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Juluka Members
Juluka was a South African band formed by Johnny Clegg and Sipho Mchunu. means "sweat" in Zulu language, Zulu, and was the name of a bull owned by Mchunu. The band was closely associated with the internal resistance to apartheid, mass movement against apartheid. History At the age of 14, Clegg met Zulu people, Zulu street musician Charlie Mzila, who taught him Zulu music and dancing over the following two years. In 1969 Johnny Clegg and Sipho Mchunu met in Johannesburg when young Sipho went there to find work. The 18-year-old Mchunu challenged the 16-year-old Clegg to a guitar contest, and the two became friends. Soon, they were performing together on the streets and in what few other unofficial venues a multi-racial band could safely play in under apartheid. They were forced to keep a low profile and their success came from word of mouth instead of through traditional publicity. Clegg himself was arrested and beaten up by the police on several occasions for his activities, and ...
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World Music
"World music" is an English phrase for styles of music from non-English speaking countries, including quasi-traditional, Cross-cultural communication, intercultural, and traditional music. World music's broad nature and elasticity as a musical category pose obstacles to a universal definition, but its ethic of interest in the culturally exotic is encapsulated in ''Roots'' magazine's description of the genre as "local music from out there".Chris Nickson. ''The NPR Curious Listener's Guide to World Music''. Grand Central Press, 2004. pp. 1-2. Music that does not follow "North American or British Pop music, pop and Folk music, folk traditions" was given the term "world music" by music industries in Europe and North America. The term was popularized in the 1980s as a marketing category for non-Western traditional music. It has grown to include subgenres such as ethnic fusion (Clannad, Ry Cooder, Enya, etc.) and worldbeat. Lexicology The term "world music" has been credited to et ...
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Universal Men
''Universal Men'' is the debut album from Juluka, a South African band led by Johnny Clegg and Sipho Mchunu. It was first released in 1979 and has acquired the status of a classic album in the history of South African music. The album explores the experiences of a Zulu migrant worker, caught between his traditional rural background and the city where he lives and works. In addition to Clegg, Mchunu, and other regular Juluka band members, the album features studio musicians including Colin Pratley of the progressive rock band Freedom's Children and jazz artists Robbie Jansen, Mervyn Africa and Sipho Gumede of the jazz band Spirits Rejoice. Juluka's early albums did not receive much airplay from the South African Broadcasting Corporation (SABC) at the time because the racially mixed band and fusion of Western and African music were contrary to the country's apartheid policy at the time. However the album's release coincided with the launch of Capital Radio 604 Capital Radi ...
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Ngoma Music
Ngoma ''(also ng'oma or ing'oma)'' is a Bantu term with many connotations that encompasses music, dance, and instruments. In Tanzania ngoma also refers to events, both significant life-changing events such as the first menstruation, the birth or passing of a loved one, as well as momentary events such as celebrations, rituals, or competitions. Ngoma was the primary form of culture throughout the Great Lakes and Southern Africa. Today it is most notable genre in Tanzania, where it is deemed an official music genre by the National Arts Council ''(BASATA - Baraza la Sanaa la Taifa)''. In Tanzania, it is experienced throughout the country, performed, taught, and studied in many schools and universities. The most notable school for ngoma is the Bagamoyo Arts and Cultural Institute, which produces the most prominent chairmen ''(directors/conductors)'' and dancers. The traditional forms of ngoma dancing consist of prominent movements of the hips. It uses a large variety of instrumen ...
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Synthesizer
A synthesizer (also synthesiser or synth) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first so ...
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Mbaqanga
Mbaqanga () is a style of South African music that emerged in the early 1960s in the urban townships, particularly around Johannesburg. It draws from a variety of ethnic traditions, including Zulu, Xhosa, Sotho, Pedi, and Tsonga musical elements. Mbaqanga blends traditional South African vocal harmonies, rhythmic patterns, and dance styles with influences from marabi, kwela, and Western popular music such as jazz. It continues to influence musicians both in South Africa and globally. History In Zulu, the term ''mbaqanga'' means an everyday cornmeal porridge. ''Mbaqanga'' aficionados were mostly plebeian, metropolitan African jazz enthusiasts. Many of them were not permitted to establish themselves in the city, but they were unable to sustain themselves in the rural country. ''Mbaqanga'' gave them a staple form of musical and spiritual sustenance; it was their "musical daily bread."Coplan, David B. "Sounds of the 'Third Way:' Identity and the African Renaissance in Contemporar ...
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Maskanda
Maskandi (also Maskanda) is a form of Zulu folk music, originally associated with migrant workers,Walking like a crab': Analyzing maskanda music in post-apartheid South Africa
Barbara Titus, ''Ethnomusicology'', 2013
that is evolving with n society. Thought to be pioneered by Phuzushukela (John Bhengu). Often characterised by a picking guitar style which draws on a variety of historical influences it also has an important social function with players being given sanction to publicly criticise powerful people.


Origins

The ...
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Crocodile Love
''Crocodile Love'' is the final studio album from Juluka, a South African band led by Johnny Clegg and Sipho Mchunu Sipho Mchunu (born 1951, Kranskop, South Africa) is a South African musician best known for his work in the band Juluka from the 1970s to the 1980s. Mchunu's compositions, vocals and guitar work brought Zulu folk styles such as maskanda and mbaqa .... It was first released in 1997. It was entitled ''Ya Vuka Inkunzi - The Bull has Risen'' in South Africa. Track listing #Love Is Just A Dream (Tatazela) #Crocodile Love #Tholakele #My Big Lady (Studla Sami) #Isoka Lizo Kuthatha #Journey's End (Emalonjeni) #Umuzi Wami #Circle Of Light #Thandazani #Ubaba Akalele #Makhelwane #Crocodile Love (remix) #Crocodile Love (extended remix) #Laduma (South Africa World Cup Anthem) The last three tracks did not appear on ''Ya Vuka Inkunzi''. External links Crocodile Love - on the Juluka website Juluka albums 1997 albums {{world-album-stub ...
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KwaZulu-Natal Province
KwaZulu-Natal (, also referred to as KZN) is a Provinces of South Africa, province of South Africa that was created in 1994 when the government merged the Zulu people, Zulu bantustan of KwaZulu ("Place of the Zulu" in Zulu language, Zulu) and Natal Province. It is located in the southeast of the country, with a long shoreline on the Indian Ocean. It shares borders with three other provinces and the countries of Mozambique, Eswatini and Lesotho. Its capital is Pietermaritzburg, and its largest city is Durban, which is also the Port of Durban, city with the largest port in sub-saharan Africa. It is the second-most populous province in South Africa, after Gauteng. Two areas in KwaZulu-Natal have been declared UNESCO World Heritage Sites: the iSimangaliso Wetland Park and the uKhahlamba Drakensberg Park. These areas are important to the surrounding ecosystems. During the 1830s and early 1840s, the northern part of what is now KwaZulu-Natal was established as the Zulu Kingdom. The ...
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Musicians' Union (UK)
The Musicians' Union (MU) is an organisation which represents over 30,000 musicians working in all sectors of the British music business. Royalties The Musicians' Union (MU) Royalty Department, in its current form, was set up in July 2011. For the most part it deals with income for non-featured (session musicians) from the further use or secondary use of sound recordings on which they have performed. The MU uses existing collective bargaining agreements with the British Phonographic Industry (BPI) to invoice record companies, film companies, advertising companies and production companies for use of performances, and is then responsible in distributing the funds collected to both MU members and non-MU members. The MU has no accessible database for member or non-member performers to access or cross-reference sound recordings in which they have performed. History On 7 May 1893 in Manchester a meeting was held to form a union for musicians, twenty musicians attended and formed th ...
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Battle Of Isandlwana
The Battle of Isandlwana (alternative spelling: Isandhlwana) on 22 January 1879 was the first major encounter in the Anglo-Zulu War between the British Empire and the Zulu Kingdom. Eleven days after the British invaded the Zulu Kingdom, Zululand Empire in Southern Africa, a Zulu force of some 20,000 warriors attacked a portion of the British main column consisting of approximately 1,800 British, colonial and native troops with approximately 350 civilians. The Zulus were equipped mainly with the traditional assegai iron spears and cow-hide shields, but also had a number of muskets and antiquated rifles.Smith-Dorrien, Chapter 1B "It was a marvellous sight, line upon line of men in slightly extended order, one behind the other, firing as they came along, for ''a few of them had firearms'', bearing all before them." eyewitness account, emphasis added The British and colonial troops were armed with the modern Martini–Henry breechloader, breechloading rifle and two RML 7-pounder moun ...
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African Litany
''African Litany'' is the second studio album from South African band Juluka, released in 1981. It features lyrics sung in English and Zulu. The first track, "Impi", which became one of the band's hits, retells the story of the Battle of Isandlwana, won by the Zulu, and was banned from the radio in South Africa at the time, but gained underground popularity. It remains a cult classic in South Africa and has now become mainstream to the point of often been associated with international sports events, in particular rugby. Track listing # "Impi" (Clegg) # "African Sky Blue" (Clegg, Mchunu) # "Jarusalema" (Clegg) # "African Litany" (Clegg) # "Bull-Man-Free" (Clegg, Mchunu) # "Gijim'beke" (Mchunu) # "Heart of the Dancer" (Clegg) # "High Country" (Clegg) # "Mama Shabalala" (Clegg) # "Thandiwe" (Mchunu) Personnel * Johnny Clegg - vocals, guitar * Sipho Mchunu Sipho Mchunu (born 1951, Kranskop, South Africa) is a South African musician best known for his work in the band Juluka ...
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Jean-Paul Sartre
Jean-Paul Charles Aymard Sartre (, ; ; 21 June 1905 – 15 April 1980) was a French philosopher, playwright, novelist, screenwriter, political activist, biographer, and literary criticism, literary critic, considered a leading figure in 20th-century French philosophy and Marxism. Sartre was one of the key figures in the philosophy of existentialism (and Phenomenology (philosophy), phenomenology). His work has influenced sociology, critical theory, post-colonial theory, and literary studies. He was awarded the 1964 Nobel Prize in Literature despite attempting to refuse it, saying that he always declined official honors and that "a writer should not allow himself to be turned into an institution." Sartre held an open relationship with prominent feminist and fellow existentialist philosopher Simone de Beauvoir. Together, Sartre and de Beauvoir challenged the culture, cultural and society, social assumptions and expectations of their upbringings, which they considered bourgeois, ...
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