Jérôme Thibouville-Lamy
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Jérôme Thibouville-Lamy
Jérôme Thibouville-Lamy & Cie, abbreviated as "J.T.L.", was a French musical instrument making company, formed in the mid 19th century from the merger of pre-existing makers. It was based in Mirecourt, France, and was active producing large numbers of woodwind, brass and stringed instruments until the mid 20th century. The company also made large numbers of mechanical organs and organettes between 1880 and 1910. Some of these models were made with license of the Gavioli company. The name was adopted around 1867 after Louis Émile Jérôme Thibouville, a partner in the instrument maker Husson-Buthod-Thibouville, married Marguerite Hyacinthe Lamy, a cousin of his business partners, and upon becoming owner of the firm he renamed it using their combined names: Jérôme Thibouville-Lamy. Thibouville was descendant of a line of woodwind and brass instrument makers dating back to the 16th Century. However, he was primarily an entrepreneur who was keen to develop a business in str ...
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Musical Instrument
A musical instrument is a device created or adapted to make Music, musical sounds. In principle, any object that produces sound can be considered a musical instrument—it is through purpose that the object becomes a musical instrument. A person who plays a musical instrument is known as an ''#Instrumentalist, instrumentalist''. The history of musical instruments dates to the beginnings of human culture. Early musical instruments may have been used for rituals, such as a horn (music), horn to signal success on the hunt, or a drum in a religious ceremony. Cultures eventually developed composition and performance of melody, melodies for entertainment. Musical instruments evolved in step with changing applications and technologies. The exact date and specific origin of the first device considered a musical instrument, is widely disputed. The oldest object identified by scholars as a musical instrument, is Divje Babe flute, a simple flute, dated back 50,000–60,000 years. Many scho ...
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Mirecourt
Mirecourt () is a Communes of France, commune in the Vosges (French department), Vosges Departments of France, department in Grand Est in northeastern France. Mirecourt is known for lace-making and the manufacture of musical instruments, particularly those of the violin family. Geography Mirecourt is the administrative capital of a Canton of Mirecourt, canton positioned in the Xantois district at the heart of the Vosges plain, at the confluence of the Madon, River Madon with the Arol Valley. Most of the town is laid out on the west side of the Madon on a succession of levels. Visitors are attracted by the richness of the town's architecture and by the natural advantages of the site. Mirecourt is also at the heart of a road crossing, from Vittel, from Épinal to the east by southeast, from Neufchâteau, Vosges, Neufchâteau and from Nancy, France, Nancy. For much of the twentieth century Mirecourt was a staging post on the :fr:Route nationale 66, RN66, a major road towards Pari ...
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France
France, officially the French Republic, is a country located primarily in Western Europe. Overseas France, Its overseas regions and territories include French Guiana in South America, Saint Pierre and Miquelon in the Atlantic Ocean#North Atlantic, North Atlantic, the French West Indies, and List of islands of France, many islands in Oceania and the Indian Ocean, giving it Exclusive economic zone of France, one of the largest discontiguous exclusive economic zones in the world. Metropolitan France shares borders with Belgium and Luxembourg to the north; Germany to the northeast; Switzerland to the east; Italy and Monaco to the southeast; Andorra and Spain to the south; and a maritime border with the United Kingdom to the northwest. Its metropolitan area extends from the Rhine to the Atlantic Ocean and from the Mediterranean Sea to the English Channel and the North Sea. Its Regions of France, eighteen integral regions—five of which are overseas—span a combined area of and hav ...
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Woodwind
Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and Reed aerophones, reed instruments (otherwise called reed pipes). The main distinction between these instruments and other wind instruments is the way in which they produce sound. All woodwinds produce sound by splitting the air blown into them on a sharp edge, such as a reed (mouthpiece), reed or a fipple. Despite the name, a woodwind may be made of any material, not just wood. Common examples of other materials include brass, silver, cane, and other metals such as gold and platinum. The saxophone, for example, though made of brass, is considered a woodwind because it requires a reed to produce sound. Occasionally, woodwinds are made of earthen materials, especially ocarinas. Flutes Flutes produce sound by directing a focused stream of air ...
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Brass Instruments
A brass instrument is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. The term ''labrosone'', from Latin elements meaning "lip" and "sound", is also used for the group, since instruments employing this "lip reed" method of sound production can be made from other materials like wood or animal horn, particularly early or traditional instruments such as the cornett, alphorn or shofar. There are several factors involved in producing different pitches on a brass instrument. Slides, valves, crooks (though they are rarely used today), or keys are used to change vibratory length of tubing, thus changing the available harmonic series, while the player's embouchure, lip tension and air flow serve to select the specific harmonic produced from the available series. The view of most scholars (see organology) is that the term "brass instrument" should be defined by the way the soun ...
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Stringed Instruments
In musical instrument classification, string instruments, or chordophones, are musical instruments that produce sound from vibrating strings when a performer strums, plucks, strikes or sounds the strings in varying manners. Musicians play some string instruments, like guitars, by plucking the strings with their fingers or a plectrum (pick), and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow, like violins. In some keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of othe ...
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Mechanical Organ
A mechanical organ is an organ that is self-playing, rather than played by a musician. For example, the barrel organ is activated either by a person turning a crank, or by clockwork driven by weights or springs. Usually, mechanical organs are pipe organs although some instruments were built using reeds similar to those found in a harmonium. Since the 1950s, some instruments have been built using electronics to generate the sound, though still operated by mechanical or pneumatic means. From the 1990s pipe organs have been built that are operated by MIDI rather than the earlier mechanical means. Originally, the music for mechanical organs was stored by pins on a large barrel. Such instruments were called barrel organs. Such organs only have a very limited repertoire, both in the number of musical selections that could be stored, and the length of tune that could be accommodated. In the 1890s, book music was invented. This meant that the length of music was no longer constrained. ...
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Organette
The Organette was a mechanical free- reed programmable (automatic) musical instrument first manufactured in the late 1870s by several companies such as John McTammany of Cambridge, Massachusetts, the Autophone Company of Ithaca, New York, the Automatic Organ Co of Boston, Massachusetts, E.P. Needham & Sons of New York City, J.M. Draper of Blackburn, England, Paul Ehrlich & Co. of Leipzig, Germany, and The Mechanical Orguinette Co. of New York, NY as well as other manufacturers worldwide. The organette (or orguinette) used rolls of perforated paper, perforated cardboard, perforated metal disks and wooden rollers (or "cobs") on which the music was programmed. Musical scales ranged from 14 to 39 notes depending on the instrument's complexity. Air pressure or vacuum was produced by hand-, crank- or foot-operated mechanical bellows. The organette was compact and affordable with large selections of music available. Various patents credit Henry Bishop Horton (1819-1885; co-founder ...
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Gavioli
Gavioli & Cie was a Franco–Italian organ builder company that manufactured fairground organs in both Italy and later France. History Gavioli was founded in 1806 in Cavezzo, Italy, by Giacomo Gavioli (1786–1875). Giacomo's hobby was the development of automatic playing musical instruments like bird organs and flute clocks. In 1818, he moved to Modena, where he repaired carillons and tower clocks. His son Lodovico Gavioli (1807–1875) was a very clever inventor; he built a large orchestrion organ, the Panharmonico, for the Duke of Modena, who refused to buy the instrument. Ludovico then took it to London and Paris. Additionally, he designed and build the Modena's Palazzo comunale, the city hall. In 1845 Ludovico moved the business to the trade capital of the organ trade, Paris, France. From 1858 on he started his own organ building company in the Rue d'Aligre. Ludovico had three sons: Anselme, Henry and Claude. Each contributed to the business, but it is Anselme Gavioli ...
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Marc Laberte
Marc André Joseph Laberte (29 May 1880 – 29 March 1963) son of Pierre Alexis Auguste Laberte, was trained as a luthier as well as a bow maker. As early as 1911, he began to play an active role in the Laberte-Humbert Frères company. The Laberte workshop produced large range of instruments and bows consistent in quality, employed over 300 people by 1920. In addition, many skilled master makers worked for Laberte, including Camille Poirson, Charles Brugere, and Georges Apparut. The workshop owned a fine collection of instruments from all the famous makers including Antonio Stradivari, Guarneri del Gesù, Giuseppe filius Andrea Guarneri, Francesco Ruggeri, Nicolas Lupot, Jacob Stainer, and Jean-Baptiste Vuillaume. They were meticulously examined and used as models for their own instruments. The workshop was disrupted in the war, and productions resumed after the war ended. The workshop continued for several years before it eventually closed down. Family Marc Laberte was bo ...
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