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Kazimir Malevich
Kazimir Severinovich Malevich (Запись о рождении в метрической книге римско-католического костёла св. Александра в Киеве, 1879 год // ЦГИАК Украины, ф. 1268, оп. 1, д. 26, л. 13об—14. – 15 May 1935) was a Russian avant-garde artist and art theorist, whose pioneering work and writing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Empire
The Russian Empire was an empire that spanned most of northern Eurasia from its establishment in November 1721 until the proclamation of the Russian Republic in September 1917. At its height in the late 19th century, it covered about , roughly one-sixth of the world's landmass, making it the list of largest empires, third-largest empire in history, behind only the British Empire, British and Mongol Empire, Mongol empires. It also Russian colonization of North America, colonized Alaska between 1799 and 1867. The empire's 1897 census, the only one it conducted, found a population of 125.6 million with considerable ethnic, linguistic, religious, and socioeconomic diversity. From the 10th to 17th centuries, the Russians had been ruled by a noble class known as the boyars, above whom was the tsar, an absolute monarch. The groundwork of the Russian Empire was laid by Ivan III (), who greatly expanded his domain, established a centralized Russian national state, and secured inde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UNOVIS
UNOVIS (, also known as MOLPOSNOVIS and POSNOVIS) was a short-lived but influential group of artists, founded and led by Russian painter Kazimir Malevich at the Vitebsk Art School in 1919. Initially formed by students and known as MOLPOSNOVIS, the group formed to explore and develop new theories and concepts in art. Under the leadership of Malevich they renamed to UNOVIS, chiefly focusing on his ideas on Suprematism and producing a number of projects and publications whose influence on the avant-garde in Russia and abroad was immediate and far-reaching.Essay: ''Black Square: In the Circle of Malevich and UNOVIS Group'' The group disbanded in 1922. The name UNOVIS is an |
Victor Palmov
Victor Nikandrovich Palmov (; 10 October 1888 – 7 June 1929) was a Russian and Ukrainian painter and avant-garde artist (Futurist and Neo-primitivist) from the David Burliuk circle. Life Victor Palmov was born on 10 October 1888 in Samara, in Samara Governorate of the Russian Empire. From 1911–1914, he studied at the Moscow School of Painting, Sculpture and Architecture. From= 1920–1921, he travelled to Japan with David Burliuk. In 1923–1924 Palmov was associated with the Moscow magazine '' Left Front of the Arts'' (LEF) — organ of the Constructivists and Formalists. Palmov was the founder of the ''Cvetopisy'' or ''Tsv'etopisi'' (Colour paintings). In 1925 he became the member of the ''Association of the Revolutionary Art of the Ukraine'' (ARMU) together with David Burliuk, Vadym Meller, Vasiliy Yermilov, Alexander Bogomazov and Alexander Khvostenko-Khvostov. In 1927 he was the co-founder of the ''Contemporary Ukrainian Artists Union'' (OSMU) together with Alexand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Bogomazov
Alexander Konstantinovich Bogomazov () or Oleksandr Kostiantynovych Bohomazov (; March 26, 1880 – June 3, 1930) was a Ukrainians, Ukrainian Painting, painter, cubo-futurist, modern art theory, theoretician and is recognised as one of the key figures of the Ukrainian avant-garde scene. In 1914, Oleksandr wrote his treatise ''The Art of Painting and the Elements''. In it he analyzed the interaction between Object, Artist, Picture, and Spectator and sets the theoretical foundation of modern art. During his artistic life Oleksandr Bohomazov mastered several art styles. The most known are Cubo-Futurism (1913–1917) and Spectralism (1920–1930). Early life Oleksandr Bohomazov was born in Yampil, Sumy Oblast, Yampil, Kharkiv Region (now Sumy Oblast, Ukraine) as a second child to Kostiantyn & Anisia Bohomazov's. The artist's father was an accountant, who worked at the local sugar factory and later rose to the status of a merchant. The boy hardly knew his mother – she left the fami ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trotskyite
Trotskyism (, ) is the political ideology and branch of Marxism developed by Russian revolutionary and intellectual Leon Trotsky along with some other members of the Left Opposition and the Fourth International. Trotsky described himself as an orthodox Marxist, a revolutionary Marxist, and a Bolshevik–Leninist as well as a follower of Karl Marx, Frederick Engels, Vladimir Lenin, Karl Liebknecht, and Rosa Luxemburg. His relations with Lenin have been a source of intense historical debate. However, on balance, scholarly opinion among a range of prominent historians and political scientists such as E.H. Carr, Isaac Deutscher, Moshe Lewin, Ronald Suny, Richard B. Day and W. Bruce Lincoln was that Lenin’s desired “heir” would have been a collective responsibility in which Trotsky was placed in "an important role and within which Stalin would be dramatically demoted (if not removed)". Trotsky advocated for a decentralized form of economic planning, worker's control of p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constructivism (art)
Constructivism is an early twentieth-century art movement founded in 1915 by Vladimir Tatlin and Alexander Rodchenko. Abstract and austere, constructivist art aimed to reflect modern industrial society and urban space. The movement rejected decorative stylization in favour of the industrial assemblage of materials. Constructivists were in favour of art for propaganda and social purposes, and were associated with Soviet socialism, the Bolsheviks and the Russian avant-garde. Constructivist architecture and art had a great effect on modern art movements of the 20th century, influencing major trends such as the Bauhaus and De Stijl movements. Its influence was widespread, with major effects upon architecture, sculpture, graphic design, industrial design, theatre, film, dance, fashion and, to some extent, music. Beginnings Constructivism was a post-World War I development of Russian Futurism, and particularly of the 'counter reliefs' of Vladimir Tatlin, which had been exhibited in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Tatlin
Vladimir Yevgrafovich Tatlin (; ; – 31 May 1953) was a Russian and Soviet painter, architect, and stage-designer. Tatlin achieved fame as the architect who designed The Monument to the Third International, more commonly known as Tatlin's Tower, which he began in 1919. Honour, H. and Fleming, J. (2009) ''A World History of Art''. 7th edn. London: Laurence King Publishing, p. 819. With Kazimir Malevich he was one of the two most important figures in the Soviet avant-garde art movement of the 1920s, and he later became an important artist in the constructivist movement. Biography Vladimir Yevgrafovich Tatlin was born in Moscow or Kharkov, Russian Empire. His father, Yevgraf Nikoforovich Tatlin was a hereditary nobleman from Oryol, a mechanical engineer graduated from the Technological Institute in St.Petersburg and employed by the Moscow-Brest Railway in Moscow. His mother, Nadezhda Nikolaevna Tatlina (Bart) was a poet who sympathized with the Narodnaya Volya revolutionary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
October Revolution
The October Revolution, also known as the Great October Socialist Revolution (in Historiography in the Soviet Union, Soviet historiography), October coup, Bolshevik coup, or Bolshevik revolution, was the second of Russian Revolution, two revolutions in Russia in 1917. It was led by Vladimir Lenin's Bolsheviks as part of the broader Russian Revolution of 1917–1923. It began through an insurrection in Petrograd (now Saint Petersburg) on . It was the precipitating event of the Russian Civil War. The initial stage of the October Revolution, which involved the assault on Petrograd, occurred largely without any casualties. The October Revolution followed and capitalized on the February Revolution earlier that year, which had led to the abdication of Nicholas II and the creation of the Russian Provisional Government. The provisional government, led by Alexander Kerensky, had taken power after Grand Duke Michael Alexandrovich of Russia, Grand Duke Michael, the younger brother of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geometric Abstraction
Geometric abstraction is a form of abstract art based on the use of geometric forms sometimes, though not always, placed in non-illusionistic space and combined into non-objective (non-representational) compositions. Although the genre was popularized by avant-garde artists in the early twentieth century, similar motifs have been used in art since ancient times. History Geometric abstraction is present among many cultures throughout history both as decorative motifs and as art pieces themselves. Islamic art, in its prohibition of depicting religious figures, is a prime example of this geometric pattern-based art, which existed centuries before the movement in Europe and in many ways influenced this Western school. Aligned with and often used in the architecture of Islamic civilations spanning the 7th century-20th century, geometric patterns were used to visually connect spirituality with science and art, both of which were key to Islamic thought of the time. Scholarly analysis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cubism
Cubism is an early-20th-century avant-garde art movement which began in Paris. It revolutionized painting and the visual arts, and sparked artistic innovations in music, ballet, literature, and architecture. Cubist subjects are analyzed, broken up, and reassembled in an abstract form. Instead of depicting objects from a single perspective, the artist depicts the subject from multiple perspectives to represent the subject in a greater context. Cubism has been considered the most influential art movement of the 20th century. The term ''cubism'' is broadly associated with a variety of artworks produced in Paris (Montmartre and Montparnasse) or near Paris (Puteaux) during the 1910s and throughout the 1920s. The movement was pioneered in partnership by Pablo Picasso and Georges Braque, and joined by Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, Juan Gris, and Fernand Léger. One primary influence that led to Cubism was the representation of three-dimensional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fauvism
Fauvism ( ) is a style of painting and an art movement that emerged in France at the beginning of the 20th century. It was the style of (, ''the wild beasts''), a group of modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions. John Elderfield, The ''"Wild Beasts" Fauvism and Its Affinities,'' 1976, Museum of Modern Art, p.13, The leaders of the movement were André Derain and Henri Matisse. Artists and style Besides Matisse and Derain, other artists included Robert Deborne, Albert Marquet, Charles Camoin, Bela Czobel, Louis Valtat, Jean Puy, Maurice de Vlaminck, Henri Manguin, Raoul Dufy, Othon Friesz, Adolphe Wansart, Georges Rouault, Jean Metzinger, Kees van Dongen, Émilie Charmy and Georges Braque (subsequently ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symbolism (arts)
In works of art, literature, and narrative, a symbol is a concrete element like an object, character, image, situation, or action that suggests or hints at abstract, deeper, or non-literal meanings or ideas.Johnson, Greg; Arp, Thomas R. (2018). ''Perrine's Literature: Structure, Sound and Sense, Third Edition''. Cengage Learning. pp. 286-7: "A literary symbol is something that means more than what it suggests on the surface. It may be an object, a person, a situation, an action, or some other element that has a literal meaning in the story but that suggests or represents other meanings as well."Kennedy, X. J.; Gioia, Dana (2007). ''Literature: An Introduction to Fiction, Poetry, Drama, and Writing, Tenth Edition''. Pearson Longman. p. 292: " a symbol: in literature, a thing that suggests more than its literal meaning. Symbols generally do not 'stand for' any one meaning, nor for anything absolutely definite; they point, they hint, or, as Henry James put it, they cast long shadows ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
