|
Kildevæld Quarter
The Composers' Quarter (Danish: Komponistkvarteret or Komponistbyen) or Strandvej Quarter (Danish: Strandvejskvarteret), confusingly also known as the Kildevæld Quarter, or the Svanemølle Quarter (Danish: Svanemøllekvarteret), is an enclave of terraced houses located just west of Svanemøllen Station, between Østerbrogade and Kildevækd Park, in the Østerbro district of Copenhagen, Denmark. Most of the streets in the area are named after Danish or Nordic composers. The 393 townhouses were built by the Arbejdernes Byggeforening, Workers' Building Society (Danish: Arbejdernes Byggeforening) to provide affordable and healthy housing for working-class families, though latterly they have become very desirable middle-class homes. History The name Kildevæld Quarter refers to Kildevækrd, a country house and inn which had been located at the site since the eighteenth century. The house was located at the corner of Kildevækrdsgade and Østerbrogade. The site was acquired by Ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andreas Peter Berggreen
Andreas Peter Berggreen (March 2, 1801 – November 8, 1880) was a Danish composer, organist, and pedagogue. Berggreen was born and died in Copenhagen. As a child Peter began composing songs and melodies for the flute. He initially studied law before pursuing a career in music, studying under Christopher Ernst Friedrich Weyse. In addition to Weyse, Berggreen was also heavily influenced by the German musician Johann Abraham Peter Schulz. Berggreen was the organist at Trinitatis Church in Copenhagen from 1838 and taught singing at Metropolitanskolen from 1843. In 1859 he was appointed a song inspector by the Danish government. Apart from several pieces of incidental music, a cantata, solo piano works, and songs, he published the folk song collections ''Melodier til Salmebog'' (1853) and ''Folk Sange og Melodier'' (1842–71). The latter comprises eleven large volumes, and includes folk song Folk music is a music genre that includes #Traditional folk music, traditional fol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Sibelius
Jean Sibelius (; ; born Johan Julius Christian Sibelius; 8 December 186520 September 1957) was a Finnish composer of the late Romantic music, Romantic and 20th-century classical music, early modern periods. He is widely regarded as his country's greatest composer, and his music is often credited with having helped Finland develop a stronger national identity when the country was struggling from several Russification of Finland, attempts at Russification in the late 19th century. The core of his oeuvre is his Discography of Sibelius symphony cycles, set of seven symphonies, which, like his other major works, are regularly performed and recorded in Finland and countries around the world. His other best-known compositions are ''Finlandia'', the ''Karelia Suite'', ''Valse triste (Sibelius), Valse triste'', the Violin Concerto (Sibelius), Violin Concerto, the choral symphony ''Kullervo (Sibelius), Kullervo'', and ''The Swan of Tuonela'' (from the ''Lemminkäinen Suite''). His othe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edvard Grieg
Edvard Hagerup Grieg ( , ; 15 June 18434 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic music, Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use of Music of Norway, Norwegian folk music in his own compositions brought the music of Norway to fame, as well as helping to develop a Norwegian romantic nationalism, national identity, much as Jean Sibelius did in Finland and Bedřich Smetana in Bohemia. Grieg is the most celebrated person from the city of Bergen, with numerous statues that depict his image and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, Troldhaugen, is dedicated to his legacy. Background Edvard Hagerup Grieg was born in Bergen, Norway. His parents were Alexander Grieg (1806 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Michael Bellman
Carl Michael Bellman (; 4 February 1740 – 11 February 1795) was a Swedish songwriter, composer, musician, poet, and entertainer. He is a central figure in the Swedish song tradition and remains a powerful influence in Swedish music, as well as in Scandinavian literature, to this day. He has been compared to Shakespeare, Beethoven, Mozart, and Hogarth, but his gift, using elegantly rococo classical references in comic contrast to sordid drinking and prostitution—at once regretted and celebrated in song—is unique. Bellman is best known for two collections of poems set to music, '' Fredman's epistles'' (''Fredmans epistlar'') and '' Fredman's songs'' (''Fredmans sånger''). Each consists of about 70 songs. The general theme is drinking, but the songs "most ingeniously" combine words and music to express feelings and moods ranging from humorous to elegiac, romantic to satirical. Bellman's patrons included King Gustav III of Sweden, who called him a master improviser. Bell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Ernst Friedrich Weyse
Christoph(er) Ernst Friedrich Weyse (5 March 1774 – 8 October 1842) was a Danish composer during the Danish Golden Age. Biography Weyse was born at Altona in Holstein, which was in a personal union with Denmark. He gained much interest in music in his hometown and Hamburg, where C. P. E. Bach was the municipal director of music. At age fifteen (1789), Weyse was sent to live with his uncle in Copenhagen to be educated, and lived there for the rest of his life. While in Copenhagen, he studied music with Johann Abraham Peter Schulz. Schulz helped Weyse get an unpaid internship at the Reformed Church in Copenhagen. In 1794, he was appointed organist at the same church following the former organist's death. He later served in the same post at the Vor Frue Kirke after 1805. In 1819, he was appointed court composer. He died in Copenhagen. Works He was best known for his vocal works, which included numerous singspiele, Christmas carols, a setting of the Te Deum and of the Mis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Christian Lumbye
Hans Christian Lumbye (; 2 May 1810 – 20 March 1874) was a Danish composer of waltzes, polkas, mazurkas and galops, among other things. Beginnings As a child, he studied music in Randers and Odense, and by age 14 he was playing the trumpet in a military band. In 1829, he joined the Horse Guards in Copenhagen, still continuing his music education. In 1839, he heard a Viennese orchestra play music by Johann Strauss I Johann Baptist Strauss I (; ; 14 March 1804 – 25 September 1849), also known as Johann Strauss Sr., the Elder or the Father (), was an Austrian composer of the Romantic music, Romantic Period. He was famous for his light music, namely waltzes, ..., after which he composed in the style of Strauss, eventually earning the nickname "The Strauss of the North". Career From 1843 to 1872, he served as the music director and in-house composer for Tivoli Gardens, Copenhagen. Such was his popularity in the Danish capital that many Danes revered him and considered Jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Laub
Thomas Linnemann Laub (5 December 1852 – 4 February 1927) was a Denmark, Danish organist and composer. He was associated with the 20th century revival of religious music in the country. Biography Thomas Laub was born on 5 December 1852. While he originally studied theology, he attended the Copenhagen Conservatory from 1873 to 1876 and was taught by music theorist Johann Christian Gebauer. He was an organist at Helligåndskirke in Copenhagen between 1884 and 1891, and became organist at Holmens Kirke in 1891. Laub would remain its organist for several decades. During his tenure, Laub set out to reform the Lutheran Church of Denmark's hymn repertoire. He was opposed to the romanticized Danish hymns of the day and viewed medieval and Reformation singing as more proper. In particular, he viewed Gregorian chant as melodically superior, and chorales as the ideal form of devotional music. As part of these reform efforts, Laub rewrote several Danish-language hymns and sequences ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Kuhlau
Friedrich Daniel Rudolf Kuhlau (German; Danish sometimes ''Frederick Kulav'') (11 September 1786 – 12 March 1832) was a Danish pianist and composer during the late Classical and early Romantic periods. He was a central figure of the Danish Golden Age and is immortalized in Danish cultural history through his music for '' Elves' Hill'', the first true work of Danish National Romanticism and a concealed tribute to the absolute monarchy. During his lifetime, Kuhlau was known primarily as a concert pianist and composer of Danish opera, but was responsible for introducing many of Beethoven's works, which he greatly admired, to Copenhagen audiences. Kuhlau was a prolific composer, as evidenced by the fact that although his house burned down, destroying all of his unpublished manuscripts, he still left a legacy of more than 200 published works in most genres. Early life and education Kuhlau was born on 11 September 1786 just south of Lüneburg in the Uelzen district of Lower Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emil Horneman
Johan Ole Emil Horneman (May 13, 1809 – May 29, 1870) was a Danish composer. He was born in Copenhagen, a son of miniature painter Christian Horneman. Despite his talent for drawing, Christian encouraged him to study music. He was taught by his father and later by Danish pianist and composer Friedrich Kuhlau. In 1837, he was appointed piano teacher at the Royal Academy of Music. In 1842, he published '12 Caprices for Pianoforte' (Op. 1), which was praised by Robert Schumann. Most of his music is piano pieces or songs. Emil's son C.F.E. Horneman also became a composer. He became a good friend to Edvard Grieg while both were students at Leipzig Conservatory. See also *List of Danish composers The following is a list of notable Denmark, Danish composers: __NOTOC__ #A, A #B, B #C, C #D, D #E, E #F, F #G, G #H, H #I, I #J, J #K, K #L, L #M, M #N, N #O, O #P, P #Q, Q #R, R #S, S #T, T #U, U #V, V #W, W #X, X #Y, Y #Z, Z A *Thorvald Aagaa ... References 1809 bir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Arnold Heise
Peter Heise (11 February 1830 – 12 September 1879) was a Danish composer, best known for the opera '' Drot og Marsk'' (''King and Marshal''). Heise's parents tried to press him into becoming a lawyer, but he scored highly in music at school, so he changed direction. He began writing songs at the age of 19. As a young man he collected several hundred folk songs directly from ordinary people. He used these tunes in ''Tornerose'' (Sleeping Beauty) and ''Bergliot'' (A Danish historical romance). He studied under Niels Wilhelm Gade, who was a major influence on his style. From 1857 to 1865 he was a teacher and organist at Sorø Academy. He did a setting of Hans Christian Andersen's poem ''Jylland mellem tvende Have'' (Jutland between two seas) in 1860. The opera '' Drot og Marsk'' tells the story of the murder of a medieval king, and contains some folk ballads. It shows a Wagnerian influence. His setting of the Shakespeare song ''When I was and a little tiny boy'' and ''Five E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niels Gade
Niels Wilhelm Gade (22 February 1817 – 21 December 1890) was a Danish composer, conductor, violinist, organist and teacher. Together with Johan Peter Emilius Hartmann, he was the leading Danish musician of his day, in the period known as the Danish Golden Age. Biography Gade was born in Copenhagen, the son of a joiner and instrument maker. He was intended for his father's trade, but his passion for a musician's career, made evident by the ease and skill with which he learned to play upon a number of instruments, was not to be denied. Though he became proficient on the violin under Frederik Wexschall, and in the elements of theory under Christoph Weyse and Weyse's pupil Andreas Berggreen, he was to a great extent self-taught. He began his professional career as a violinist with the Royal Danish Orchestra, which premiered his concert overture ''Efterklange af Ossian'' ("Echoes of Ossian") in 1841. When the performance of his first symphony had to be delayed in Copenh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
