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Jugband Blues
"Jugband Blues" is a song by the English psychedelic rock band Pink Floyd, released on their second album, ''A Saucerful of Secrets'', in 1968. Written by Syd Barrett, it was his sole compositional contribution to the album, as well as his last published for the band. Barrett and Pink Floyd's management wanted the song to be released as a single, but were vetoed by the rest of the band and producer Norman Smith. "Jugband Blues" is directed towards anyone within Barrett's proximity. Background and recording "Jugband Blues" was written around the same time as "Vegetable Man". Both songs contain the same cynical humour, but while on "Vegetable Man" Barrett focuses his humour on himself, on "Jugband Blues" it is directed towards those around him. "Jugband Blues" was either wholly or partly recorded on 19 October 1967 at De Lane Lea Studios. The interview with producer Norman Smith, recorded for the DVD documentary ''Meddle: A Classic Album Under Review'' (2007), suggests that at le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pink Floyd
Pink Floyd are an English rock band formed in London in 1965. Gaining an early following as one of the first British psychedelic music, psychedelic groups, they were distinguished by their extended compositions, sonic experimentation, philosophical lyrics and elaborate Pink Floyd live performances, live shows. They became a leading band of the progressive rock genre, cited by some as the greatest progressive rock band of all time. Pink Floyd were founded in 1965 by Syd Barrett (guitar, lead vocals), Nick Mason (drums), Roger Waters (bass guitar, vocals), and Richard Wright (musician), Richard Wright (keyboards, vocals). Under Barrett's leadership, they released two charting singles and the successful debut album ''The Piper at the Gates of Dawn'' (1967). Guitarist and vocalist David Gilmour joined in December 1967; Barrett left in April 1968 due to deteriorating mental health. Waters became the primary lyricist and thematic leader, devising the concept album, concepts behind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
4/4 Time
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Set The Controls For The Heart Of The Sun
"Set the Controls for the Heart of the Sun" is a song by the English rock band Pink Floyd, appearing on their second album, '' A Saucerful of Secrets'' (1968). It was written by Roger Waters, taking lyrics from a Chinese poetry book, and features a drum part by Nick Mason played with timpani mallets. It is the only song recorded by Pink Floyd to feature material from all five band members, as there are several different guitar parts recorded by both David Gilmour and Syd Barrett. The song was regularly performed between 1967 and 1973 and can be heard on the live disc of the 1969 album ''Ummagumma'' and seen in the 1972 movie '' Pink Floyd: Live at Pompeii''. Waters has also played the song on several solo tours, as has drummer Nick Mason. Composition The song was written by Roger Waters, who came up with a riff over which he could sing a melody within his vocal range. He borrowed the lyrics from a book of Chinese poetry from the Tang Dynasty (which was later identified as the boo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schizophrenia
Schizophrenia is a mental disorder characterized by continuous or relapsing episodes of psychosis. Major symptoms include hallucinations (typically hearing voices), delusions, and disorganized thinking. Other symptoms include social withdrawal, decreased emotional expression, and apathy. Symptoms typically develop gradually, begin during young adulthood, and in many cases never become resolved. There is no objective diagnostic test; diagnosis is based on observed behavior, a history that includes the person's reported experiences, and reports of others familiar with the person. To be diagnosed with schizophrenia, symptoms and functional impairment need to be present for six months (DSM-5) or one month (ICD-11). Many people with schizophrenia have other mental disorders, especially substance use disorders, depressive disorders, anxiety disorders, and obsessive–compulsive disorder. About 0.3% to 0.7% of people are diagnosed with schizophrenia during their lifetime. In 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Scarecrow (song)
"The Scarecrow" is a song by Pink Floyd on their 1967 debut album ''The Piper at the Gates of Dawn'', though it first appeared as the B-side of their second single "See Emily Play" (as "Scarecrow") two months before. It was written by Syd Barrett and recorded in March 1967. This song was one of several to be considered for the band's "best of" album, '' Echoes: The Best of Pink Floyd''. History The song contains nascent existentialist themes, as Barrett compares his own existence to that of the scarecrow, who, while "sadder" is also "resigned to his fate". Such thematic content would later become a mainstay of the band's lyrical imagery. The song contains a baroque, psychedelic folk instrumental section consisting of 12-string acoustic guitar and cello. Reflecting the experimental nature of many of the band's early psychedelic pieces, all instruments are panned to the extreme left hand and right hand sides of the stereo, with two vocal lines, one spoken and one sung. The US sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bike (song)
"Bike" is a song by British rock band Pink Floyd, which is the final track featured on their 1967 debut album, ''The Piper at the Gates of Dawn''. Background In the song, Syd Barrett's lyrical subject shows a girl his bike (which he borrowed); a cloak; a homeless, aging mouse that he calls Gerald; and a clan of gingerbread men, because she "fits in with isworld." With each repetition of the chorus, a sudden percussive noise is heard similar to the firing of two gunshots. The heavy reverb from these bangs immediately cuts out when the following verse begins. Towards the end of the song, he offers to take her into a "room of musical tunes". The final verse is followed by an instrumental section that is a piece of ''musique concrète'': a noisy collage of oscillators, clocks, gongs, bells, a violin, and other sounds edited with tape techniques, apparently the "other room" spoken of in the song and giving the impression of the turning gears of a bicycle. The ending of the song fades ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
