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Kuchi Shōga
, also known as kuchi showa or kuchi shoka, is an educational musical notation for traditional Japanese drums, particularly the taiko and the tsuzumi. ''Kuchi shōga'' phoneticizes (that is, phonetically articulates) drum strokes using Japanese sound symbolism. Each syllable conveys information about how the drummer is to play a particular note. Kuchi shōga notation is written in katakana, a syllabary familiar to all literate Japanese language speakers. Kuchi shōga can be transliterated from katakana to a Latin alphabet using one of the various systems of ''rōmaji''. Common phoneticizations Although kuchi shōga does not have a fixed vocabulary, some phoneticizations are ubiquitous. ''Don'' typically means a deep, sustained sound from the center of the taiko. ''Do'' sometimes represents a short beat that is not allowed to resonate (i.e., one with a short decay). ''Doko'', ''dogo'', or ''doro'' means two drum-beats played in rapid succession. ''Tsu'' represents a lightly st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Japanese Words And Phrases ...
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consensus among linguists on its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Resonate
Resonance is a phenomenon that occurs when an object or system is subjected to an external force or vibration whose frequency matches a resonant frequency (or resonance frequency) of the system, defined as a frequency that generates a maximum amplitude response in the system. When this happens, the object or system absorbs energy from the external force and starts vibrating with a larger amplitude. Resonance can occur in various systems, such as mechanical, electrical, or acoustic systems, and it is often desirable in certain applications, such as musical instruments or radio receivers. However, resonance can also be detrimental, leading to excessive vibrations or even structural failure in some cases. All systems, including molecular systems and particles, tend to vibrate at a natural frequency depending upon their structure; when there is very little damping this frequency is approximately equal to, but slightly above, the resonant frequency. When an oscillating force, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konnakol
Konnakol (also spelled Konokol, Konakkol, Konnakkol) ( koṉṉakkōl) () is the art of performing percussion syllables vocally in South Indian Carnatic music. Konnakol is the spoken component of solkattu, which refers to a combination of konnakol syllables spoken while simultaneously counting the tala (meter) with the hand. It is comparable in some respects to '' bol'' in Hindustani music, but allows the composition, performance or communication of rhythms. A similar concept in Hindustani classical music is called padhant. Usage Musicians from a variety of traditions have found konnakol useful in their practice. Prominent among these is John McLaughlin, who led the Mahavishnu Orchestra and has long used konnakol as a compositional aid. V. Selvaganesh, who plays alongside McLaughlin in the group Remember Shakti, and Ranjit Barot, who plays with McLaughlin in the group 4th Dimension, are other noted konnakol virtuosos. A few of the prominent names performing konnakol are B K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of music bounded by vertical lines, known as bar lines (or barlines), usually indicating one or more recurring beats. The length of the bar, measured by the number of note values it contains, is normally indicated by the time signature. Types of bar lines Regular bar lines consist of a thin vertical line extending from the top line to the bottom line of the staff, sometimes also extending between staves in the case of a grand staff or a family of instruments in an orchestral score. A ''double bar line'' (or ''double bar'') consists of two single bar lines drawn close together, separating two sections within a piece, or a bar line followed by a thicker bar line, indicating the end of a piece or movement. Note that ''double bar'' refers not to a type of ''bar'' (i.e., measure), but to a type of ''bar line''. Typically, a double bar is used when followed by a new key signature, whether or not it marks the beginning of a ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Common Time
A time signature (also known as meter signature, metre signature, and measure signature) is an indication in music notation that specifies how many note values of a particular type fit into each measure ( bar). The time signature indicates the meter of a musical movement at the bar level. In a music score the time signature appears as two stacked numerals, such as (spoken as ''four–four time''), or a time symbol, such as (spoken as ''common time''). It immediately follows the key signature (or if there is no key signature, the clef symbol). A mid-score time signature, usually immediately following a barline, indicates a change of meter. Most time signatures are either simple (the note values are grouped in pairs, like , , and ), or compound (grouped in threes, like , , and ). Less common signatures indicate complex, mixed, additive, and irrational meters. Time signature notation Most time signatures consist of two numerals, one stacked above the other: * The '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Notation
Musical notation is any system used to visually represent music. Systems of notation generally represent the elements of a piece of music that are considered important for its performance in the context of a given musical tradition. The process of interpreting musical notation is often referred to as reading music. Distinct methods of notation have been invented throughout history by various cultures. Much information about ancient music notation is fragmentary. Even in the same time frames, different styles of music and different cultures use different music notation methods. For example, classical performers most often use sheet music using staves, time signatures, key signatures, and noteheads for writing and deciphering pieces. But even so, there are far more systems just that, for instance in professional country music, the Nashville Number System is the main method, and for string instruments such as guitar, it is quite common for tablature to be used by player ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ma (negative Space)
is a Japanese concept of negative space, and a Japanese reading of the Sino-Japanese character . ''Ma'' in Japanese culture In modern interpretations of traditional Japanese arts and culture, is an artistic interpretation of an empty space, often holding as much importance as the rest of an artwork and focusing the viewer on the intention of negative space in an art piece. The concept of space as a positive entity is opposed to the absence of such a principle in a correlated "Japanese" notion of space. Though commonly used to refer to literal, visible negative space, may also refer to the perception of a space, gap or interval, without necessarily requiring a physical compositional element. This results in the concept of being less reliant on the existence of a gap, and more closely related to the perception of a gap. The existence of in an artwork has been interpreted as "an emptiness full of possibilities, like a promise yet to be fulfilled", and has been described ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kiai
In Japanese martial arts a is a short shout uttered when performing an assault. Traditional Japanese dojo generally uses single syllables beginning with a vowel. The practice has become a part of Asian martial arts in popular culture, especially in martial arts films, in writing often rendered in variants such as ''Hi-yah!'', ''Aiyah!'', ''Eeee-yah!'' or ''Hyah!''. A ''kiai'' is usually not the word "''kiai''" itself. Etymology The term is a compound of '' ki'' (), meaning "energy" or "mood" and ''a(u)'' (, infinitive ''ai''), an emphatic marker. The same concept is known as ''kihap'' in many Korean martial arts, such as taekwondo and Tang Soo Do, ''ki'' being the ''energy'' and ''hap'' meaning ''to join'', ''to harmonize'' or ''to amplify'', based on the Korean reading of the same characters; its Hangul spelling is 기합. In the board game '' Go'', the term describes fighting spirit. Use in martial arts Students of Japanese martial arts such as aikido, karate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kakegoe
''Kakegoe'' () usually refers to shouts and calls used in performances of traditional Japanese music, Kabuki theatre, and in martial arts such as kendo. Kabuki In the kabuki theatre, the term is used to refer to melodramatic calls from an audience, or as part of call-and-response singing in Japanese folk music. It is a custom for people in the audience to insert ''kakegoe'' every so often, in praise of the actors on stage. There are special climaxes in kabuki theatre called " mie", where the actor puts on an extravagant pose and someone in the audience shouts the actor's stage name or guild name at just the right moment. Occasionally the shout is not a name, for example "Mattemashita!" ("This is what we've been waiting for!") as the curtain is drawn back.Rick Kennedy, ''Home Sweet Tokyo'', Kodansha, 1988 (p.151) There are three ''kakegoe'' guilds in Tokyo, totalling about 60 members. They receive free passes to the Kabuki-za. Almost all are mature male Japanese, but there have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polysyllable
A syllable is a basic unit of organization within a sequence of speech sounds, such as within a word, typically defined by linguists as a ''nucleus'' (most often a vowel) with optional sounds before or after that nucleus (''margins'', which are most often consonants). In phonology and studies of languages, syllables are often considered the "building blocks" of words. They can influence the rhythm of a language, its prosody, its poetic metre; properties such as stress, tone and reduplication operate on syllables and their parts. Speech can usually be divided up into a whole number of syllables: for example, the word ''ignite'' is made of two syllables: ''ig'' and ''nite''. Most languages of the world use relatively simple syllable structures that often alternate between vowels and consonants. Despite being present in virtually all human languages, syllables still have no precise definition that is valid for all known languages. A common criterion for finding syllable boundarie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semivowel
In phonetics and phonology, a semivowel, glide or semiconsonant is a sound that is phonetically similar to a vowel sound but functions as the syllable boundary, rather than as the nucleus of a syllable. Examples of semivowels in English are ''y'' and ''w'' in ''yes'' and ''west'', respectively. Written in IPA, ''y'' and ''w'' are near to the vowels ''ee'' and ''oo'' in ''seen'' and ''moon,'' written in IPA. The term ''glide'' may alternatively refer to any type of transitional sound, not necessarily a semivowel. Classification Semivowels form a subclass of approximants. Although "semivowel" and "approximant" are sometimes treated as synonymous, most authors use the term "semivowel" for a more restricted set; there is no universally agreed-upon definition, and the exact details may vary from author to author. For example, do not consider the labiodental approximant to be a semivowel. In the International Phonetic Alphabet, the diacritic attached to non-syllabic vowel lett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fricative
A fricative is a consonant produced by forcing air through a narrow channel made by placing two articulators close together. These may be the lower lip against the upper teeth, in the case of ; the back of the tongue against the soft palate in the case of German (the final consonant of '' Bach''); or the side of the tongue against the molars, in the case of Welsh (appearing twice in the name '' Llanelli''). This turbulent airflow is called frication. A particular subset of fricatives are the sibilants. When forming a sibilant, one still is forcing air through a narrow channel, but in addition, the tongue is curled lengthwise to direct the air over the edge of the teeth. English , , , and are examples of sibilants. The usage of two other terms is less standardized: "Spirant" is an older term for fricatives used by some American and European phoneticians and phonologists for non-sibilant fricatives. "Strident" could mean just "sibilant", but some authors include also lab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
