Kaigetsudō Ando
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Kaigetsudō Ando
Kaigetsudō Ando (壊月堂安度, ), also known as Ando Yasunori, was a Japanese painter and the founder of the Kaigetsudō school of ukiyo-e art. Though influential and prolific, it is probable that many of the works attributed to him were painted by his disciples. He is a rarity among major ukiyo-e artists in that he made only paintings and never woodblock prints. Biography Ando lived in the Suwa-chō district of Asakusa in Edo (modern Tokyo) near Sensō-ji temple, and on a major road which led to the Yoshiwara north of the city. Principally active from 1700–1714, some scholars have surmised that his early training may have been in ''ema'', wooden votive tablets sold at Shinto shrines. A distinctive element of his style is the sense of emptiness around his figures, an element which fits well with the medium of the ''ema''; this theory is supported by the idea of his location on the main road, where a great number of pilgrims and travelers would have passed daily. Some sc ...
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Yoshida Hanbei
Yoshida Hanbei (吉田 半兵衛) was a late seventeenth-century Japanese illustrator in the ''ukiyo-e'' style, the leading illustrator in Kyoto and Osaka around 1664–1689. Unlike many more famous ukiyo-e artists, who worked primarily on individual woodblock prints and paintings, Hanbei worked primarily, if not exclusively, in illustrations for woodblock printed books. Alternatively known as Yoshida Sadakichi, his name is also sometimes romanized as Hambei. Hanbei was the first ukiyo-e book illustrator of Kansai, Kamigata to sign his works. One of the most prolific artists in early ukiyo-e, he produced work for at least ninety different books, amounting to over one thousand individual illustrations. His work appeared in a myriad of texts, including books of ''bunraku, jōruri'' puppet plays, Kabuki, novels, travel books, Buddhist subjects, musical texts, and courtesan critiques, among others. He is particularly famous for his illustrations of novels by Saikaku, and for his ' ...
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1670s Births
Year 167 ( CLXVII) was a common year starting on Wednesday of the Julian calendar. At the time, it was known as the Year of the Consulship of Aurelius and Quadratus (or, less frequently, year 920 ''Ab urbe condita''). The denomination 167 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Lucius Aurelius Verus Augustus and Marcus Ummidius Quadratus Annianus become Roman Consuls. * The Marcomanni tribe wages war against the Romans at Aquileia. They destroy aqueducts and irrigation conduits. Marcus Aurelius repels the invaders, ending the Pax Romana (Roman Peace) that has kept the Roman Empire free of conflict since the days of Emperor Augustus. * The Vandals ( Astingi and Lacringi) and the Sarmatian Iazyges invade Dacia. To counter them, Legio V ''Macedonica'', returning from the Parthian War, moves its headquarters from Troesmis in ...
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Richard Douglas Lane
Richard Douglas Lane (1926–2002) was an American art critic, collector, dealer, historian, and writer. He was dealer of Japanese art, lived in Japan for much of his life, and had a long association with the Honolulu Museum of Art in Hawaii, which now holds his vast art collection. Life and career Lane was born in Kissimmee, Florida. After graduating from high school in 1944, during World War II, he enlisted in the United States Marine Corps. In the Marines he trained as a Japanese translator, and served in Japan during the war. He later received a bachelor's degree from the University of Hawaii in Japanese and Chinese literature, and continued his studies at Columbia University, where he earned a master's degree and a PhD in 18th-century Japanese literature. In 1957, Lane moved to Japan, where he lived for the rest of his life. Lane was never on a university faculty, but supported himself as an author, dealer and consultant. He was a visiting research associate at the Honolulu M ...
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Kabuki
is a classical form of Theatre of Japan, Japanese theatre, mixing dramatic performance with Japanese traditional dance, traditional dance. Kabuki theatre is known for its heavily stylised performances, its glamorous, highly decorated costumes, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the early Edo period, when the art's founder, Izumo no Okuni, formed a female dance troupe that performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity ...
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Ejima-Ikushima Affair
The {{nihongo, Ejima-Ikushima affair, 江島生島事件, Ejima Ikushima jiken was the most significant scandal in the Ōoku, the Tokugawa shogunate, Tokugawa shōgun's harem during the Edo period of the history of Japan, that occurred in February 1714. After inviting a Kabuki actor and others to a Chashitsu, tea house, Lady Ejima missed her curfew into the Ōoku and became the focus of a power struggle between the mother of the ruling shogun and the wife of the late shogun. An investigation into the curfew saw 1,300 people being punished and led to the death of Ejima's brother. Background The Ōoku was a complex of Edo Castle, the seat of the ''shōgun'' of the Tokugawa shogunate, that served as a residence for women connected to the reigning ''shōgun''. It functioned as a harem with different sections that housed the ''shōguns seishitsu, official wife (''Midaidokoro'') and her children, his concubines and their children, widows of previous ''shōgun'' (''Ōmidaidokoro''), his ...
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Pin-up
A pin-up model is a model (person), model whose mass-produced pictures and photographs have wide appeal within the popular culture of a society. Pin-up models are usually glamour photography, glamour, actresses, or fashion models whose pictures are intended for informal and aesthetic display, known for being pinned onto a wall. From the 1940s, pictures of pin-up girls were also known as cheesecake in the U.S. The term ''pin-up'' refers to drawings, paintings, and photographs of semi-nude women and was first attested to in English in 1941. Images of pin-up girls were published in magazines and newspapers. They were also displayed on postcards, lithographs, and calendars. The counterpart of the pin-up girl is the male pin-up, also known as ''beefcake'', including celebrated actors and athletes such as the actor James Dean, the singer Jim Morrison, and the model Fabio Lanzoni, Fabio. History From the early 19th century, when pin-up modeling had "theatrical origins", American bur ...
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Kimono
The is a traditional Japanese garment and the national dress of Japan. The kimono is a wrapped-front garment with square sleeves and a rectangular body, and is worn Garment collars in hanfu#Youren (right lapel), left side wrapped over right, unless the wearer is deceased. The kimono is traditionally worn with a broad sash, called an , and is commonly worn with accessories such as zōri sandals and socks. Kimonos have a set method of construction and are typically made from a long, narrow bolt of cloth known as a , though Western-style fabric bolts are also sometimes used. There are different types of kimono for men, women, and children, varying based on the occasion, Seasonal Wardrobe Change in Japan, the season, the wearer's age, and – less commonly in the modern day – the wearer's marital status. Despite the kimono's reputation as a formal and difficult-to-wear garment, there are types of kimono suitable for both formal and informal occasions. The way a person wear ...
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Bijinga
is a generic term for pictures of beautiful women () in Japanese art, especially in woodblock printing of the ukiyo-e genre. Definition defines as a picture that simply "emphasizes the beauty of women", and the ''Shincho Encyclopedia of World Art'' defines it as depiction of "the beauty of a woman's appearance". On the other hand, defines as pictures that explore "the inner beauty of women". For this reason, the essence of cannot always be expressed only through the depiction of a , a woman aligning with the beauty image. In fact, in ukiyo-e , it was not considered important that the picture resemble the facial features of the model, and the depiction of women in ukiyo-e is stylized rather than an attempt to create a realistic image; For example, throughout the Edo period (1603–1867), married women had a custom of shaving their eyebrows (), but in , there was a rule to draw the eyebrows for married women. History Ukiyo-e itself is a genre of woodblock prints and pa ...
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Hishikawa Moronobu
Hishikawa Moronobu (; 1618 – 25 July 1694) was a Japanese artist known for popularizing the ukiyo-e genre of woodblock prints and paintings in the late 17th century. He consolidated the works of scattered Japanese art styles and forged the early development of ukiyo-e. Early life Born in Hoda at the distant end of Edo Bay, Moronobu was the son of a well-respected embroiderer of rich tapestries who produced them for the use of temples and wealthy patrons. His initial works consisted designs for embroidery. After moving to Edo in the 1660s, Moronobu, who had likely learned skills from his father's craft, and studied both Tosa and Kanō-style painting. He thus had a solid grounding in both decorative crafts and academic painting, which served him well when he then turned to ukiyo-e, which he studied with his mentor, the Kanbun Master. Work The earliest known illustration of Moronobu that can be dated comes from his work titled ''One Hundred Warrior Poets'' from 167 ...
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Kaigetsudō School
The Kaigetsudō school (懐月堂派, ''-ha'') was a school of ''ukiyo-e'' painting and printmaking founded in Edo around 1700–1714. It is often said that the various Kaigetsudō artists' styles are so similar, many scholars find it nearly impossible to differentiate them; thus, many Kaigetsudō paintings are attributed to the school's founder, Kaigetsudō Ando, which may have been in fact painted by his disciples. The school's founder, Ando Yasunori, known by his art-name (''gō'') Kaigetsudō Ando, was a specialist in ''bijinga'', images of beautiful women. Unlike his disciples, Ando produced only paintings, never prints. His style, and that of the school, draws strongly upon the style of the Torii school, which is known primarily for its theater signboards. The style of both schools is distinguished by its use of thick lines and bright colors. However, the Kaigetsudō style is said to depict subjects in a very stereotyped manner, which is in sharp contrast to the style of t ...
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Shinto Shrine
A Stuart D. B. Picken, 1994. p. xxiii is a structure whose main purpose is to house ("enshrine") one or more kami, , the deities of the Shinto religion. The Also called the . is where a shrine's patron is or are enshrined.Iwanami Japanese dictionary The may be absent in cases where a shrine stands on or near a sacred mountain, tree, or other object which can be worshipped directly or in cases where a shrine possesses either an altar-like structure, called a himorogi, , or an object believed to be capable of attracting spirits, called a yorishiro, , which can also serve as direct bonds to a . There may be a and other structures as well. Although only one word ("shrine") is used in English, in Japanese, Shinto shrines may carry any one of many different, non-equivalent names like , , , , , , , , , or . Miniature shrines (hokora, ) can occasionally be found on roadsides. Large shrines sometimes have on their precincts miniature shrines, or . Because the and once had differe ...
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