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Khovanshchina
''Khovanshchina'' ( rus, Хованщина, , xɐˈvanʲɕːɪnə, Ru-Khovanshchina_version.ogg, sometimes rendered ''The Khovansky Affair'') is an opera (subtitled a 'national music drama') in five acts by Modest Mussorgsky. The work was written between 1872 and 1880 in St. Petersburg, Russia. The composer wrote the libretto based on historical sources. The opera was almost finished in piano score when the composer died in 1881, but the orchestration was almost entirely lacking. Like Mussorgsky's earlier '' Boris Godunov'', ''Khovanshchina'' deals with an episode in Russian history, first brought to the composer's attention by his friend the critic Vladimir Stasov. It concerns the rebellion of Prince Ivan Khovansky, the Old Believers, and the Muscovite Streltsy against the regent Sofia Alekseyevna and the two young Tsars Peter the Great and Ivan V, who were attempting to institute Westernizing reforms in Russia. Khovansky had helped to foment the Moscow Uprising of 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khovanshchina (film)
''Khovanshchina'' (russian: Хованщина) is a 1959 Soviet film, released the following year, directed by Vera Stroyeva and based on the eponymous opera by 19th-century Russian composer Modest Mussorgsky. For his adaptation of Mussorgsky's score, Dmitri Shostakovich was nominated for an Academy Award for Best Scoring of a Musical Picture. The music was conducted by Yevgeny Svetlanov. Cast * Aleksei Krivchenya as Prince Ivan Khovansky, head of the Streltsy * Anton Grigoriev as Prince Andrei Khovansky, son of Ivan Khovansky * Yevgeny Kibkalo as Boyar Fyodor Shaklovity * Mark Reizen as Dosifey, leader of the Old Believers * Kira Leonova as Marfa, an Old Believer * Vladimir Petrov as Prince Vasily Golitsin * Aleksei Maslennikov as Kuzka, a young strelets * Maya Plisetskaya Maya Mikhailovna Plisetskaya (russian: link=no, Майя Михайловна Плисецкая; 20 November 1925 – 2 May 2015) was a Soviet and Russian ballet dancer, choreographer, ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modest Mussorgsky
Modest Petrovich Mussorgsky ( rus, link=no, Модест Петрович Мусоргский, Modest Petrovich Musorgsky , mɐˈdɛst pʲɪˈtrovʲɪtɕ ˈmusərkskʲɪj, Ru-Modest Petrovich Mussorgsky version.ogg; – ) was a Russian composer, one of the group known as " The Five". He was an innovator of Russian music in the Romantic period. He strove to achieve a uniquely Russian musical identity, often in deliberate defiance of the established conventions of Western music. Many of his works were inspired by Russian history, Russian folklore, and other national themes. Such works include the opera '' Boris Godunov'', the orchestral tone poem '' Night on Bald Mountain'' and the piano suite '' Pictures at an Exhibition''. For many years, Mussorgsky's works were mainly known in versions revised or completed by other composers. Many of his most important compositions have posthumously come into their own in their original forms, and some of the original scores are now also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boris Godunov (opera)
''Boris Godunov'' ( rus, Борис Годунов, links=no, Borís Godunóv ) is an opera by Modest Mussorgsky (1839–1881). The work was composed between 1868 and 1873 in Saint Petersburg, Russia. It is Mussorgsky's only completed opera and is considered his masterpiece. Its subjects are the Russian ruler Boris Godunov, who reigned as Tsar (1598 to 1605) during the Time of Troubles, and his nemesis, the False Dmitriy (reigned 1605 to 1606). The Russian-language libretto was written by the composer, and is based on the 1825 drama ''Boris Godunov'' by Aleksandr Pushkin, and, in the Revised Version of 1872, on Nikolay Karamzin's ''History of the Russian State''. Among major operas, ''Boris Godunov'' shares with Giuseppe Verdi's '' Don Carlos'' (1867) the distinction of having an extremely complex creative history, as well as a great wealth of alternative material. The composer created two versions—the Original Version of 1869, which was rejected for production by the Imper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dmitri Shostakovich
Dmitri Dmitriyevich Shostakovich, , group=n (9 August 1975) was a Soviet-era Russian composer and pianist who became internationally known after the premiere of his First Symphony in 1926 and was regarded throughout his life as a major composer. Shostakovich achieved early fame in the Soviet Union, but had a complex relationship with its government. His 1934 opera '' Lady Macbeth of Mtsensk'' was initially a success, but eventually was condemned by the Soviet government, putting his career at risk. In 1948 his work was denounced under the Zhdanov Doctrine, with professional consequences lasting several years. Even after his censure was rescinded in 1956, performances of his music were occasionally subject to state interventions, as with his Thirteenth Symphony (1962). Shostakovich was a member of the Supreme Soviet of the RSFSR (1947) and the Supreme Soviet of the Soviet Union (from 1962 until his death), as well as chairman of the RSFSR Union of Composers (1960–19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moscow Uprising Of 1682
The Moscow uprising of 1682, also known as the Streltsy uprising of 1682 (russian: Стрелецкий бунт), was an uprising of the Moscow Streltsy regiments that resulted in supreme power devolving on Sophia Alekseyevna (the daughter of the late Tsar Aleksey Mikhailovich and of his first wife Maria Miloslavskaya). Behind the uprising lurked the rivalry between the Miloslavsky and Naryshkin relatives of the two wives of the late Tsar Aleksey (died 1676) for dominant influence on the administration of the Tsardom of Russia. Course of events The death of Tsar Feodor III of Russia on 27 April (7 May N.S.) 1682 triggered the uprising. The Naryshkin brothers of Tsarina Natalia Naryshkina availed themselves of the interregnum and persuaded the Patriarch to proclaim her ten-year-old son Peter as the new Tsar of Russia. In their turn, the Miloslavsky party, which comprised the relatives of the late Tsarina Maria Miloslavskaya, spread rumours that the Naryshkins had strangl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivan Andreyevich Khovansky (Tararui)
Prince Ivan Andreyevich Khovansky (russian: Ива́н Андре́евич Хова́нский) was a Russian boyar who led the Streltsy during the Moscow Uprising of 1682, alternatively known as the Khovanshchina. His life was dramatized by Modest Mussorgsky in the opera called after the name of the uprising. Khovansky's moniker, Tararui, derives from the old Russian word for "chatterbox". Khovansky came from the Lithuanian Gediminid dynasty, whose ancestors moved from Podolia to Moscow in 1408. He started his employment under Mikhail I as a stolnik. In 1650 he was sent to Tula to counter the raids of Crimean Tatars. In 1651–1654 he was governor in Vyazma, and in 1656 he was governor of Mogilev. During the Russian-Polish-Swedish war he served as a voivod. In 1657 he blitzed a number of Swedes under Gdov. He was promoted to boyar on March 27, 1659. In January 1660 he attacked Brest and set it on fire. During the Copper Riot in Moscow on 25 July 1662 he dealt with i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Private Opera
The Private Opera (russian: Частная Опера), also known as: *The Russian Private Opera (); *Moscow Private Russian Opera, (); *Mamontov's Private Russian Opera in Moscow (); *Korotkov's Theatre (, 1885-1888); *Vinter's Theatre (, 1896-1899); *Private Opera Society (, 1899-1904); and *Solodovnikov Theatre (, from 1895; later used by Zimin opera, Moscow Operetta, and Helikon Opera) was a private operatic enterprise, a company established in 1885 by Russian industrialist and philanthropist Savva Mamontov, who staged the operas, conducted the orchestra, trained the actors, taught them singing and paid all the expenses. The company At first the company was organised in Abramtsevo Estate located north of Moscow. The company was joined by Feodor Chaliapin in the autumn of 1896 and by Sergei Rachmaninov in the autumn of 1897 who took up the post of assistant conductor. Later years In Moscow the opera was located in the house at the Bolshaya Dmitrovskaya street, k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sofia Alekseyevna Of Russia
Sophia Alekseyevna ( rus, Со́фья Алексе́евна, p=ˈsofʲjə ɐlʲɪˈksʲejɪvnə; ) was a Russian princess who ruled as regent of Russia from 1682 to 1689. She allied herself with a singularly capable courtier and politician, Prince Vasily Golitsyn, to install herself during the minority of her brother Ivan V and half-brother Peter I. She carried out her regency with a firm hand. The activity of this "bogatyr-tsarevna" (as Sergey Solovyov called her) was all the more extraordinary, as upper-class Muscovite women, confined to the upper-floor ''terem'' and veiled and guarded in public, invariably were kept aloof from any open involvement in politics. Early life Sophia was the third surviving daughter of Tsar Alexis by his first wife, Maria Miloslavskaya. She was the only one of her sisters educated by Simeon Polotsky, who also taught Tsar Alexis' heirs Tsarevich Alexei and Tsarevich Feodor. After the death of her brother Tsar Feodor III on 27 April 1682, Soph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feodor Chaliapin
Feodor Ivanovich Chaliapin ( rus, Фёдор Ива́нович Шаля́пин, Fyodor Ivanovich Shalyapin, ˈfʲɵdər ɪˈvanəvʲɪtɕ ʂɐˈlʲapʲɪn}; April 12, 1938) was a Russian opera singer. Possessing a deep and expressive bass voice, he enjoyed an important international career at major opera houses and is often credited with establishing the tradition of naturalistic acting in his chosen art form. During the first phase of his career, Chaliapin endured direct competition from three other great basses: the powerful (1869–1942), the more lyrical (1871–1948), and Dmitri Buchtoyarov (1866–1918), whose voice was intermediate between those of Sibiriakov and Kastorsky. The fact that Chaliapin is far and away the best remembered of this magnificent quartet of rival basses is a testament to the power of his personality, the acuteness of his musical interpretations, and the vividness of his performances. Spelling note He himself spelled his surname, French-style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, ''Boléro'' (1928), in which repetition takes the place of development. Renowned for his abilities in orchestration, Ravel made some orchestral arrangements of other compose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
