|
Kirmeeravadham
Kirmeeravadham (The Slaying of Kirmeera) is a Kathakali play (Aattakatha (performance), Aattakatha) written by Kottayam Thampuran (also known as Kottayathu Thampuran) in Malayalam. Based on the Mahabharatha, the story concerns itself with events in the course of the forest exile of the Pandava princes. The play has fourteen scenes. The four plays of Kottayam Thampuran, namely, Kirmeeravadham, Bakavadham, Kalyanasaugandhikam, and Kalakeyavadham, are considered very important in the Kathakali repertoire and are a combination of conventional structure (''chitta'') with intermittent possibilities for improvisation (''manodharma''). Brief Summary The five Pandava princes, along with their wife Draupadi, are in exile in the Kamyaka forest. In the first scene of the play, Draupadi and the eldest Pandava prince Dharmaputra(also known as Yudhishthira) are in distress owing to the heat and dust in the forest. They discuss the question of feeding the Brahmins who have accompanied them on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aattakatha (performance)
Aattakatha is a literary genre in Malayalam language consisting of the libretto used for the Indian classical dance drama '' kathakali''. The word ''aatta-katha'' literally means "story for dancing and acting" (''atu'' "to sway" + ''kathā'' "story"). The narrative framework of ''aattakatha'' consists quatrains in Sanskrit metres where the diction also is heavily Sanskritised; the dialogue part, however, is made up of ''padas'', which can be set to ''raga'' (tune) and ''tala'' (rhythm) and have to be rendered by means of gestures and body movements by the actors while being sung by musicians from behind. The origins of ''aattakatha'' literature dates back to the 12th century and it emerged as a literary genre in the 17th century. The earliest of the ''aattakatha''s is believed to be a cycle of eight ''Ramayana'' stories (collectively known as '' Ramanattam''), composed by Kottarakkara Tampuran and about whose date there is an ongoing controversy. Next in importance are the w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalyanasaugandhikam
{{Use Indian English, date=December 2019 Kalyanasaugandhikam is a Kathakali play ( ''aattakatha'') attributed to Kottayathu Thampuran. Based on the Mahabharatha, the play narrates an episode from the life of the Pandava princes in exile. Bheema sets out to the forest, searching for the '' kalyāṇasaugandhikam'' flower to please Panchali (Draupadi), and finds his spirit-brother Hanuman in the forest while doing so. Together with Thampuran's Kirmeeravadham Kirmeeravadham (The Slaying of Kirmeera) is a Kathakali play (Aattakatha (performance), Aattakatha) written by Kottayam Thampuran (also known as Kottayathu Thampuran) in Malayalam. Based on the Mahabharatha, the story concerns itself with events ..., Bakavadham and Kalakeyavadham, this play is considered a hallmark in Kathakali repertoire; it is remarked for its fusion of conventional structure (''ciṭṭa'') and the possibility for improvisation (''manōdharma''). References Kathakali Indian plays Malayalam-language ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalakeyavadham
Kalakeyavadham (The Slaying of Kalakeya) is a Kathakali play ( Aattakatha) written by Kottayam Thampuran (also known as Kottayathu Thampuran) in Malayalam.Based on the Mahabharatha, the play describes the events surrounding the Pandava prince Arjuna's visit to his father Indra's abode, paradise. The role of Arjuna is considered a challenge for any Kathakali actor. The four plays of Kottayam Thampuran, namely, Kirmeeravadham, Bakavadham, Kalyanasaugandhikam {{Use Indian English, date=December 2019 Kalyanasaugandhikam is a Kathakali play ( ''aattakatha'') attributed to Kottayathu Thampuran. Based on the Mahabharatha, the play narrates an episode from the life of the Pandava princes in exile. Bheema se ... and Kalakeyavadham, are considered very important in the Kathakali repertoire and are a combination of conventional structure ('chitta') with intermittent possibilities for improvisation ('manodharma'). References {{reflist Kathakali Indian plays Malayalam-language literatur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathakali
''Kathakali'' (International Alphabet of Sanskrit Transliteration, IAST: Kathakaḷi ) is a traditional form of Indian Classical Dance, and one of the most complex forms of Theatre of India, Indian theatre. It is a play of verses. These verses are called Kathakali literature or ''Aattakatha (performance), Attakatha''. Mostly played in the courts of kings and temple festivals. Hence it is known as suvarna art forms. This performance uses the ''navarasas'' from the Natya Shastra text, authored by sage Bharata. Makeup and costumes are unique and large. It represents one of Kerala's traditional theater artforms. It is native to the Malayalam-speaking state of Kerala and is almost entirely practiced by Malayali people. Kathakali is closely related to a more ancient theater artform of Kerala called ''Kutiyattam'' which is the only surviving specimen of the ancient Sanskrit theatre, thought to have originated around the beginning of the common era, and is officially recognized by UN ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaurava
''Kaurava'' is a Sanskrit term which refers to descendants of Kuru, a legendary king of India who is the ancestor of many of the characters of the epic ''Mahabharata''. Usually, the term is used for the 100 sons of King Dhritarashtra and his wife Gandhari. Duryodhana, Dushasana, Vikarna and Chitrasena are the most popular among the brothers. They also had a sister named Dussala and a half-brother named Yuyutsu. Etymology The term ''Kauravas'' is used in the ''Mahabharata'' with two meanings , *The wider meaning is used to represent all the descendants of Kuru. This meaning, which includes the Pandava brothers, is often used in the earlier parts of popular renditions of the ''Mahabharata''. *The narrower but more common meaning is used to represent the elder line of the descendants of Kuru. This restricts it to the children of King Dhritarashtra, excluding the children of his younger brother, Pandu, whose children form the Pandava line. The rest of this article deals ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hidimba
Hidimba (, ) was a powerful demon king who is mentioned in the epic Mahābhārata. He was killed by Bhima and this is recounted in the 9th sub-parva (Hidimba-vadha Parva) of the Adi Parva. Death The demon Hidimba lived in a forest along with his sister Hidimbi. While travelling, the Pandavas stopped in that forest to rest while Bhima stood on guard. Hidimba ate human flesh and became eager to devour them. He sent Hidimbi to kill the Pandavas and to bring them back to him. Hidimbi went on his instructions, but her mind changed on seeing Bhima. She assumed the form of a beautiful woman and told about her brother to Bhima. She proposed him to become her husband. Hidimba got furious at his sister and rushed towards her to kill her. Bhima interjected Hidimba and challenged him to fight him instead. The sleeping Pandavas woke up on hearing the sounds of them fighting and offered to help Bhima in killing Hidimba but Bhima asked them to watch the duel as spectators. Arjuna reminded B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bakasura
Bakasura (, ), also rendered Baka, is a rakshasa featured in the Hindu epic Mahabharata. The rakshasa lives in a forest which nowadays known as "Gangani" located near Garhbeta town of the Indian state of West Bengal. In exchange for protecting the kingdom from invaders, he terrorises its citizens, eating them at will. The weak king is rendered helpless. The people come to an arrangement with their tormentor: They would send him large provisions of food every week, which he would consume, along with the cart-driver who delivered them. In order to save the life of their Brahmin host when it is his turn to deliver the cartload, Bhima is eventually sent out to kill Bakasura, under the direction of his mother, Kunti. The slaying of Bakasura by Bhima is commemorated on the occasion of Bhimana Amavasya. History Pandavas The Pandavas (Sanskrit: पाण्डव, aɳɖɐʋᵊ IAST: Pāṇḍava) is a group name referring to the five legendary brothers, Yudhishtira, Bhi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirmira
Kirmira (, ) is a Rakshasa featured in the Mahabharata. He is the younger brother of the Bakāsura and a friend of Hiḍimbā. He lived in the Kāmyaka Forest and hunted men at night for his food. He opposed the Pandavas entering the forest and threatened to eat Bhima, by whom he was slain in combat. Encounter with the Pandavas One night during their travels, the exiled Pandavas reached the deserted forest where Kirmira lived. The hour had passed midnight, so Kirmira had come out. With his prominent teeth and blazing hair, he took on an appearance akin to thunderclouds. He started "to spread the illusion proper to his species." He obstructed the Pandavas and frightened Draupadi, who was escorted and supported by the five Pandavas. After his illusion was destroyed by the priest Dhaumya, Yudhishthira, as the eldest Pandava, spoke with Kirmira. Thus Kirmira learned that before him stood the Pandavas, including Bhima. Kirmira swore that he would have revenge against Bhima, who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhima
Bhima (, ), also known as Bhimasena (, ), is a hero and one of the most prominent characters in the Hindu epic ''Mahabharata''. As the second of the five Pandava brothers, Bhima was born to Kunti—the wife of King Pandu—fathered by Vayu, the wind god, which bestowed upon him superhuman strength from birth. His rivalry with the Kauravas, especially Duryodhana, defined much of his life, with this tension ultimately erupting in the Kurukshetra War, where Bhima killed all hundred Kaurava brothers. Bhima's life was filled with extraordinary episodes that showcased his strength and bravery. From childhood, where he was poisoned, to his victories over formidable foes like Bakasura, Hidimba, and Jarasandha, Bhima's adventures are integral to the ''Mahabharata''’s storyline. His raw, earthy nature is reflected in the brutal slaying of his enemies, his immense appetite and his marriage with Hidimbi, a rakshasi (a demoness), who bore him a son, Ghatotkacha, a powerful warrior who woul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sahadeva
Sahadeva () was the youngest of the five Pandava brothers in the ancient Indian epic, the '' Mahabharata''. He and his twin brother Nakula were the sons of Madri, one of the wives of the Pandava patriarch Pandu, and Ashvini Kumaras, the divine twin physicians of the gods, whom she invoked to beget her sons due to Pandu's inability to progenate. Sahadeva is renowned for his wisdom, knowledge of astrology, and skill in swordsmanship. Sahadeva was married to Draupadi, as were his four brothers. He was also married to Vijaya of Madra kingdom. He had two sons, Shrutasena and Suhotra, from his two wives respectively. Sahadeva played a crucial role during the Rajasuya of Yudhishthira, where he conquered the kings of the South. After Yudhishthira lost all of his possessions to Duryodhana in the game of dice, Sahadeva vowed to slay Shakuni, Duryodhana's maternal uncle, who had used loaded dice to unfairly win the game. Afterwards, the Pandavas and Draupadi were exiled for thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Durga
Durga (, ) is a major Hindu goddess, worshipped as a principal aspect of the mother goddess Mahadevi. She is associated with protection, strength, motherhood, destruction, and wars. Durga's legend centres around combating evils and demonic forces that threaten peace, prosperity, and dharma, representing the power of good over evil. Durga is believed to unleash her divine wrath against the wicked for the liberation of the oppressed, and entails destruction to empower creation. Durga is seen as a motherly figure and often depicted as a beautiful woman, riding a lion or tiger, with many arms each carrying a weapon and often defeating demons. She is widely worshipped by the followers of the goddess-centric sect, Shaktism, and has importance in other denominations like Shaivism and Vaishnavism. The most important texts of Shaktism, Devi Mahatmya and Devi Bhagavata Purana, revere Devi (the Goddess) as the primordial creator of the universe and the Brahman (ultimate truth and reali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arjuna
Arjuna (, , Help:IPA/Sanskrit, [ɐɾd͡ʒun̪ə]) is one of the central characters of the ancient Hindu epic ''Mahabharata''. He is the third of the five Pandava brothers, and is widely regarded as the most important and renowned among them. He is the son of Indra, the king of the Deva (Hinduism), gods, and Kunti, wife of King Pandu of Kuru kingdom, Kuru dynasty—making him a Demigod, divine-born hero. Arjuna is famed for his extraordinary prowess in archery and mastery over Astra (weapon), celestial weapons. Throughout the epic, Arjuna sustains a close friendship with his maternal cousin, Krishna, who serves as his spiritual guide. Arjuna is celebrated for numerous heroic exploits throughout the epic. From childhood, he emerges as an excellent pupil, studying under the warrior-sage Drona. In his youth, Arjuna wins the hand of Draupadi, the princess of the Pañcāla, Panchalas, by excelling in a formidable archery competition. Soon after, he goes on a journey during a period ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
