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Jacques-Antoine-Marie Lemoine
Jacques-Antoine-Marie Lemoine, also Lemoyne (17 July 1751 – 7 February 1824), was a French artist, known primarily for portrait painting, portraiture. Lemoine was born in Rouen. He declined to follow his father's precedent in becoming a Civil law notary, notary, and instead began study at the École des Beaux-Arts in Rouen. Having moved to Paris by 1772, he studied under Jean-Jacques Lagrenée (1737–1821) and Maurice-Quentin de la Tour (1704–1788). He was attracted to Parisian theater and music, and early in his career often portrayed actors, singers, and musicians, using pastels and chalk (art), chalk. He also worked in oil painting, oil, watercolor, and porcelain. In the late 1770s or early 1780s, he may have sketched for fashion plates. In 1783, Lemoine married the artist Agathe-Françoise Bonvallet. He began his work as a miniaturist in the mid-1780s. His early miniatures are influenced by the "free and painterly technique" of Pierre-Adolphe Hall. In 1785, he painted Za ...
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Selfportrait (Jaques-Antoine-Marie Lemoine) - Nationalmuseum - 175562 (cropped)
A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. Although self-portraits have been made since the earliest times, it is not until the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel painting, panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. ''Portrait of a Man in a Turban'' by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular.
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Page (occupation)
Page most commonly refers to: * Page (paper), one side of a leaf of paper, as in a book Page, PAGE, pages, or paging may also refer to: Roles * Page (assistance occupation), a professional occupation * Page (servant), traditionally a young male servant * Page (wedding attendant) People with the name * Page (given name) * Page (surname) Places Australia * Page, Australian Capital Territory, a suburb of Canberra * Division of Page, New South Wales * Pages River, a tributary of the Hunter River catchment in New South Wales, Australia * The Pages, South Australia, two islands and a reef **The Pages Conservation Park, a protected area in South Australia United States * Page, Arizona, a city * Page, Indiana * Page, Minneapolis, Minnesota, a neighborhood * Page, Nebraska, a village * Page, North Dakota, a city * Page, Oklahoma, an unincorporated community * Page, Virginia * Page, Washington, a ghost town * Page, West Virginia, a census-designated place * Page Airport (disambiguati ...
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18th-century French Painters
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand ...
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Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet). Attendance in 2021 was 2.8 million due to the COVID-19 pandemic, up five percent from 2020, but far below pre-COVID attendance. Nonetheless, the Louvre still topped the list of most-visited art museums in the world in 2021."The Art Newspaper", 30 March 2021. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement ...
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Museum Of Fine Arts, Boston
The Museum of Fine Arts (often abbreviated as MFA Boston or MFA) is an art museum in Boston, Massachusetts. It is the 20th-largest art museum in the world, measured by public gallery area. It contains 8,161 paintings and more than 450,000 works of art, making it one of the most comprehensive collections in the Americas. With more than 1.2 million visitors a year, it is the 52nd–most visited art museum in the world . Founded in 1870 in Copley Square, the museum moved to its current Fenway location in 1909. It is affiliated with the School of the Museum of Fine Arts at Tufts. History 1870–1907 The Museum of Fine Arts was founded in 1870 and was initially located on the top floor of the Boston Athenaeum. Most of its initial collection came from the Athenæum's Art Gallery. Francis Davis Millet, a local artist, was instrumental in starting the art school affiliated with the museum, and in appointing Emil Otto Grundmann as its first director. In 1876, the museum moved to a h ...
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Marie-Victoire Lemoine
Marie-Victoire Lemoine (; 1754 – 2 December 1820) was a French classicist painter. Life Born in Paris, Marie-Victoire Lemoine was the eldest daughter of four sisters to Charles Lemoine and Marie-Anne Rousselle. Her sisters, Marie-Denise Villers and Marie-Élisabeth Gabiou, also became painters. She was first cousins with Jeanne-Elisabeth Chaudet through her mother's side. Unlike her sisters, she remained unmarried and became one of the few women in contemporary art that made a living through painting. She was a student of François-Guillaume Ménageot in the early 1770s, with whom she lived and worked in a house acquired by the art dealer Jean-Baptiste-Pierre Lebrun, next to the studio of Élisabeth-Louise Vigée-Le Brun (1755–1842), France's leading woman painter. Ménageot was ten years older than Lemoine. From 1779, Marie-Victoire Lemoine lived in her parents' home until she moved in with her sister Marie-Elisabeth, where she remained even after her sister's death. She ...
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Germaine Greer
Germaine Greer (; born 29 January 1939) is an Australian writer and public intellectual, regarded as one of the major voices of the radical feminist movement in the latter half of the 20th century. Specializing in English and women's literature, she has held academic positions in England at the University of Warwick and Newnham College, Cambridge, and in the United States at the University of Tulsa. Based in the United Kingdom since 1964, she has divided her time since the 1990s between Queensland, Australia, and her home in Essex, England. Greer's ideas have created controversy ever since her first book, ''The Female Eunuch'' (1970), made her a household name. An international bestseller and a watershed text in the feminist movement, it offered a systematic deconstruction of ideas such as womanhood and femininity, arguing that women were forced to assume submissive roles in society to fulfil male fantasies of what being a woman entailed. Greer's subsequent work has focused o ...
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Pied-à-terre
A ''pied-à-terre'' (, plural: ''pieds-à-terre''; French for "foot on the ground") is a small living unit, e.g., apartment or condominium, often located in a large city and not used as an individual's primary residence. The term implies use of the property as a temporary second residence, but not a vacation home, either for part of the year or part of the work week, usually by a reasonably wealthy person. If the owner's primary residence is nearby, the term also implies that the residence allows the owner to use their primary residence as a vacation home. Pieds-à-terre attracted discussion during the 2010s in Paris and New York, where they are argued to cause a reduction in the overall housing supply. A tax on such units has been discussed since 2014. A 2019 bill in the New York State Assembly that would place a recurring tax on luxury ''pieds-à-terre'' was blocked after intense pressure from real estate developers and their lobbyists. New York City In 2014, ''The New York T ...
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Théodore-Éloi Lebreton
Théodore-Éloi Lebreton (1 December 1803 – 12 December 1883) was a 19th-century autodidact French poet, chansonnier and bibliographer. Biography Born from a day laborer and a washerwoman, Lebreton entered at age seven in an indienne factory in his hometown where he was taught the printing trade on fabrics. Barely able to spell, he learned, through perseverance, to read and write and, after a few years, he felt the desire to tell what he felt. Aged fourteen, he had succeeded, through saving his salary to complete his education by going to the theater, to be a great worker and educated in his workshop. The taste of poetry being born in him, he was induced by the inspiration and breathed in to the impressions of his soul, his pains, joys, hopes and loves. Marceline Desbordes-Valmore presented the poet's essays to ' and eventually, in 1836, a man of letters from Rouen, Ch. Richard, drew attention on him by writing a sketch of his life as a worker and thinker and contributed to t ...
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Design
A design is a plan or specification for the construction of an object or system or for the implementation of an activity or process or the result of that plan or specification in the form of a prototype, product, or process. The verb ''to design'' expresses the process of developing a design. In some cases, the direct construction of an object without an explicit prior plan (such as in craftwork, some engineering, coding, and graphic design) may also be considered to be a design activity. The design usually has to satisfy certain goals and constraints; may take into account aesthetic, functional, economic, or socio-political considerations; and is expected to interact with a certain Environment (systems), environment. Typical examples of designs include architectural drawing, architectural and engineering drawing, engineering drawings, circuit diagrams, Pattern (sewing), sewing patterns and less tangible artefacts such as business process models. Designing People who produce designs ...
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Geometry
Geometry (; ) is, with arithmetic, one of the oldest branches of mathematics. It is concerned with properties of space such as the distance, shape, size, and relative position of figures. A mathematician who works in the field of geometry is called a ''geometer''. Until the 19th century, geometry was almost exclusively devoted to Euclidean geometry, which includes the notions of point, line, plane, distance, angle, surface, and curve, as fundamental concepts. During the 19th century several discoveries enlarged dramatically the scope of geometry. One of the oldest such discoveries is Carl Friedrich Gauss' ("remarkable theorem") that asserts roughly that the Gaussian curvature of a surface is independent from any specific embedding in a Euclidean space. This implies that surfaces can be studied ''intrinsically'', that is, as stand-alone spaces, and has been expanded into the theory of manifolds and Riemannian geometry. Later in the 19th century, it appeared that geometries ...
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Easel
An easel is an upright support used for displaying and/or fixing something resting upon it, at an angle of about 20° to the vertical. In particular, easels are traditionally used by painters to support a painting while they work on it, normally standing up, and are also sometimes used to display finished paintings. Artists' easels are still typically made of wood, in functional designs that have changed little for centuries, or even millennia, though new materials and designs are available. Easels are typically made from wood, aluminum or steel. Easel painting is a term in art history for the type of midsize painting that would have been painted on an easel, as opposed to a fresco wall painting, a large altarpiece or other piece that would have been painted resting on the floor, a small cabinet painting, or a miniature created sitting at a desk, though perhaps also on an angled support. It does not refer to the way the painting is meant to be displayed; most easel paintings are ...
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