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Jožef Tominc
Giuseppe Tominz, also known as Jožef Tominc (6 July 179024 April 1866), was an Italian-Slovene painter from the Austrian Littoral. He worked mostly in the cultural milieu of the upper bourgeoisie in the Austrian Illyrian Kingdom. He was one of the most prominent portraitists of the Biedermeier period. He became renowned for his realistic portraits. He worked mostly in the Austrian Littoral, but also produced religious paintings in Carniola and in Croatia. His handiwork can be seen in the Church of the Birth of the Blessed Virgin Mary in Donji Stoliv. Nowadays, many of his works are on display in the Revoltella Museum in Trieste, some in the National Gallery of Slovenia in Ljubljana, National Museum of Serbia and in the Museum of History and Art of Gorizia. He is considered part of both the Italian and the Slovenian national culture canon. Biography Giuseppe Tominz was born in Gorizia as the second of eleven children of Ivano Tominz, a dealer in ironware, and his wife Maria A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gorizia
Gorizia (; sl, Gorica , colloquially 'old Gorizia' to distinguish it from Nova Gorica; fur, label= Standard Friulian, Gurize, fur, label= Southeastern Friulian, Guriza; vec, label= Bisiacco, Gorisia; german: Görz ; obsolete English ''Goritz'') is a town and ''comune'' in northeastern Italy, in the autonomous region of Friuli Venezia Giulia. It is located at the foot of the Julian Alps, bordering Slovenia. It was the capital of the former Province of Gorizia and is a local center of tourism, industry, and commerce. Since 1947, a twin town of Nova Gorica has developed on the other side of the modern-day Italy–Slovenia border. The region was subject to territorial dispute between Italy and Yugoslavia after World War II: after the new boundaries were established in 1947 and the old town was left to Italy, Nova Gorica was built on the Yugoslav side. The two towns constitute a conurbation, which also includes the Slovenian municipality of Šempeter-Vrtojba. Since May 2011, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piarists
The Piarists (), officially named the Order of Poor Clerics Regular of the Mother of God of the Pious Schools ( la, Ordo Clericorum Regularium pauperum Matris Dei Scholarum Piarum), abbreviated SchP, is a religious order of clerics regular of the Catholic Church founded in 1617 by Spanish priest Joseph Calasanz. It is the oldest religious order dedicated to education, and the main occupation of the Piarist fathers is teaching children and youth, the primary goal being to provide free education for poor children. The Piarist practice was to become a model for numerous later Catholic societies devoted to teaching, while some state-supported public school systems in Europe also followed their example. The Piarists have had a considerable success in the education of physically or mentally disabled persons. Some notable individuals taught at Piarist schools include Pope Pius IX, Goya, Schubert, Gregor Mendel, Tadeusz Kościuszko and Victor Hugo. History Joseph Calasanz Joseph Calasanz, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plastic Arts
Plastic arts are art forms which involve physical manipulation of a plastic medium by molding or modeling such as sculpture or ceramics. Less often the term may be used broadly for all the visual arts (such as painting, sculpture, film and photography), as opposed to literature and music. Materials for use in the plastic arts, in the narrower definition, include those that can be carved or shaped, such as stone or wood, concrete, glass, or metal. The term "plastic" has been used to mean certain synthetic organic resins ever since they were invented, but the term "plastic arts" long preceded them. The term should not be confused, either, with Piet Mondrian's concept of "Neoplasticism". History The oldest known plastic arts date to (30,000–34,000 BP). Philosophy In contrast to the limiting of 'plastic arts' to sculpture and architecture by Friedrich Wilhelm Joseph Schelling in 1807, the German critic August Wilhelm Schlegel (1767-1845) applied the concept not only to visual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Camuccini
Vincenzo Camuccini (22 February 1771 – 2 September 1844) was an Italian painter of Neoclassic histories and religious paintings. He was considered the premier academic painter of his time in Rome. Biography Camuccini was born in Rome, and first educated by his brother Pietro, a picture-restorer, and Pietro Leone Bombelli, an engraver. His brother Pietro gave up his place in the studio of Domenico Corvi to Vincenzo. Until nearly the age of 30 he mainly dedicated himself to copying old masters. As an original painter, Camuccini belongs to the Neoclassicist school fostered in Rome by Anton Raphael Mengs. Camuccini's first major independent work, completed around 1798, was a large canvas of '' The Death of Julius Caesar''. This led to the assessment that Camuccini may have been influenced by Jacques-Louis David's classic Roman themes and style; but it is more likely both were emerging from the rising Neoclassic refocus towards images of and derived from Greco-Roman themes. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Auguste Dominique Ingres
Jean-Auguste-Dominique Ingres ( , ; 29 August 1780 – 14 January 1867) was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists. Born into a modest family in Montauban, he travelled to Paris to study in the studio of David. In 1802 he made his Salon debut, and won the Prix de Rome for his painting '' The Ambassadors of Agamemnon in the tent of Achilles''. By the time he departed in 1806 for his residency in Rome, his style—revealing his close study of Italian and Flemish Renaissance masters— ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classicism
Classicism, in the arts, refers generally to a high regard for a classical period, classical antiquity in the Western tradition, as setting standards for taste which the classicists seek to emulate. In its purest form, classicism is an aesthetic attitude dependent on principles based in the culture, art and literature of ancient Greece and Rome, with the emphasis on form, simplicity, proportion, clarity of structure, perfection, restrained emotion, as well as explicit appeal to the intellect. The art of classicism typically seeks to be formal and restrained: of the ''Discobolus'' Sir Kenneth Clark observed, "if we object to his restraint and compression we are simply objecting to the classicism of classic art. A violent emphasis or a sudden acceleration of rhythmic movement would have destroyed those qualities of balance and completeness through which it retained until the present century its position of authority in the restricted repertoire of visual images." Classicism, as Cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Stroy
Michael Stroy (Slovenized: ''Mihael Stroj'', 30 September 1803 in Ljubno – 19 December 1871 in Ljubljana) was an Austro-Hungarian painter of Slovenian origin. Life Michael Stroy was born the fifth of eight children to Anton Stroy and his wife Maria, née Kokail. He spent his childhood in Ljubno in Upper Carniola. In 1812, his mother died of exhaustion. Shortly thereafter, his father remarried, sold his property in Ljubno and moved to Ljubljana with his family. Michael Stroy attended the ''Glavna vzorna šola'', where he completed the fourth class in 1817 with very good grades. He then joined the so-called artists' class, which he concluded in 1820 with distinction. He continued his schooling in Vienna, where he enrolled in the Academy of Fine Arts in 1821. The first of his works known to have survived, a sketch of a head and a self-portrait, date from this period. It is known that Stroy was still a student at the Academy of Fine Arts in 1825, but it is not known whether he con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Congress Of Laibach
The Congress of Laibach was a conference of the allied sovereigns or their representatives, held in 1821 as part of the Congress System (the forerunner of the Concert of Europe) which was the decided attempt of the five Great Powers to settle international problems after the Napoleonic Wars through discussion and collective weight rather than on the battlefield. A result of the Congress was the authorization of Austrian intervention in the Kingdom of the Two Sicilies in order to quell a liberal uprising.Paul W. Schroeder, ''Metternich's Diplomacy at Its Zenith, 1820–1823: Austria and the Congresses of Troppau, Laibach, and Verona'' (University of Texas Press, 1962). Background The Congress was held in Laibach (modern day Ljubljana) in what is now Slovenia but was then part of the Austrian Duchy of Carniola, from January 26 until May 12, 1821. Before the breakup of the Congress of Troppau it had been decided to adjourn it until the following January, and to invite the king of Napl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Di San Luca
The Accademia di San Luca (the "Academy of Saint Luke") is an Italian academy of artists in Rome. The establishment of the Accademia de i Pittori e Scultori di Roma was approved by papal brief in 1577, and in 1593 Federico Zuccari became its first ''principe'' or director; the statutes were ratified in 1607. Other founders included Girolamo Muziano and Pietro Olivieri. The Academy was named for Luke the Evangelist, the patron saint of painters. From the late sixteenth century until it moved to its present location at the Palazzo Carpegna, it was based in an urban block by the Roman Forum and although these buildings no longer survive, the Academy church of Santi Luca e Martina, does. Designed by the Baroque architect, Pietro da Cortona, its main façade overlooks the Forum. History The Academy's predecessor was the ''Compagnia di San Luca'', a guild of painters and miniaturists, which had its statutes and privileges renewed at the much earlier date of 17 December 1478 by Pope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Conti Bazzani
Domenico Maria Conti or Conti Bazzani (or Bazzano/Bozani) (Mantua, 1740 - Rome, 19 February 1815) was an Italian painter, bridging Rococo and Neoclassical styles. He is described as a disciple, and adoptive son of Giuseppe Bazzani, who was director of the Academy of Mantua after 1767. History He studied in the Academy of Mantua under Bazzani, and was awarded gold medals in competitions in 1765 and 1766. In 1769, his essay on a young ''Scipio Africanus'' was also awarded gold medals, but he did not accept a title of master, but a position teaching figure painting. Among his works in Mantua, he painted in the Royal Palace and in the church of San Zenone. The ''Jesus Nazarene'' in the Cathedral was painted during his stay in Rome. In 1770, Conti moved to Rome, where he found papal patronage, trained with Pompeo Batoni, and was able to establish an active studio. Among his pupils were Giuseppe Tominz and Giuseppe Bossi. It is reputed that Vincenzo Camuccini and Pietro Benvenuti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
