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Kaikei
was a Japanese Busshi (sculptor of Buddha statue) of Kamakura period, known alongside Unkei. Because many busshi of the school have a name including ''kei'' (慶), his school is called ''Kei-ha'' (Kei school). Kaikei being also called Annami-dabutsu, his style is called ''Anna-miyō'' (Anna style) and is known to be intelligent, pictorial and delicate. Most of his works have a height of about three shaku, and there are many of his works in existence. Primary work *Amitabha Triad in Jōdo-ji in Ono (1195) - National Treasure of Japan. Most important work. Height: 24.6 ft *Hachiman in Tōdai-ji (1201) - National Treasure of Japan. *Nio(Agyō) in Tōdai-ji (1203) - National Treasure of Japan. Joint production with Unkei and 13 assistant sculptors. *Mahamayuri in Kinpusen-ji (1200) - Important Cultural Property of Japan. *Maitreya in Sanbō-in (1192) - Important Cultural Property of Japan. *Vairocana in Ishiyama-dera (1194) - Important Cultural Property of Japan. File:小� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaikei ZIZO BOSATSU KSITIGARBHA
was a Japanese Busshi (sculptor of Buddha statue) of Kamakura period, known alongside Unkei. Because many busshi of the school have a name including ''kei'' (慶), his school is called ''Kei-ha'' ( Kei school). Kaikei being also called Annami-dabutsu, his style is called ''Anna-miyō'' (Anna style) and is known to be intelligent, pictorial and delicate. Most of his works have a height of about three shaku, and there are many of his works in existence. Primary work *Amitabha Triad in Jōdo-ji in Ono (1195) - National Treasure of Japan. Most important work. Height: 24.6 ft *Hachiman in Tōdai-ji (1201) - National Treasure of Japan. *Nio(Agyō) in Tōdai-ji (1203) - National Treasure of Japan. Joint production with Unkei and 13 assistant sculptors. *Mahamayuri in Kinpusen-ji (1200) - Important Cultural Property of Japan. *Maitreya in Sanbō-in (1192) - Important Cultural Property of Japan. *Vairocana in Ishiyama-dera (1194) - Important Cultural Property of Japan. Fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unkei
Unkei ( ja, 運慶; – 1223) was a Japanese sculptor of the Kei school, which flourished in the Kamakura period. He specialized in statues of the Buddha and other important Buddhist figures. Unkei's early works are fairly traditional, similar in style to pieces by his father, Kōkei. However, the sculptures he produced for the Tōdai-ji in Nara show a flair for realism different from anything Japan had seen before. Today, Unkei is the best known of the Kei artists, and many art historians consider him its "most distinguished member".Varley 94. Career Many extant works are said to be his, but the first that can be attributed to him with any certainty is a Dainichi Nyorai at Enjō-ji in Nara (1176). Unkei was a devout Buddhist, and records from 1183 (Heian period end) show that he transcribed two copies of the ''Lotus Sutra'' with the aid of two calligrapher monks and a woman sponsor named Akomaro. In the works' colophon, Unkei gives the names of all involved in performi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jōdo-ji (Ono)
The is a temple of the Shingon sect in Ono, Hyōgo, Japan. It was first established by Chōgen in 1190 – 1198, and the temple structures have undergone several reconstruction efforts since then, with the last reconstruction taking place in 1632. Jōdo-ji's Jōdodō completed in 1194 is a National Treasure of Japan. The architecture is in the Daibutsu style that combines Japanese and Chinese elements. List of buildings *Jōdodō – built in 1194. National Treasure of Japan. * Yakushiō (Main hall) – Important Cultural Property of Japan. It was rebuilt in 1517. *Hachiman-jinja honden – Important Cultural Property of Japan. *Hachiman-jinja haiden – Important Cultural Property of Japan. * Kaizanō – rebuilt in 1520. *Bell tower – rebuilt in 1632. * Fudodō * Monjudō *Kyozō List of sculptures * Amitabha Triad – National Treasure of Japan. Kaikei's most important work. It is a work in 1195–1197. Height: 24.6 ft *Amitabha – Important Cultural ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kei School
The was a Japanese school (style) of Buddhist sculpture which emerged in the early Kamakura period (c. 1200). Based in Nara, it was the dominant school in Buddhist sculpture in Japan into the 14th century, and remained influential until the 19th. Art historian Joan Stanley Baker cites the Kei school's early works as the last highpoint in the history of Japanese sculpture.Baker, Joan Stanley. ''Japanese Art''. London: Thames and Hudson, 1984. p109. Background and history The Kei school developed out of that led by the '' busshi'' (Buddhist sculptor) Jōchō's successor, Kakujō and Kakujō's son Raijō, the leading sculptors of the preceding generations. These artists are sometimes said to have founded the Kei school;Keiha 慶派 " ''Japanese Architecture and Art Users System (JAANUS).'' 2001. Accessed 17 November 2008. however, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tōdai-ji
is a Buddhist temple complex that was once one of the powerful Seven Great Temples, located in the city of Nara, Japan. Though it was originally founded in the year 738 CE, Tōdai-ji was not opened until the year 752 CE. The temple has undergone several reconstructions since then, with the most significant reconstruction (that of the Great Buddha Hall) taking place in 1709. Its Great Buddha Hall (大仏殿 ''Daibutsuden'') houses the world's largest bronze statue of the Buddha Vairocana, known in Japanese as ''Daibutsu'' (大仏). The temple also serves as the Japanese headquarters of the Kegon school of Buddhism. The temple is a listed UNESCO World Heritage Site as one of the "Historic Monuments of Ancient Nara", together with seven other sites including temples, shrines and places in the city of Nara. History Origins The beginning of building a temple where the Kinshōsen-Ji complex sits today can be dated to 728 CE, when Emperor Shōmu established Kinshōsen-Ji (金� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Busshi
A Busshi (仏師) is a Japanese sculptor specializing in Buddha statues. List of Busshi * Chōkai ( ja) * Chōsei ( ja) * Eikai ( ja) * Enkū * Ensei ( ja) * Genkei ( ja) * Gyōkai ( ja) * Higo Bettō Jōkei ( ja) * Inchō ( ja) * Injo ( ja) * Inkaku ( ja) * Inkichi ( ja) * Inson ( ja) * Jōchō * Jōkaku ( ja) * Jōkei * Kaikei * Kakuen ( ja) * Kakujo ( ja) * Kōben ( ja) * Kōkei * Kōchō ( ja) * Kōjo ( ja) * Kochi no Obinari ( ja) * Kōshō ( ja) * Kōshō ( ja) * Kōun ( ja) * Kuninaka no Kimimaro ( ja) * Matsumoto Myōkei ( ja) * Myōen ( ja) * Raijo ( ja) * Seichō ( ja) * Tankei * Tori Busshi * Unga The United Nations General Assembly (UNGA or GA; french: link=no, Assemblée générale, AG) is one of the six principal organs of the United Nations (UN), serving as the main deliberative, policymaking, and representative organ of the UN. Cur ... ( ja) * Unjo ( ja) * Unkei * Yamaguchi no Ōguchi ( ja) * Zen'en (善円) or Zenkei ( ja) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptor
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddha Statue
Much Buddhist art uses depictions of the historical Buddha, Gautama Buddha, which are known as Buddharūpa (literally, "Form of the Awakened One") in Sanskrit and Pali. These may be statues or other images such as paintings. The main figure in an image may be someone else who has obtained Buddhahood, or a boddhisattva, especially in the various traditions of Mahayana Buddhism. Other Buddhas and bodhisattvas in art have become increasingly common over the centuries, perhaps now outnumbering images of the historical Buddha. In its first centuries Buddhism was largely or entirely aniconic, not showing the person of Buddha except by symbols and relics. This changed, and figures of the Buddha became very common in the art of Gandhara and Gupta art. As forms of esoteric Buddhism developed, other figures from the expanding array of Buddhist sacred persons became more prominent. In Theravada Buddhism this was much less the case, and figures of the historical Buddha remain the mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamakura Period
The is a period of Japanese history that marks the governance by the Kamakura shogunate, officially established in 1192 in Kamakura by the first ''shōgun'' Minamoto no Yoritomo after the conclusion of the Genpei War, which saw the struggle between the Taira and Minamoto clans. The period is known for the emergence of the samurai, the warrior caste, and for the establishment of feudalism in Japan. During the early Kamakura period, the shogunate continued warfare against the Northern Fujiwara which was only defeated in 1189. Then, the authority to the Kamakura rulers waned in the 1190s and power was transferred to the powerful Hōjō clan in the early 13th century with the head of the clan as regent ( Shikken) under the shogun which became a powerless figurehead. The later Kamakura period saw the invasions of the Mongols in 1274 and again in 1281. To reduce the amount of chaos, the Hōjō rulers decided to decentralize power by allowing two imperial lines – Northern and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shaku (unit)
or Japanese foot is a Japanese unit of length derived (but varying) from the Chinese , originally based upon the distance measured by a human hand from the tip of the thumb to the tip of the forefinger (compare span). Traditionally, the length varied by location or use, but it is now standardized as 10/33 m, or approximately . Etymology in English entered English in the early 18th century,Oxford English Dictionary, Volume XV page 148 Webster's Third New International Dictionary of the English Language, 1986 a romanization of the Japanese Go-on reading of the character for . Use in Japan The had been standardized as since 1891. This means that there are 3.3 () to one meter. The use of the unit for official purposes in Japan was banned on March 31 1966, although it is still used in traditional Japanese carpentry and some other fields, such as kimono construction. The traditional Japanese bamboo flute known as the ( and ) derives its name from its length of one and eight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinpusen-ji
is the head temple of a branch of the Shugendō religion called Kinpusen-Shugendō in Yoshino district, Nara Prefecture, Japan. According to tradition, it was founded by En no Gyōja, who propagated a form of mountain asceticism drawing from Shinto and Buddhist beliefs. Along with Ōminesan-ji Temple, it is considered the most important temple in Shugendō. The temple's main building, the "Zaō-Hall" (''Zaōdō'') dedicated to Zaō gongen (蔵王権現), is the second largest wooden structure in Japan after the Great Buddha Hall at Tōdai-ji in Nara. Kinpusen-ji is a junction in a series of stops on pilgrimage routes. A Shinto shrine dedicated to Inari Ōkami is attached to the main compound. In 1963, the Temple constructed a hall named Southern Court Mystic Law Hall (''Nanchō Myōhōden'') to appease the soul of the four emperors of the Southern Court and others who lost their lives in many battles since the "Northern and Southern Courts period" (Nanboku-chō period, 1336 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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