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Joseph Bennett (critic)
Joseph Bennett (29 November 1831 – 12 June 1911) was an English music critic and librettist. After an early career as a schoolmaster and organist, he was engaged as a music critic by ''The Sunday Times'' in 1865. Within five years he was appointed List of chief music critics, chief music critic of ''The Daily Telegraph'', a post he held from 1870 to 1906. Among Bennett's other work was writing or adapting libretti for cantatas and other large-scale orchestral and choral works by British composers such as Arthur Sullivan, Frederic Hymen Cowen, Frederic Cowen and Alexander Mackenzie (composer), Alexander Mackenzie. Life and career Early years Bennett was born in Berkeley, Gloucestershire, Berkeley, Gloucestershire. He attended the local church, and became a member of its choir, and joined a local musical society in whose orchestra he played the viola."Joseph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
City Of London
The City of London is a city, ceremonial county and local government district that contains the historic centre and constitutes, alongside Canary Wharf, the primary central business district (CBD) of London. It constituted most of London from its settlement by the Romans in the 1st century AD to the Middle Ages, but the modern area named London has since grown far beyond the City of London boundary. The City is now only a small part of the metropolis of Greater London, though it remains a notable part of central London. Administratively, the City of London is not one of the London boroughs, a status reserved for the other 32 districts (including Greater London's only other city, the City of Westminster). It is also a separate ceremonial county, being an enclave surrounded by Greater London, and is the smallest ceremonial county in the United Kingdom. The City of London is widely referred to simply as the City (differentiated from the phrase "the city of London" by ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comic Opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, ''opera buffa'', emerged as an alternative to '' opera seria''. It quickly made its way to France, where it became ''opéra comique'', and eventually, in the following century, French operetta, with Jacques Offenbach as its most accomplished practitioner. The influence of the Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include German ''singspiel'', Viennese operetta, Spanish '' zarzuela'', Russian comic opera, English ballad and Savoy opera, North American operetta and musical comedy. Italian ''opera buffa'' In late 17th-century Italy, light-hearted m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Golden Legend (cantata)
''The Golden Legend'' is an 1886 cantata by Arthur Sullivan with libretto by Joseph Bennett, based on the 1851 poem of the same name by Henry Wadsworth Longfellow. The piece premiered at the triennial Leeds Music Festival. At least 17 performances of the cantata were given in Britain during the first year after its premiere in October 1886, and during Sullivan's lifetime it was widely considered his greatest and most successful work of serious music. Indeed, outside of the comic operas with W. S. Gilbert, this cantata was widely regarded as Sullivan's most successful large-scale composition. A few days after the first performance, Gilbert wrote to Sullivan, "I congratulate you heartily on the success of the Cantata which appears from all accounts to be the biggest thing you've done." In May 1888, there was a performance of the work at the Royal Albert Hall by command of Queen Victoria. She sent for Sullivan after the performance and said, "At last I have heard ''The Golden Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Alexander Fuller Maitland
John Alexander Fuller Maitland (7 April 1856 – 30 March 1936) was an influential British music critic and scholar from the 1880s to the 1920s. He encouraged the rediscovery of English music of the 16th and 17th centuries, particularly Henry Purcell's music and English virginal music. He also propounded the notion of an English Musical Renaissance in the second half of the 19th century, particularly praising Charles Villiers Stanford and Hubert Parry. Fuller Maitland was criticised for his failure to acknowledge the talents of the English composers Arthur Sullivan, Edward Elgar and Frederick Delius, and later it was shown that he had falsified the facts in a critique of Sullivan. He was also slow to recognise the worth of contemporary composers from mainland Europe such as Claude Debussy and Richard Strauss. Biography Fuller Maitland was born at 90 Gloucester Place, Portman Square, London, the son of John Fuller Maitland and his wife Marianne (''née'' Noble). He attended ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Times
''The Times'' is a British daily national newspaper based in London. It began in 1785 under the title ''The Daily Universal Register'', adopting its current name on 1 January 1788. ''The Times'' and its sister paper ''The Sunday Times'' (founded in 1821) are published by Times Newspapers, since 1981 a subsidiary of News UK, in turn wholly owned by News Corp. ''The Times'' and ''The Sunday Times'', which do not share editorial staff, were founded independently and have only had common ownership since 1966. In general, the political position of ''The Times'' is considered to be centre-right. ''The Times'' is the first newspaper to have borne that name, lending it to numerous other papers around the world, such as ''The Times of India'', ''The New York Times'', and more recently, digital-first publications such as TheTimesBlog.com (Since 2017). In countries where these other titles are popular, the newspaper is often referred to as , or as , although the newspaper is of nationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Villiers Stanford
Sir Charles Villiers Stanford (30 September 1852 – 29 March 1924) was an Anglo-Irish composer, music teacher, and conductor of the late Romantic music, Romantic era. Born to a well-off and highly musical family in Dublin, Stanford was educated at the University of Cambridge before studying music in University of Music and Theatre Leipzig, Leipzig and Berlin. He was instrumental in raising the status of the Cambridge University Musical Society, attracting international stars to perform with it. While still an undergraduate, Stanford was appointed organist of Trinity College, Cambridge. In 1882, aged 29, he was one of the founding professors of the Royal College of Music, where he taught composition for the rest of his life. From 1887 he was also Professor of Music (Cambridge), Professor of Music at Cambridge. As a teacher, Stanford was sceptical about modernism, and based his instruction chiefly on classical principles as exemplified in the music of Johannes Brahms, Brahms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Esmeralda (opera)
''Esmeralda'' is an opera in four acts composed by Arthur Goring Thomas to an English-language libretto by Theo Marzials and Alberto Randegger based on Victor Hugo's 1831 novel ''The Hunchback of Notre-Dame''. It premiered in London on 26 March 1883 at the Theatre Royal, Drury Lane with Georgina Burns in the title role and Barton McGuckin as her lover, Phoebus. Background ''Esmeralda'' was Thomas's first opera to receive a full staging. He dedicated it to Pauline Viardot. It was commissioned by the Carl Rosa Opera Company following a very successful performance of excerpts from his opera ''The Light of the Harem'' in 1879 at the Royal Academy of Music where he was a student at the time. Alberto Randegger (the musical director of the Carl Rosa company) and the eccentric British poet Theo Marzials co-wrote the libretto. Its subject, Esmeralda, a central protagonist in Victor Hugo's novel ''Notre-Dame de Paris'' (''The Hunchback of Notre-Dame''), had already been the focus of sever ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Goring Thomas
Arthur Goring Thomas (20 November 185020 March 1892) was an English composer. Life He was the youngest son of Freeman Thomas and Amelia, daughter of Colonel Thomas Frederick. His elder brothers included Freeman Frederick Thomas, a noted cricketer, who was the father of Freeman Freeman-Thomas, 1st Marquess of Willingdon, Viceroy of India; and Sir Charles Inigo Thomas. He was born at Ratton Park, Sussex, and educated at Haileybury College. He was intended for the Civil Service, but delicate health interfered with his studies, and in 1873 he went to Paris to cultivate the musical talent he had displayed from an early age. Here he studied for two years with Émile Durand. In 1875, he returned to England, and in 1877 entered the Royal Academy of Music, where for three years he studied under Ebenezer Prout and Arthur Sullivan, twice winning the Lucas medal for composition. At a later period he received some instruction in orchestration from Max Bruch. His first published compositio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hubert Parry
Sir Charles Hubert Hastings Parry, 1st Baronet (27 February 18487 October 1918) was an English composer, teacher and historian of music. Born in Richmond Hill in Bournemouth, Parry's first major works appeared in 1880. As a composer he is best known for the choral song "Jerusalem", his 1902 setting for the coronation anthem "I was glad", the choral and orchestral ode '' Blest Pair of Sirens'', and the hymn tune "Repton", which sets the words "Dear Lord and Father of Mankind". His orchestral works include five symphonies and a set of Symphonic Variations. He also composed the music for ''Ode to Newfoundland'', the Newfoundland and Labrador provincial anthem (and former national anthem). After early attempts to work in insurance at his father's behest, Parry was taken up by George Grove, first as a contributor to Grove's massive '' Dictionary of Music and Musicians'' in the 1870s and '80s, and then in 1883 as professor of composition and musical history at the Royal College of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Musical Renaissance
The English Musical Renaissance was a hypothetical development in the late 19th and early 20th century, when British composers, often those lecturing or trained at the Royal College of Music, were said to have freed themselves from foreign musical influences, to have begun writing in a distinctively national idiom, and to have equalled the achievement of composers in mainland Europe. The idea gained considerable currency at the time, with support from prominent music critics, but from the latter part of the 20th century has been less widely propounded. Among the composers championed by proponents of the theory were Hubert Parry, Charles Villiers Stanford and Alexander Mackenzie. Writers who propounded the theory included Francis Hueffer and J A Fuller Maitland, while it received further promotion from the critics Frank Howes and Peter J. Pirie. Conception The term originated in an article by the critic Joseph Bennett in 1882. In his review in ''The Daily Telegraph'' of Hubert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
