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Joseph Parrocel
Joseph Parrocel (3 October 1646 – 1 March 1704) was a French Baroque painter, best known for his paintings and drawings of battle scenes. He was born in Brignoles, into an artistic family that produced fourteen painters over six generations. His grandfather Georges Parrocel (1540- ca. 1614) (no surviving works) and his father Barthélemy Parrocel (1595–1660) were both painters. One badly restored painting of Bathélemy survives in the church of Saint-Sauveur in Brignoles, France. His brothers Jean Barthélemy Parrocel (1631–1653) (no surviving works) and Louis Parrocel (1634–1694) also became painters. He was soon noticed He was only thirteen years old when his father died in 1660. His elder brother Louis, who was already established as a painter in the Languedoc, took him under his care and gave him a training as painter. Three years later he ran away from his brother's house to Marseilles. His talent as a painter became soon noticed and he got a commission for a numbe ...
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Baroque
The Baroque ( , , ) is a Western Style (visual arts), style of Baroque architecture, architecture, Baroque music, music, Baroque dance, dance, Baroque painting, painting, Baroque sculpture, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassicism, Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran art#Baroque period, Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep color, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to the rest of Italy, France, Spain, and Portugal, then to Austria, southern Germany, Poland and Russia. By the 1730s, i ...
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Académie Royale
An academy (Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of tertiary education. The name traces back to Plato's school of philosophy, founded approximately 386 BC at Akademia, a sanctuary of Athena, the goddess of wisdom and skill, north of Athens, Greece. The Royal Spanish Academy defines academy as scientific, literary or artistic society established with public authority and as a teaching establishment, public or private, of a professional, artistic, technical or simply practical nature. Etymology The word comes from the ''Academy'' in ancient Greece, which derives from the Athenian hero, '' Akademos''. Outside the city walls of Athens, the gymnasium was made famous by Plato as a center of learning. The sacred space, dedicated to the goddess of wisdom, Athena, had formerly been an olive grove, hence the expression "the groves of Academe". In these gardens, the philosopher Plato conversed with followers. Plato developed his sessio ...
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Antoine Watteau
Jean-Antoine Watteau (, , ; baptised 10 October 1684died 18 July 1721) Alsavailablevia Oxford Art Online (subscription needed). was a French Painting, painter and Drawing, draughtsman whose brief career spurred the revival of interest in colour and movement, as seen in the tradition of Antonio da Correggio, Correggio and Peter Paul Rubens, Rubens. He revitalized the waning Baroque style, shifting it to the less severe, more naturalistic, less formally classical, Rococo. Watteau is credited with inventing the genre of ''fête galante, fêtes galantes'', scenes of bucolic and idyllic charm, suffused with a theatrical air. Some of his best known subjects were drawn from the world of commedia dell'arte, Italian comedy and ballet. Early life and training Jean-Antoine Watteau was born in October 1684 in Valenciennes, once an important town in the County of Hainaut which became sequently part of the Burgundian Netherlands, Burgundian and Habsburg Netherlands until its secession to Fran ...
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Fête Galante
''Fête galante'' () (courtship party) is a category of painting specially created by the French Academy in 1717 to describe Antoine Watteau's (1684–1721) variations on the theme of the fête champêtre, which featured figures in ball dress or masquerade costumes disporting themselves amorously in parkland settings. When Watteau applied to join the French academy in 1717, there was no suitable category for his works, so the academy simply created one rather than reject his application. His reception piece was the '' Embarkation for Cythera'', now in the Louvre.Clarke, M. & D. (2010) "fête galante" in ''The Concise Oxford Dictionary of Art Terms''. oxfordreference.com, Oxford University Press. Retrieved 8 November 2013.Fête Galante
''Glossary'',

Hôtel De Toulouse
The Hôtel de Toulouse (), former Hôtel de La Vrillière is located at 1 rue de La Vrillière, in the 1st arrondissement of Paris. Originally, the mansion had a large garden with a formal parterre to the southwest. History It was built between 1635 and 1640 by François Mansart, for Louis Phélypeaux, seigneur de La Vrillière. This included its noted 'Galerie dorée' or gilded gallery, for which Phélypeaux also commissioned nine paintings: *Guercino - **'' Cato of Utica Bidding Farewell to his Son'', 1635, musée des Beaux-Arts de Marseille ** ''Coriolanus' Mother Pleading With Him'', 1643, musée des Beaux-arts, Caen **'' Hersilia Separating Romulus and Tatius'', 1645, Louvre, Paris *Pietro da Cortona: **'' Caesar Restoring Cleopatra to the Throne of Egypt'', musée des beaux-arts de Lyon **'' Romulus and Remus Taken in by Faustulus'' or ''Faustulus Entrusting Romulus and Remus to Larentia'', Louvre, Paris **''Augustus and the Sibyl'', musée des beaux-arts de Nancy *Alessandro ...
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Hôtel De Soubise
The Hôtel de Soubise () is a city mansion '' entre cour et jardin''. It is located at 60 Rue des Francs-Bourgeois in the 3rd arrondissement of Paris, France. History The Hôtel de Soubise was built as an ''hôtel particulier'' for the Prince and Princess de Soubise on the site of a semi-fortified manor house named the ''Grand-Chantier'' built in 1375 for ''connétable'' Olivier de Clisson, that had formerly been a property of the Templars. The site previously contained the Hôtel de Guise, the Paris residence of the Dukes of Guise, a cadet branch of the House of Lorraine. It was the birthplace of the last Duke, Francis Joseph, Duke of Guise, the son of Élisabeth Marguerite d'Orléans, Duchess of Alençon. He died in 1675 and the Guise estate passed to Marie de Lorraine who died at the Hôtel in 1688 having been born there in 1615. On March 27, 1700, François de Rohan, prince de Soubise bought the Hôtel de Clisson, lately de Guise, and asked the architect Pierr ...
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Jules Hardouin Mansart
Jules Hardouin-Mansart (; 16 April 1646 – 11 May 1708) was a French Baroque architect and builder whose major work included the Place des Victoires (1684–1690); Place Vendôme (1690); the domed chapel of Les Invalides (1690), and the Grand Trianon of the Palace of Versailles. His monumental work was designed to glorify the reign of Louis XIV of France. Biography Born Jules Hardouin in Paris in 1646, he studied under his renowned great-uncle François Mansart, one of the originators of the classical tradition in French architecture; Hardouin inherited Mansart's collection of plans and drawings and added Mansart's name to his own in 1668. He began his career as an entrepreneur in building construction, in partnership with his brother Michel, but then decided in 1672 to devote himself entirely to architecture. In 1674, he became one of the group of royal architects working for Louis XIV. His first important project was the Château de Clagny, built for the King's consort, ...
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Combat De Leuze, 18 September 1691
Combat ( French for ''fight'') is a purposeful violent conflict between multiple combatants with the intent to harm the opposition. Combat may be armed (using weapons) or unarmed ( not using weapons). Combat is resorted to either as a method of self-defense or to impose one's will upon others. An instance of combat can be a standalone confrontation or part of a wider conflict, and its scale can range from a fight between individuals to a war between organized groups. Combat may also be benign and recreational, as in the cases of combat sports and mock combat. Combat may comply with, or be in violation of, local or international laws regarding conflict. Examples of rules include the Geneva Conventions (covering the treatment of people in war), medieval chivalry, the Marquess of Queensberry Rules (covering boxing), and the individual rulesets of various combat sports. Hand-to-hand combat Hand-to-hand combat (melee) is combat at very close range, attacking the opponent with the ...
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Palace Of Versailles
The Palace of Versailles ( ; ) is a former royal residence commissioned by King Louis XIV located in Versailles, Yvelines, Versailles, about west of Paris, in the Yvelines, Yvelines Department of Île-de-France, Île-de-France region in France. The palace is owned by the government of France and since 1995 has been managed, under the direction of the Ministry of Culture (France), French Ministry of Culture, by the Public Establishment of the Palace, Museum and National Estate of Versailles. About 15,000,000 people visit the palace, park, or gardens of Versailles every year, making it one of the most popular tourist attractions in the world. Louis XIII built a hunting lodge at Versailles in 1623. His successor, Louis XIV, expanded the château into a palace that went through several expansions in phases from 1661 to 1715. It was a favourite residence for both kings, and in 1682, Louis XIV moved the seat of his court and government to Versailles, making the palace the ''de fact ...
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Château De Marly
The Château de Marly () was a French royal residence located in what is now Marly-le-Roi, the commune on the northern edge of the royal park. This was situated west of the palace and garden complex at Versailles. Marly-le-Roi is the town that developed to serve the château, which was demolished in 1806 after passing into private ownership and being used as a factory. The town is now a bedroom community for Paris. At the Château of Marly, Louis XIV of France escaped from the formal rigors he was constructing at Versailles. Small rooms meant less company, and simplified protocol; courtiers, who fought among themselves for invitations to Marly, were housed in a revolutionary design of twelve pavilions built in matching pairs flanking the central sheets of water, which were fed one from the other by formalized cascades (''illustration, right''). After the French Revolution, about 1800, the château was sold to a private owner. He demolished it in 1806 after his factory there fa ...
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Les Invalides
The Hôtel des Invalides (; ), commonly called (; ), is a complex of buildings in the 7th arrondissement of Paris, France, containing museums and monuments, all relating to the military history of France, as well as a hospital and an old soldiers' retirement home, the building's original purpose. The buildings house the Musée de l'Armée, the museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d'Histoire Contemporaine. The complex also includes the Cathedral of Saint-Louis-des-Invalides, the national cathedral of the French military. It is adjacent to the Royal Chapel known as the , the tallest church building in Paris at a height of 107 meters. The latter has been converted into a shrine to some of France's leading military figures, most notably the tomb of Napoleon. History Louis XIV initiated the project by an order dated 24 November 1670 to create a home and hospital for aged and disabled () soldiers, the veterans of his many military campaigns ...
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François-Michel Le Tellier, Marquis De Louvois
François Michel Le Tellier, Marquis de Louvois (; 18 January 1641 – 16 July 1691) was the French Secretary of State for War during a significant part of the reign of Louis XIV. He is commonly referred to as "Louvois". Together with his father, Michel le Tellier, he oversaw an increase in the numbers of the French Army, eventually reaching 340,000 soldiersLynn, J. (1994). Recalculating French Army Growth during the Grand Siecle, 1610-1715. ''French Historical Studies,'' ''18''(4), 881-906. doi:10.2307/286722 – an army that would fight four wars between 1667 and 1713. Louvois was a key military and strategic advisor to Louis XIV, who transformed the French Army into an instrument of royal authority and foreign policy. According to Cathal Nolan, he created the Régiment du Roi in 1663 and founded the Royal-Artillerie regiment in 1673. These innovations influenced military planners beyond France. Louvois sought out new wars as a means of concentrating more power and wealth in ...
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