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Julius Soubise
Julius Soubise (c. 1754 – 25 August 1798) was a formerly enslaved Afro-Caribbean man and a well-known fop in late eighteenth-century Britain. The satirized depiction of Soubise, ''A Mungo Macaroni'', is a relic of intersectionality between race, class, and gender in eighteenth-century London. His life of luxury as a free man of colour allowed him to excel in elite activities such as fencing and made him notorious in London's social scene as an exception to norms. Biography Soubise was born on the island of St. Kitts in the Caribbean, the son of an enslaved Jamaican woman. He was bought by Royal Navy Captain Stair Douglas and taken to England, enslaved, at ten years of age, under the name Othello. In 1764, he was given to Catherine Douglas, Duchess of Queensberry, Captain Douglas' relative and an eccentric emblem of London's high society, who manumitted him. He was renamed after a French duke, Charles de Rohan, by the Duchess. She gave Soubise a privileged life, treating him ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Catherine Lynette Innes
Lyn Innes (born 1940) is an Australian-born British academic and author, who is Emeritus Professor of Postcolonial Literatures at the University of Kent at Canterbury. Her interest is in studies of cultural nationalism, with her work focusing on Irish, African, African-American and Caribbean literatures, in which field she has been a scholar of note for more than five decades. As a great-granddaughter of the last Nawab of Bengal, Mansur Ali Khan, Innes is the author of a family memoir entitled ''The Last Prince of Bengal: A Family's Journey from an Indian Palace to the Australian Outback'' (2021). Background Catherine Lynette Innes was born in Australia and, living on a remote mountain farm, was educated at home, before going to boarding-school and university in Sydney. After receiving her BA degree from the University of Sydney, in 1963 she moved to North America to do postgraduate studies, earning an M.A. from the University of Oregon. She also taught at several American unive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Blackface
Blackface is the practice of performers using burned cork, shoe polish, or theatrical makeup to portray a caricature of black people on stage or in entertainment. Scholarship on the origins or definition of blackface vary with some taking a global perspective that includes European culture and Western colonialism. Blackface became a global phenomenon as an outgrowth of theatrical practices of racial misrepresentation, racial impersonation popular throughout Britain and its colonial empire, where it was integral to the development of imperial racial politics. Scholars with this wider view may date the practice of blackface to as early as Medieval Europe's mystery plays when bitumen and coal were used to darken the skin of white performers portraying demons, devils, and damned souls. Still others date the practice to English Renaissance theatre, English Renaissance theater, in works such as William Shakespeare's ''Othello''. However, some scholars see blackface as a specific pract ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Othello
''The Tragedy of Othello, the Moor of Venice'', often shortened to ''Othello'' (), is a tragedy written by William Shakespeare around 1603. Set in Venice and Cyprus, the play depicts the Moorish military commander Othello as he is manipulated by his ensign, Iago, into suspecting his wife Desdemona of infidelity. ''Othello'' is widely considered one of Shakespeare's greatest works and is usually classified among his major tragedies alongside ''Macbeth'', ''King Lear'', and ''Hamlet''. Unpublished in the author's life, the play survives in one quarto edition from 1622 and in the First Folio. ''Othello'' has been one of Shakespeare's most popular plays, both among playgoers and literary critics, since its first performance, spawning numerous stage, screen, and operatic adaptations. Among actors, the roles of Othello, Iago, Desdemona, and Emilia (Iago's wife) are regarded as highly demanding and desirable. Critical attention has focused on the nature of the play's tragedy, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Henry Charles Angelo The Younger
Henry Charles Angelo the Younger (1780-1852) was a British master of fencing, part of the Angelo Family of fencers. Early life Henry was born in 1780''Paths of Glory'', The Friends of Kensal Green Cemetery, London, 1997, p. 10. to Henry Angelo (1756-1835). He was the grandson of Domenico Angelo, Domenico Angelo Malevolti Tremamondo (1716 or 1717 to 1802), the founder of the dynasty. Career The younger Henry took over his father's fencing academy in Bond Street from his father in 1817. He subsequently moved it to St. James's Street (1830-1896). He was superintendent of sword exercise to the British Army and the Royal Navy (1833-1852). Death Henry died in 1852. He is buried in Kensal Green Cemetery. Selected publications *The Infantry Sword Exercise'. 1845. * The Reminiscences of Henry Angelo, 1830 References 1780 births 1852 deaths Burials at Kensal Green Cemetery English male fencers Angelo family, Henry Charles, the Younger {{UK-fencing-bio-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Satire
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of exposing or shaming the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. Satire may also poke fun at popular themes in art and film. A prominent feature of satire is strong irony or sarcasm—"in satire, irony is militant", according to literary critic Northrop Frye— but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
William Austin (caricaturist)
William Austin (1721 – 11 May 1820, Brighton) was an English artist, drawing-master, engraver and caricaturist. A rival of Matthew Darly, he used a distinctive grainy, woodblock-like style. Life and work Austin, was born in London in 1721. He was a pupil of George Bickham, but after having engraved a few plates, chiefly landscapes of no great merit, he relinquished the practice of the art, and devoted the remainder of his life to teaching drawing, first in London and afterwards in Brighton, Sussex. He is recorded in list of eminent painters in the ''Universal Magazine'' in 1748. Among his engravings are four plates of the "Ruins of Ancient Rome" (after Pannini), 4 plates of the "Ruins of Palmyra", 6 "Sea-pieces" (after Van Goyen), and "The Four Times of the Day" (views in Holland after Waterloo, Ruisdael, Van Goyen, and Van der Neer. He likewise engraved with Paul Sandby, Vivares, and others, some views of "Windsor Park" and "Virginia Water", and also published in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Isaac Bickerstaffe
Isaac Bickerstaffe or Bickerstaff (26 September 1733 – after 1808) was an Irish playwright and librettist. Early life Isaac John Bickerstaff was born in Dublin, on 26 September 1733, where his father John Bickerstaff held a government position overseeing the construction and management of sports fields including bowls and tennis courts. The office was abolished in 1745, and he received a pension from the government for the rest of his life. In his early years, Isaac was a page to Lord Chesterfield, the Lord Lieutenant of Ireland, which allowed him to mix with fashionable Dublin society. When Chesterfield was replaced in the position in 1745 he arranged for Isaac to be given a commission in the army. In October 1745, Bickerstaff joined the 5th Regiment of Foot known as the Northumberland Fusiliers. He served as an Ensign until 1746, when he was promoted to Lieutenant. The regiment, under the command of Alexander Irwin, was on the Irish Establishment and was based in Kin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
The Padlock
''The Padlock'' is a two-act ' afterpiece' opera by Charles Dibdin. The text was by Isaac Bickerstaffe. It debuted in 1768 at the Drury Lane Theatre in London as a companion piece to '' The Earl of Warwick''. It partnered other plays before a run of six performances in tandem with '' The Fatal Discovery'' by John Home. "The Padlock" was a success, largely due to Dibdin's portrayal of Mungo, a blackface caricature of a black servant from the West Indies. The company took the production to the United States the next year, where a portrayal by Lewis Hallam, Jr. as Mungo met with even greater accolades. The libretto was first published in London around 1768 and in Dublin in 1775. The play remained in regular circulation in the U.S. as late as 1843. It was revived by the Old Vic Company in London and on tour in the UK in 1979 in a new orchestration by Don Fraser and played in a double-bill with Garrick's ''Miss In Her Teens''. The role of Mungo was, again, played by a white actor. Op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Comic Opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, ''opera buffa'', emerged as an alternative to ''opera seria''. It quickly made its way to France, where it became ''opéra comique'', and eventually, in the following century, Operetta#Operetta in French, French operetta, with Jacques Offenbach as its most accomplished practitioner. The influence of Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include German ''singspiel'', Operetta#Austria–Hungary, Viennese operetta, Spanish ''zarzuela'', Russian comic opera, English ballad opera, ballad and Savoy opera, North American operetta and musical comedy. Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Dandy
A dandy is a man who places particular importance upon physical appearance and personal grooming, refined language and leisurely hobbies. A dandy could be a self-made man both in person and ''persona'', who emulated the aristocratic style of life regardless of his middle-class origin, birth, and background, especially during the late 18th and early 19th centuries in Britain.''dandy'': "One who studies ostentatiously to dress fashionably and elegantly; a fop, an exquisite." (''OED''). Early manifestations of dandyism were ''Le petit-maître'' (the Little Master) and the musk-wearing Muscadin ruffians of the middle-class Thermidorean reaction (1794–1795). Modern dandyism, however, emerged in stratified societies of Europe during the 1790s revolution periods, especially in London and Paris. Within social settings, the dandy cultivated a persona characterized by extreme posed cynicism, or "intellectual dandyism" as defined by Victorian novelist George Meredith; whereas Thom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Maccaroni (fashion)
A macaroni (formerly spelled maccaroni) was a pejorative term used to describe a fashionable fellow of 18th-century Britain. Stereotypically, men in the macaroni subculture dressed, spoke, and behaved in an unusually epicene and androgynous manner. The term "macaroni" pejoratively referred to a man who "exceeded the ordinary bounds of fashion" in terms of high-end clothing, fastidious eating, and gambling. He mixed Continental affectations with his British nature, like a practitioner of macaronic verse (which mixed English and Latin to comic effect), laying himself open to satire. The macaronis became seen in stereotyped terms in Britain, being seen as a symbol of inappropriate bourgeois excess, effeminacy, and possible homosexuality – which was then legally viewed as sodomy. At the time, homosexuality was frowned upon, and was even punishable by death. Many modern critics view the macaroni as representing a general change in 18th-century British society such as political ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
