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Kállai Kettős (Ligeti)
''Kállai kettős'', also referred to in English as ''Double-Dance from Kálló'', ''Kálló Two-Step'', ''Two Folksongs'', or its French form ''Kálló's pas de deux'', is an early vocal composition by Hungarian composer György Ligeti. It was composed in 1950 and is one of Ligeti's collections of Hungarian pieces which the composer himself conceived as a whole. Composition This composition was written in 1950, when Ligeti was still living in Hungary. As Hungarian composer Béla Bartók, Ligeti was very interested in adapting and arranging Hungarian traditional music with his own style. During this period, Hungary was going through a repressive Stalinist era. Ligeti himself commented once on one of its performances: Ligeti also composed other early vocal compositions based on Hungarian folksongs, such as Bujdosó and Mátraszentimrei dalok. This composition was never given a formal premiere, even though it was published by Schott Music in 1952. Analysis The compositions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
György Ligeti
György Sándor Ligeti (; ; 28 May 1923 – 12 June 2006) was a Hungarian-Austrian composer of contemporary classical music. He has been described as "one of the most important avant-garde music, avant-garde composers in the latter half of the twentieth century" and "one of the most innovative and influential among progressive figures of his time". Born in Romania, he lived in the Hungarian People's Republic before emigrating to Austria in 1956. He became an Austrian citizen in 1968. In 1973 he became professor of composition at the Hochschule für Musik und Theater Hamburg, where he worked until retiring in 1989. His students included Hans Abrahamsen, Unsuk Chin and Michael Daugherty. He died in Vienna in 2006. Restricted in his musical style by the authorities of Communist Hungary, only when he reached the West in 1956 could Ligeti fully realise his passion for avant-garde music and develop new compositional techniques. After experimenting with electronic music in Cologne, G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Béla Bartók
Béla Viktor János Bartók (; ; 25 March 1881 – 26 September 1945) was a Hungarian composer, pianist and ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Franz Liszt are regarded as Hungary's greatest composers. Among his notable works are the opera ''Bluebeard's Castle'', the ballet ''The Miraculous Mandarin'', ''Music for Strings, Percussion and Celesta'', the Concerto for Orchestra (Bartók), Concerto for Orchestra and List of string quartets by Béla Bartók, six string quartets. Through his collection and analytical study of folk music, he was one of the founders of comparative musicology, which later became known as ethnomusicology. Per Anthony Tommasini, Bartók "has empowered generations of subsequent composers to incorporate folk music and classical traditions from whatever culture into their works and was "a formidable modernist who in the face of Schoenberg’s breathtaking formulations showed another way, forgi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bujdosó
''Bujdosó'', commonly known in English as ''The Fugitive'' or ''Song of Exile'', is an early vocal composition by Hungarian composer György Ligeti. It was finished in 1946 and is strongly influenced by Béla Bartók. Composition This composition was written in 1946. At that time, Ligeti was living in Hungary and was very interested in Hungarian folk music, as other Hungarian composers such as Béla Bartók. As most of Ligeti's juvenilia, this piece never received a formal premiere, but it has been recorded together with other early vocal compositions. It was later published by Schott Music in 1999. Analysis This work takes approximately two minutes to perform. It is scored for a mixed choir which should consist of sopranos, altos, and baritones. The text is extracted from a Hungarian traditional poem, which is as follows: Fölkelt már a csillag Lengyelország felé Magam is elmegyek, babám, arra felé Megvetették nekem a megfogó hálót Megfogtak engemet mint egy uton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mátraszentimrei Dalok
''Mátraszentimrei dalok'' () is a collection of songs after Hungarian folk tunes by Hungarian composer György Ligeti. They are strongly influenced by fellow composer Béla Bartók, who also used Hungarian folk songs as his basis for some of his compositions. Composition and premiere As Ligeti did with most of his early vocal compositions, this collection of pieces was composed in Budapest in 1955, but it was not premiered until June 9, 1984. The premiere took place in Saarbrücken, with conducting the Kammerchor Hausen. It was published by Schott Music. Analysis The whole collection takes approximately 4 minutes to perform and consists of four folk songs. The movements are: The composition is scored for a 2-part (in movements one, two, and three) and a 3-part (in movement four) children's choir, regardless of it being a boys' choir or a girls' choir. However, professional adult female singers have been used for most public performances and recordings. Ligeti stated in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schott Music
Schott Music () is one of the oldest German music publishers. It is also one of the largest music publishing houses in Europe, and is the second-oldest music publisher after Breitkopf & Härtel. The company headquarters of Schott Music were founded by Bernhard Schott in Mainz in 1770. It represents many composers of the 20th and 21st centuries, and its publishing catalogue contains some 31,000 titles on sale and over 10,000 titles on hire. The repertoire ranges from complete editions, stage and concert works to general educational literature, fine sheet music editions and multimedia products. In addition to the publishing houses of Panton, Ars-Viva, Ernst Eulenburg (musical editions), Ernst Eulenburg, Fürstner, Cranz, Atlantis Musikbuch and Hohner-Verlag, the Schott group also includes two recording labels, Wergo (for Contemporary classical music, new music) and Intuition (for Jazz), as well as eight specialist magazines. The Schott Music group also includes the printing and pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attacca
A variety of musical terms is encountered in Sheet music, printed scores, music reviews, and program notes. Most of the terms Italian musical terms used in English, are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French language, French and German language, German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1 : "sifflet" or one foot organ stop ; I : usually for Violin family, orchestral string instruments, used to indicate that the player should play the passage on the highest-pitched, thinnest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano" ''Encyclopædia Britannica'' as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto
The musical term alto, meaning "high" in Italian (Latin: '' altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In four-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called contralto and male alto or countertenor. Etymology In choral music for mixed voices, "alto" describes the lowest part commonly sung by women. The explanation for the anomaly of this name is to be found not in the use of adult falsettists in choirs of men and boys but further back in innovations in composition during the mid-15th century. Before this time it was usual to write a melodic ''cantus'' or '' superius'' against a tenor (from Latin ''tenere'', to hold) or 'held' part, to which might be added a contratenor, which was in counterpoint with (in other words, against = contra) the tenor. The composers of Ockeghem's generation wrot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By György Ligeti
This is a list of compositions by György Ligeti. Source: Orchestral Concertos * ''Concert românesc'' (1951) * Cello Concerto (Ligeti), Cello Concerto, for Siegfried Palm (1966) * Chamber Concerto (Ligeti), Chamber Concerto, for 13 instrumentalists (1969–70) * Double Concerto, for flute, oboe and orchestra (1972) * Piano Concerto (Ligeti), Piano Concerto (1985–88) * Violin Concerto (Ligeti), Violin Concerto (1989–93) * ''Hamburg Concerto'', for horn and chamber orchestra with 4 obbligato natural horns (1998–99, revised 2003) Works for chamber orchestra * ''Fragment'' (1961) * ''Ramifications (Ligeti), Ramifications'' (1968–69), for string orchestra or 12 solo strings Works for full orchestra * ''Apparitions'' (1958–59) * ''Atmosphères'' (1961) * ''Lontano'' (1967) * ''Melodien'' (1971) * ''San Francisco Polyphony'' (1973–74) Chamber/Instrumental Works for string quartet * ''Andante and Allegretto'', for string quartet (1950) * String Quartet No. 1 ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
