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Jewelry Box
A casket is a decorative box or container that is usually smaller than a chest and is typically decorated. In recent centuries they are often used as boxes for jewelry, but in earlier periods they were also used for keeping important documents and many other purposes. Many ancient caskets are reliquaries, for both Buddhist and Christian relics. A tall round casket is often called a pyxis, after a shape in Ancient Greek pottery; these were popular in Islamic art, often made from a section of the ivory tusk of an elephant. The term "casket" overlaps with strongbox (or strong box), a heavily-made box for storing or transporting coin and other valuables. These include more metal, in bands or as the main material, and are functional rather than decorative. Though caskets are often regarded as boxes for jewelry, at least until the Renaissance this was probably not a common use, as at least the most serious jewelry was kept in a strongbox. History Surviving caskets from early perio ...
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Jewelry Casket MET DP241007 (cropped)
Jewellery ( UK) or jewelry (U.S.) consists of decorative items worn for personal adornment, such as brooches, rings, necklaces, earrings, pendants, bracelets, and cufflinks. Jewellery may be attached to the body or the clothes. From a western perspective, the term is restricted to durable ornaments, excluding flowers for example. For many centuries metal such as gold often combined with gemstones, has been the normal material for jewellery, but other materials such as glass, shells and other plant materials may be used. Jewellery is one of the oldest types of archaeological artefact – with 100,000-year-old beads made from ''Nassarius'' shells thought to be the oldest known jewellery.Study reveals 'oldest jewellery'
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Certosina
''Certosina'' is a decorative art technique of inlaying used widely in the Italian Renaissance period. Similar to marquetry, it uses small pieces of wood, bone, ivory, metal, or mother-of-pearl to create inlaid geometric patterns on a wood base. The term comes from Carthusian monasteries (''Certosa'' in Italian, ''Charterhouse'' in English), Lucie-Smith, Edward, ''The Thames & Hudson Dictionary of Art Terms'', pp. 51-52, 2003 (2nd edn), Thames & Hudson, World of Art series, probably the Certosa di Pavia, where the technique was used in ornamenting an altarpiece. See also * Intarsia * ''Pietre dure ''Pietra dura'' () or ''pietre dure'' () ( see below), called parchin kari or parchinkari ( fa, ) in the Indian Subcontinent, is a term for the inlay technique of using cut and fitted, highly polished colored stones to create images. It is c ...'' References Artistic techniques Woodworking Decorative arts {{italy-art-stub ...
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List Of Caskets
This is a list of individual caskets with articles: * Shinkot casket, 2nd century BC, Buddhist container for reliquaries, Gandhara, stone *Bajaur casket, 5–6 AD, Gandhara (now Pakistan), stone reliquary * Kanishka Casket, 127, Kushan Empire (now Pakistan), gilded copper reliquary *Bimaran casket, 1st century, Afghanistan, gold reliquary * Brescia Casket, late 4th century, Italy, ivory reliquary * Pyxis of Čierne Kľačany, perhaps 4th-century, Byzantine, ivory *Franks Casket, early 8th century, Northumbria (now Northern England and south-east Scotland), bone (whale) * Pyxis of Zamora, 964, Islamic Spain, ivory *Pyxis of al-Mughira, 968, Islamic Spain, ivory * Troyes Casket, 10th or 11th century, Byzantine (found in France), ivory * Veroli Casket, late 10th or early 11th century, Constantinople (now known as Istanbul), ivory * Cammin Casket, , Scandinavia (lost in the Second World War of 1939–1945, although copies and a plaster cast remain), metal reliquary *Leyre Casket, ...
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Relic
In religion, a relic is an object or article of religious significance from the past. It usually consists of the physical remains of a saint or the personal effects of the saint or venerated person preserved for purposes of veneration as a tangible memorial. Relics are an important aspect of some forms of Buddhism, Christianity, Islam, shamanism, and many other religions. ''Relic'' derives from the Latin ''reliquiae'', meaning "remains", and a form of the Latin verb ''relinquere'', to "leave behind, or abandon". A reliquary is a shrine that houses one or more religious relics. In classical antiquity In ancient Greece, a polis, city or Greek temple, sanctuary might claim to possess, without necessarily displaying, the remains of a venerated hero as a part of a Greek hero cult, hero cult. Other venerable objects associated with the hero were more likely to be on display in sanctuaries, such as spears, shields, or other weaponry; chariots, ships or Figurehead (object), figureheads ...
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Veroli Casket
The Veroli Casket is a casket, made in Constantinople (now Istanbul) in the late 10th or early 11th century, and now in the Room 8 of the Victoria and Albert Museum, London. It is thought to have been made for a person close to the Imperial Court of Constantinople, the capital of the Byzantine Empire, and may have been used to hold scent bottles or jewellery. It was later kept in the Cathedral Treasury at Veroli, south east of Rome, until 1861. The casket is made of carved ivory and bone panels showing scenes from classical mythology. On the lid is a depiction of the Rape of Europa. On the front are scenes from the stories of Bellerophon and Iphigenia. On the back is part of a dionysiac procession, with two figures identified as Mars, god of war (the Greek Ares), and Venus, goddess of love (the Greek Aphrodite). The ends bear scenes of Bacchus, god of wine (the Greek Dionysius), in a chariot drawn by panthers, and a nymph riding a seahorse. There is a carcass of wood, an ...
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Franks Casket
The Franks Casket (or the Auzon Casket) is a small Anglo-Saxon whale's bone (not "whalebone" in the sense of baleen) chest from the early 8th century, now in the British Museum. The casket is densely decorated with knife-cut narrative scenes in flat two-dimensional low-relief and with inscriptions mostly in Anglo-Saxon runes. Generally thought to be of Northumbrian origin, it is of unique importance for the insight it gives into early Anglo-Saxon art and culture. Both identifying the images and interpreting the runic inscriptions has generated a considerable amount of scholarship. The imagery is very diverse in its subject matter and derivations, and includes a single Christian image, the Adoration of the Magi, along with images derived from Roman history (Emperor Titus) and Roman mythology (Romulus and Remus), as well as a depiction of at least one legend indigenous to the Germanic peoples: that of Weyland the Smith. It has also been suggested that there may be an episode ...
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Brescia Casket
The Brescia Casket or Lipsanotheca (in Italian ''Lipsanoteca'') is an ivory box, perhaps a reliquary, from the late 4th century, which is now in the Museo di Santa Giulia at San Salvatore in Brescia, Italy. It is a virtually unique survival of a complete Early Christian ivory box in generally good condition. The 36 subjects depicted on the box represent a wide range of the images found in the evolving Christian art of the period, and their identification has generated a great deal of art-historical discussion, though the high quality of the carving has never been in question. According to one scholar: "despite an abundance of resourceful and often astute exegesis, its date, use, provenance, and meaning remain among the most formidable and enduring enigmas in the study of early Christian art". The complex iconography of the five faces is illustrated and identified below. History The box was made by a northern Italian workshop, probably in Milan, where Saint Ambrose was b ...
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Knottekistje
A knottekistje or wedding casket is a small Frisian money casket. Apart from their content ''Knottekistjes'' are also valuable since in most cases they are made of silver Silver is a chemical element with the symbol Ag (from the Latin ', derived from the Proto-Indo-European ''h₂erǵ'': "shiny" or "white") and atomic number 47. A soft, white, lustrous transition metal, it exhibits the highest electrical .... The boxes are rectangular with a semicircular lid and stand on ball feet. Frisian marriage caskets are delicately engraved with symbolic scenes about love and marriage, often accompanied by a proverb or motto. Folkloric Frisian tradition The ''knottekistje'' belongs to a folkloric Frisian tradition. In the sixteenth century it was customary for a boy to offer a girl a coin when he asked her to marry him. If she accepted this coin, the couple could consider themselves engaged. If one offered more coins, it was done in a cloth with a special knot: the so-calle ...
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Lord Darnley
Lord Darnley is a noble title associated with a Scottish Lordship of Parliament, first created in 1356 for the family of Stewart of Darnley and tracing a descent to the Dukedom of Richmond in England. The title's name refers to Darnley in Scotland. Outside the Peerage of Scotland, another Earldom of Darnley was created in the Peerage of Ireland in 1729. Early history The first baron was Sir John Stewart of Darnley. His descendant, John Stewart, 1st Earl of Lennox, was created Earl of Lennox in 1488. Matthew Stewart, 4th Earl of Lennox (1516–1571), was the father of Henry Stuart, Lord Darnley (1545–1567) (later created Duke of Albany), better known as "Lord Darnley", a courtesy title, his father holding that title, who became the husband of Mary, Queen of Scots, and thus father of King James VI and I (1566–1625). Together with Lord Ruthven and others, Darnley openly murdered David Rizzio David Rizzio ( ; it, Davide Rizzio ; – 9 March 1566) or Riccio ( , ) was ...
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James Hepburn, 4th Earl Of Bothwell
James Hepburn, 1st Duke of Orkney and 4th Earl of Bothwell ( – 14 April 1578), better known simply as Lord Bothwell, was a prominent Scottish nobleman. He was known for his marriage to Mary, Queen of Scots, as her third and final husband. He was accused of the murder of Mary's second husband, Henry Stuart, Lord Darnley, a charge of which he was acquitted. His marriage to Mary was controversial and divided the country; when he fled the growing rebellion to Norway, he was arrested and lived the rest of his life imprisoned in Denmark. Early life He was the son of Patrick Hepburn, 3rd Earl of Bothwell, and Agnes Sinclair (d. 1572), daughter of Henry Sinclair, 3rd Lord Sinclair, and was styled ''The Master of Bothwell'' from birth. He succeeded his father as Earl of Bothwell and Lord Hailes in 1556. Marriages As Lord High Admiral of Scotland, Lord Bothwell visited Copenhagen around 1559. He fell in love with Anna Tronds, known in English as Anna Throndsen or Anna Rustung. S ...
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Mary, Queen Of Scots
Mary, Queen of Scots (8 December 1542 – 8 February 1587), also known as Mary Stuart or Mary I of Scotland, was Queen of Scotland from 14 December 1542 until her forced abdication in 1567. The only surviving legitimate child of James V of Scotland, Mary was six days old when her father died and she inherited the throne. During her childhood, Scotland was governed by regents, first by the heir to the throne, James Hamilton, Earl of Arran, and then by her mother, Mary of Guise. In 1548, she was betrothed to Francis, the Dauphin of France, and was sent to be brought up in France, where she would be safe from invading English forces during the Rough Wooing. Mary married Francis in 1558, becoming queen consort of France from his accession in 1559 until his death in December 1560. Widowed, Mary returned to Scotland in August 1561. Following the Scottish Reformation, the tense religious and political climate that Mary encountered on her return to Scotland was further agitated by pro ...
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Casket Letters
The Casket letters were eight letters and some sonnets said to have been written by Mary, Queen of Scots, to the Earl of Bothwell, between January and April 1567. They were produced as evidence against Queen Mary by the Scottish lords who opposed her rule. In particular, the text of the letters was taken to imply that Queen Mary colluded with Bothwell in the murder of her husband, Lord Darnley. Mary's contemporary supporters, including Adam Blackwood, dismissed them as complete forgeries or letters written by the Queen's servant Mary Beaton. The authenticity of the letters, now known only by copies, continues to be debated. Some historians argue that they were forgeries concocted in order to discredit Queen Mary and ensure that Queen Elizabeth I supported the kingship of the infant James VI of Scotland, rather than his mother. The historian John Hungerford Pollen, in 1901, by comparing two genuine letters drafted by Mary, presented a subtle argument that the various surviving cop ...
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