works, one of which would become ''Samaya Matrika''.Kshemendra (2011). ''Three Satires: From Ancient Kashmir''. Translated by Haksar, A. N. D. Penguin Books. . The work was produced post 1037, the year in which the author began to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vijayanagara
Vijayanagara () was the capital city of the historic Vijayanagara Empire. Located on the banks of the Tungabhadra River, it spread over a large area and included the modern era Group of Monuments at Hampi site in Vijayanagara district, Bellary district and others in and around these districts in Karnataka, India. A part of Vijayanagara ruins known as Hampi has been designated as a UNESCO world heritage site. Vijayanagara is in the eastern part of central Karnataka, close to the Andhra Pradesh border.Vijayanagara Encyclopaedia Britannica Hampi is an ancient human settlement, mentioned in Hindu texts and has pre-Vijayanagara temples and monuments. In early 14th century, the Deccan region including the dominant |
Maharaja
Mahārāja (; also spelled Maharajah, Maharaj) is a Sanskrit title for a "great ruler", "great king" or " high king". A few ruled states informally called empires, including ruler raja Sri Gupta, founder of the ancient Indian Gupta Empire, and Chandragupta Maurya. 'Title inflation' soon led to most being rather mediocre or even petty in real power, which led to compound titles (among other efforts) being used in an attempt to distinguish some among their ranks. The female equivalent, Maharani (or Maharanee, Mahārājñī, Maharajin), denotes either the wife of a Maharaja (or Maharana etc.) or also, in states where it was customary, a woman ruling without a husband. The widow of a Maharaja is known as a Rajmata, "queen mother". Maharajakumar generally denotes a son of a Maharaja, but more specific titulatures are often used at each court, including Yuvaraja for the heir (the crown prince). The form "Maharaj" (without "-a") indicates a separation of noble and religious o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jayadeva
Jayadeva (; born ), also spelt Jaideva, was a Sanskrit poet during the 12th century. He is most known for his epic poem ''Gita Govinda'' which concentrates on Krishna's love with the ''gopi'', Radha, in a rite of spring. This poem, which presents the view that Radha is greater than Krishna, is considered an important text in the Bhakti movement of Hinduism. Little is known of his life, except that he was a loner poet and a Hindu mendicant celebrated for his poetic genius in eastern India. Jayadeva is the earliest dated author of hymns that are included the Guru Granth Sahib, the primary scripture of Sikhism – a religion founded in the Indian subcontinent centuries after his death. Biography A Brahmin by birth, the date and place of Jayadeva's birth are uncertain (see Jayadeva birth controversy). The ''Gitagovinda'' suggests that he was born in the "Kindubilva" village: scholars of Odisha, Bengal and Mithila have variously identified this place with a present-day village in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
