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Juan Antonio De Frías Y Escalante
Juan Antonio de Frías y Escalante (1633 in Cordoba–1669 in Madrid) was a Spanish Baroque Golden Age painter. He was born in Córdoba, studied under Francisco Rizi, Francisco Ricci in Madrid, and developed a career in the Spanish Court despite his early death. He was an admirer of Venetian paintings by Tintoretto and Paolo Veronese, Veronese. His last paintings are in the rococo style. He is known for his religious paintings, e.g. Roman Catholic Marian art depicting the Immaculate Conception. References *Alfonso Pérez Sánchez, Pérez Sánchez, Alfonso E. (1992). ''Baroque Paintings in Spain 1600-1750'', Madrid : Ediciones Cátedra. . *Antonio Palomino, Palomino, Antonio (1988). ''El museo pictórico y escala óptica III. El parnaso español pintoresco laureado'', p. 333. Madrid : Aguilar S.A. de Ediciones. . *Requena Bravo de Laguna, José Luis, ''Nuevas aportaciones a la Juno de Alonso Cano: su procedencia y reinterpretación en la obra de Juan Antonio de Frías y Escalan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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''Juan'' is a given name, the Spanish language, Spanish and Manx language, Manx versions of ''John (given name), John''. The name is of Hebrew origin and has the meaning "God has been gracious." It is very common in Spain and in other Spanish-speaking countries around the world and in the Philippines, and also in the Isle of Man (pronounced differently). The name is becoming popular around the world and can be pronounced differently according that region. In Spanish language, Spanish, the diminutive form (equivalent to ''Johnny'') is , with feminine form (comparable to ''Jane'', ''Joan'', or ''Joanna'') , and feminine diminutive (equivalent to ''Janet'', ''Janey'', ''Joanie'', etc.). Chinese terms * ( or 娟, 隽) 'beautiful, graceful' is a common given name for Chinese women. * () The Chinese character :wiktionary:卷, 卷, which in Mandarin is almost homophonic with the characters for the female name, is a division of a traditional Chinese manuscript or book and can be tran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque ( , , ) is a Western Style (visual arts), style of Baroque architecture, architecture, Baroque music, music, Baroque dance, dance, Baroque painting, painting, Baroque sculpture, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassicism, Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran art#Baroque period, Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep color, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to the rest of Italy, France, Spain, and Portugal, then to Austria, southern Germany, Poland and Russia. By the 1730s, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Golden Age
The term Golden Age comes from Greek mythology, particularly the ''Works and Days'' of Hesiod, and is part of the description of temporal decline of the state of peoples through five Ages of Man, Ages, Gold being the first and the one during which the Golden Race of humanity ( ''chrýseon génos'') lived. After the end of the first age was the Silver age, Silver, then the Bronze Age (mythology), Bronze, after this the Greek Heroic Age, Heroic age, with the fifth and current age being Iron Age (mythology), Iron. By extension, "Golden Age" denotes a period of primordial peace, harmony, ecological stability, stability, and prosperity. During this age, peace and harmony prevailed in that people did not have to work to feed themselves for the earth provided food in abundance. They lived to a very old age with a youthful appearance, eventually dying peacefully, with spirits living on as "guardians". Plato in ''Cratylus (dialogue), Cratylus'' (397 e) recounts the golden race of humans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco Rizi
Francisco Rizi, or Francisco Ricci de Guevara (9 April 1614 – 2 August 1685) was a Spanish painter of Italian ancestry. Biography He was born in Madrid. His father, Antonio Ricci, was an Italian painter, originally from Ancona, who had come to Spain in 1583 to do decorative work at El Escorial. His brother, Juan, also became a painter. After beginning his apprenticeship in his father's workshop, he studied with Vicente Carducho, who was also of Italian origin. Thanks to Carducho's influence, he was able to make contacts at the Royal Court in 1634. After Carducho's death in 1638, he joined with several other painters to create decorations for the Golden Salon at the Royal Alcázar of Madrid. These were destroyed in the Great Fire of 1734. Between 1640 and 1649, he became one of the earliest painters in Spain to adopt the Baroque style. A notable example is the large altarpiece made for the Capuchins, in a style reminiscent of Pieter Paul Rubens or Anthony van Dyck. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tintoretto
Jacopo Robusti (late September or early October 1518Bernari and de Vecchi 1970, p. 83.31 May 1594), best known as Tintoretto ( ; , ), was an Italian Renaissance painter of the Venetian school. His contemporaries both admired and criticized the speed with which he painted, and the unprecedented boldness of his brushwork. For his phenomenal energy in painting he was termed . His work is characterised by his muscular figures, dramatic gestures and bold use of perspective, in the Mannerist style. Life The years of apprenticeship Tintoretto was born in Venice in 1518. His father, Battista, was a dyer – in Italian and in Venetian; hence the son got the nickname of Tintoretto, "little dyer", or "dyer's boy". Tintoretto is known to have had at least one sibling, a brother named Domenico, although an unreliable 17th-century account says his siblings numbered 22. The family was believed to have originated from Brescia, in Lombardy, then part of the Republic of Venice. Older studi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Veronese
Paolo Caliari (152819 April 1588), known as Paolo Veronese ( , ; ), was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as ''The Wedding at Cana (Veronese), The Wedding at Cana'' (1563) and ''The Feast in the House of Levi'' (1573). Included with Titian, a generation older, and Tintoretto, a decade senior, Veronese is one of the "great trio that dominated Venetian painting of the ''cinquecento''" and the Late Renaissance in the 16th century.Rosand, 107 Known as a supreme colorist, and after an early period with Mannerism, Paolo Veronese developed a naturalist style of painting, influenced by Titian. His most famous works are elaborate narrative cycles, executed in a dramatic and colorful style, full of majestic architectural settings and glittering pageantry. His large paintings of biblical feasts, crowded with figures, painted for the refectories of monasteries in Venice and Verona are especially famous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rococo
Rococo, less commonly Roccoco ( , ; or ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence other arts, particularly sculpture, furniture, silverware, glassware, painting, music, theatre, and literature. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Catholic Marian Art
Mary has been one of the major subjects of Western art for centuries. There is an enormous quantity of Marian art in the Catholic Church, covering both devotional subjects such as the Virgin and Child and a range of narrative subjects from the '' Life of the Virgin'', often arranged in cycles. Most medieval painters, and from the Reformation to about 1800 most from Catholic countries, have produced works, including old masters such as Michelangelo and Botticelli. Marian art forms part of the fabric of Catholic Marian culture through their emotional impact on her veneration. Images such as Our Lady of Guadalupe and the many artistic renditions of it as statues are not simply works of art but are a central element of the daily lives of the Mexican people. Both Hidalgo and Zapata flew Guadalupan flags and depictions of the Virgin of Guadalupe continue to remain a key unifying element in the Mexican nation.''The Virgin of Guadalupe'' by Maxwell E. Johnson 2003 pp. 41–43 The stu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Immaculate Conception
The Immaculate Conception is the doctrine that the Virgin Mary was free of original sin from the moment of her conception. It is one of the four Mariology, Marian dogmas of the Catholic Church. Debated by medieval theologians, it was not defined as a Dogma in the Catholic Church, dogma until 1854, by Pope Pius IX in the papal bull ''Ineffabilis Deus''. While the Immaculate Conception asserts Mary's freedom from original sin, the Council of Trent, held between 1545 and 1563, had previously affirmed her freedom from Catholic hamartiology, personal sin. The Immaculate Conception became a popular subject in literature, but its abstract nature meant it was late in appearing as a subject in works of art. The iconography of Our Lady of the Immaculate Conception shows Mary standing, with arms outstretched or hands clasped in prayer. The feast day of the Immaculate Conception is December 8. Many Protestant churches rejected the doctrine of the Immaculate Conception as unscriptural, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfonso Pérez Sánchez
Alfonso Emilio Pérez Sánchez (16 June 1935 – 14 August 2010) was a Spanish art historian, specialising in Baroque art. From 1983 to 1991 he was director of the Prado Museum, a period during which he led the museum's modernisation as Spain moved to democracy. He had previously been a sub-director of the Prado from 1972 to 1981. He was also a member of the Real Academia de la Historia, the Real Academia de Bellas Artes de San Fernando and the Accademia Nazionale dei Lincei. Life Education Born in Cartagena, he studied for his licentiate at the University of Valencia as well as studying the specialism of direction at the Escuela Oficial de Cine de Madrid with Basilio Martín Patino, Picazo, Manuel Summers and Gabriel Blanco. He was also interested in poetry during his youth, creating the poetry review ''La Caña Gris''. His own ppoems were finally published in Madrid in 2003 as ''Poemas 1952-1968'' with an introduction by his friend Francisco Brines. From 1960 to 1961 he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Palomino
Acislo Antonio Palomino de Castro y Velasco (165513 April 1726) was a Spanish painter of the Baroque period, and a writer on art, author of ''El Museo pictórico y escala óptica'', which contains a large amount of important biographical material on Spanish artists. Life Antonio Palomino was born to a respectable family at Bujalance, near Córdoba in 1655. He studied philosophy, theology and law at Córdoba, and had lessons in painting from Juan de Valdés Leal, who visited there in 1672, and afterwards from Juan de Alfaro y Gamez in 1675. After taking minor orders Palomino moved to Madrid in 1678, where he associated with Alfaro, Claudio Coello, and Juan Carreño de Miranda, and executed some indifferent frescoes. He soon afterwards married a lady of rank, and, having been appointed ''alcalde'' of the ''mesta'', was himself ennobled; in 1688 he was appointed painter to King Charles II.The artist visited Valencia in 1697 and remained there for three or four years, dev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alonso Cano
Alonso Cano Almansa or Alonzo Cano (19 March 16013 September 1667) was a Spanish painter, architect, and sculptor born in Granada.Alonso Cano – article Biography He learned architecture from his father, ; painting in the academy of Juan del Castillo, and from[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
