|
Jan Z Lublina
Jan z Lublina, or Joannis de Lublin, was a Polish composer and organist who lived in the first half of the 16th century. Not much is known about his life - he was a member of the Order of Canons Regular of the Lateran, circa 1540 he was possibly the organist at the convent in Kraśnik, near Lublin. Perhaps he is identical to one of the two Jans, the first of which received his master's degree in artibus et philosophia in 1499, and the second his baccalariatus in artibus in 1508 in the Kazimierz Academy in Krakow. From 1537 to 1548, he created the famous organ tablature, whose title is ''Tabulatura Ioannis de Lyublyn Canonic rumReg ariu de Crasnyk.'' This is the largest organ tablature in the world (more than 350 compositions and a theoretical treatise) and one of the earliest. It contains several compositions by Nicolaus Cracoviensis, as well as numerous intabulations of works written by Josquin, Heinrich Finck, Janequin, Ludwig Senfl, Claudin de Sermisy, Philippe Verdelot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canons Regular
Canons regular are priests who live in community under a rule ( and canon in greek) and are generally organised into religious orders, differing from both secular canons and other forms of religious life, such as clerics regular, designated by a partly similar terminology. Preliminary distinctions All canons regular are to be distinguished from secular canons who belong to a resident group of priests but who do not take public vows and are not governed in whatever elements of life they lead in common by a historical Rule. One obvious place where such groups of priests are required is at a cathedral, where there were many Masses to celebrate and the Divine Office to be prayed together in community. Other groups were established at other churches which at some period in their history had been considered major churches, and (often thanks to particular benefactions) also in smaller centres. As a norm, canons regular live together in communities that take public vows. Their ear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Polish People
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polish Composers
This is a list of notable and representative Polish composers. Note: This list should contain notable composers, best with an existing article on Wikipedia. If a notable Polish composer is missing and without an article, please add the name here. Middle Ages * Wincenty z Kielczy (before 1200-c. 1261) * Mikołaj z Radomia (15th century) * Piotr z Grudziądza (c. 1400-c. 1480) Renaissance * Sebastian z Felsztyna (c. 1480/1490-after 1543) * Nicolaus Cracoviensis (1st half of the 16th century) * Wacław z Szamotuł (c. 1526-1560) * Mikołaj Gomółka (1535-1591) * Marcin Leopolita (c. 1540-c.1589) * Cyprian Bazylik (c.1535-c. 1600) * Jan z Lublina (late 15th century-1540) * Jakub Polak (1540-1605) * Sebastian Klonowic (c. 1545-1602) * Krzysztof Klabon (c. 1550-after 1616) * Wojciech Długoraj (1557-1619) * Diomedes Cato (c. 1570-c. 1603) Baroque *Mikołaj Zieleński (1st half of the 17th century) *Adam Jarzębski (c. 1590-1649) *Franciszek Lilius (c. 1600- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polish Academy Of Sciences
The Polish Academy of Sciences ( pl, Polska Akademia Nauk, PAN) is a Polish state-sponsored institution of higher learning. Headquartered in Warsaw, it is responsible for spearheading the development of science across the country by a society of distinguished scholars and a network of research institutes. It was established in 1951, during the early period of the Polish People's Republic following World War II. History The Polish Academy of Sciences is a Polish state-sponsored institution of higher learning, headquartered in Warsaw, that was established by the merger of earlier science societies, including the Polish Academy of Learning (''Polska Akademia Umiejętności'', abbreviated ''PAU''), with its seat in Kraków, and the Warsaw Society of Friends of Learning (Science), which had been founded in the late 18th century. The Polish Academy of Sciences functions as a learned society acting through an elected assembly of leading scholars and research institutions. The Academ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Walter
Johann Walter, also known as ''Johann Walther'' or ''Johannes Walter'' (original name: ''Johann Blankenmüller'') (1496 – 25 March 1570) was a Lutheran composer and poet during the Reformation period. Life Walter was born in Kahla, in present-day Thuringia, in 1496. According to a document filed with his will, he was born with the surname of Blanckenmüller, but adopted out of poverty by a citizen of Kahla, and given an education at Kahla and Rochlitz under his new name: Johann Walter. He began his career as a composer and bass cantor in the chapel of Frederick the Wise at the age of 21. It was a position he would hold until Frederick's death in 1525. By this time, he was the director of the chapel and had become an outspoken musical spokesman for Lutherans. Walter edited the first Protestant hymnal for choir, ', in Wittenberg in 1524, with a foreword by Martin Luther himself; and for the German-language Deutsche Messe produced in 1527. Following the conclusion of his appointme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe Verdelot
Philippe Verdelot (1480 to 1485–1530 to 1540) was a French composer of the Renaissance, who spent most of his life in Italy. He is commonly considered to be the father of the Italian madrigal, and certainly was one of its earliest and most prolific composers; in addition he was prominent in the musical life of Florence during the period after the recapture of the city by the Medici from the followers of Girolamo Savonarola. Life Verdelot was born in Les Loges, Seine-et-Marne, France. Details of his early life are obscure. He probably came to Italy at an early age, spending the first decade or two of the 16th century at some cities in northern Italy, most likely including Venice. A painting of 1511, described by Vasari but never positively identified, is believed by many musicologists to show Verdelot in Venice with an Italian singer. Verdelot is known to have been ''maestro di cappella '' at the Baptisterium San Giovanni in Florence from 1523 to 1525; and he seems also to ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudin De Sermisy
Claudin de Sermisy (c. 1490 – 13 October 1562) was a French composer of the Renaissance music, Renaissance.Isabelle Cazeaux, "Claudin d Sermisy", "The New Grove Dictionary of Music and Musicians", ed. Stanley Sadie. 20 vol. (London, Macmillan Publishers Ltd., 1980). Along with Clément Janequin he was one of the most renowned composers of French chansons in the early 16th century; in addition he was a significant composer of sacred music. His music was both influential on, and influenced by, contemporary Italian styles. Biography Sermisy was most likely born either in Picardy, Burgundy (region), Burgundy, or Île-de-France, based on the similarity of his surname to place names there. Sometime in his early life he may have studied with Josquin des Prez, if Pierre de Ronsard is to be believed, but many musicologists consider the claim unreliable; at any rate he absorbed some of the older composer's musical ideas either early, or later, as he became acquainted with his music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Senfl
Ludwig Senfl (born around 1486, died between December 2, 1542 and August 10, 1543) was a Swiss composer of the Renaissance, active in Germany. He was the most famous pupil of Heinrich Isaac, was music director to the court of Maximilian I, Holy Roman Emperor, and was an influential figure in the development of the Franco-Flemish polyphonic style in Germany. He and his teacher Isaac played an important role in the development of the German folksongs and their adoption as models for polyphonic compositions as well. Life Senfl was probably born in Basel around 1486, and lived in Zürich from 1488 until 1496, when he joined the choir of the Hofkapelle of Emperor Maximilian I in Augsburg. Apart from one brief visit in 1504 he appears never again to have lived in Switzerland. In 1497 he followed the Hofkapelle to Vienna, and between 1500 and 1504 he probably studied in Vienna for three years, the standard practice for choirboys whose voices had broken, as part of the normal trainin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Finck
Heinrich Finck (1444 or 1445 – 9 June 1527) was a notable German composer. He served as ''Kapellmeister'' first for Prince Alexander of Lithuania, later King of Poland, before living Poland in 1510. He worked in Stuttgart before becoming a member (and months before his death, the ''Kapellmeister'') the ''Hofkapell''. He was the great-uncle of the music theorist and composer Hermann Finck (1527 – 1558). Biography He was probably born at Bamberg, but nothing is certainly known either of the place or date of his birth. Between 1492 and 1506 he was a musician in, and later possibly conductor of the court orchestra of successive kings of Poland at Warsaw. He held the post of conductor at Stuttgart from 1510 till about 1514, then was a composer at the Hofkapelle of Emperor Maximilian I, from 1519(?) at the chapter in Salzburg, and in 1527 ''Hofkapellmeister'' of Emperor Ferdinand I in Vienna, where he died. Works His works, mostly part songs and other vocal compositions, sho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lublin
Lublin is the ninth-largest city in Poland and the second-largest city of historical Lesser Poland. It is the capital and the center of Lublin Voivodeship with a population of 336,339 (December 2021). Lublin is the largest Polish city east of the Vistula River and is about to the southeast of Warsaw by road. One of the events that greatly contributed to the city's development was the Polish-Lithuanian Union of Krewo in 1385. Lublin thrived as a centre of trade and commerce due to its strategic location on the route between Vilnius and Kraków; the inhabitants had the privilege of free trade in the Grand Duchy of Lithuania. The Lublin Parliament session of 1569 led to the creation of a real union between the Crown of the Kingdom of Poland and the Grand Duchy of Lithuania, thus creating the Polish–Lithuanian Commonwealth. Lublin witnessed the early stages of Reformation in the 16th century. A Calvinist congregation was founded and groups of radical Arians appeared in the ci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josquin
Josquin Lebloitte dit des Prez ( – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors Guillaume Du Fay and Johannes Ockeghem, he developed a complex style of expressive—and often imitative—movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated motifs between voices. Josquin was a singer, and his compositions are mainly vocal. They include masses, motets and secular chansons. Josquin's biography has been continually revised by modern scholarship, and remains h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
