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Jo-ha-kyū
is a concept of modulation and movement applied in a wide variety of traditional Japanese arts. Roughly translated to "beginning, break, rapid", it essentially means that all actions or efforts should begin slowly, speed up, and then end swiftly. This concept is applied to elements of the Japanese tea ceremony, martial arts (kenjutsu, iaido, kendō, karate), dramatic structure in the traditional theatre, and to the traditional collaborative linked verse forms renga and renku (haikai no renga). The concept originated in ''gagaku'' court music, specifically in the ways in which elements of the music could be distinguished and described. Though eventually incorporated into a number of disciplines, it was most famously adapted, and thoroughly analysed and discussed by the great Noh playwright Zeami, who viewed it as a universal concept applying to the patterns of movement of all things. Theatre It is perhaps in the theatre that ''jo-ha-kyū'' is used the most extensively, on t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Culture
Japanese culture has changed greatly over the millennia, from the country's prehistoric Jōmon period, to its contemporary modern culture, which absorbs influences from Asia and other regions of the world. Since the Jomon period, ancestral groups like the Yayoi period, Yayoi and Kofun period, Kofun, who arrived to Japan from Korea and China, respectively, have shaped Japanese culture. Rice cultivation and centralized leadership were introduced by these groups, shaping Japanese culture. Chinese dynasties, particularly the Tang dynasty, have influenced Japanese culture throughout history and brought it into the Sinosphere. After 220 years of isolation, the Meiji era opened Japan to Western influences, enriching and diversifying Japanese culture. Japanese popular culture, Popular culture shows how much contemporary Japanese culture influences the world. Identity There are two competing hypotheses that try to explain the lineage of the Japanese people. The first hypothesis p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Theatre of Japan, Japanese theatre, mixing dramatic performance with Japanese traditional dance, traditional dance. Kabuki theatre is known for its heavily stylised performances, its glamorous, highly decorated costumes, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the early Edo period, when the art's founder, Izumo no Okuni, formed a female dance troupe that performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fūshikaden
, also called , was a Japanese Aesthetics, aesthetician, actor, and playwright. His father, Kan'ami, Kan'ami Kiyotsugu, introduced him to Noh theater performance at a young age, and found that he was a skilled actor. Kan'ami was also skilled in acting and formed a family theater ensemble. As it grew in popularity, Zeami had the opportunity to perform in front of the Ashikaga shogunate, Shōgun, Ashikaga Yoshimitsu. The Shōgun was impressed by the young actor and began to compose a close relationship with him. Although some think that due to the prevalence of exploration of male love in Noh plays, that the two may have had an intimate relationship, it has never truly been proven whether it was or not. Zeami was introduced to Yoshimitsu's court and was provided with an education in classical literature and philosophy while continuing to act. In 1374, Zeami received patronage and made acting his career. After the death of his father in 1385, he led the family troupe, a role in which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeami
, also called , was a Japanese aesthetician, actor, and playwright. His father, Kan'ami Kiyotsugu, introduced him to Noh theater performance at a young age, and found that he was a skilled actor. Kan'ami was also skilled in acting and formed a family theater ensemble. As it grew in popularity, Zeami had the opportunity to perform in front of the Shōgun, Ashikaga Yoshimitsu. The Shōgun was impressed by the young actor and began to compose a close relationship with him. Although some think that due to the prevalence of exploration of male love in Noh plays, that the two may have had an intimate relationship, it has never truly been proven whether it was or not. Zeami was introduced to Yoshimitsu's court and was provided with an education in classical literature and philosophy while continuing to act. In 1374, Zeami received patronage and made acting his career. After the death of his father in 1385, he led the family troupe, a role in which he found greater success. Zeami mixed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shuhari
Shuhari (Kanji: 守破離 Hiragana: しゅはり) is a Japanese martial art concept that describes the stages of learning to mastery. It is sometimes applied to other disciplines, such as Go. Etymology Shuhari roughly translates to "to keep, to fall, to break away" or "follow the rules, break the rules, transcend the rules". Shuhari can be decomposed in 3 kanjis: * "protect", "obey"—traditional wisdom—learning fundamentals, techniques, heuristics, proverbs. * "detach", "digress"—breaking with tradition—detachment from the illusions of self, to break with tradition - to find exceptions to traditional wisdom, to find new approaches. In some styles of Japanese music (gagaku and noh), it is also the middle of the song. * "leave", "separate"— transcendence—there are no techniques or proverbs, all moves are natural, becoming one with spirit alone without clinging to forms; transcending the physical - there is no traditional technique or wisdom, all movements are allo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tsukubashū
was the first imperial anthology of ''renga''. The collection was compiled by Nijō Yoshimoto. Provincial lord Sasaki Takauji played an active role in its production with 81 of his poems appearing in the final version. In addition to courtly renga, the anthology contains, in Book 19, the earliest known collection of '' haikai no renga''.Horton, H. Mack. 'Early Haikai Linked Verse', in ''Journal of Renga & Renku'', Issue 2, 2012. p79 Title The title of the work refers to Tsukuba, a location in the east Japan at which, according to the ''Kojiki The , also sometimes read as or , is an early Japanese chronicle of myths, legends, hymns, genealogies, oral traditions, and semi-historical accounts down to 641 concerning the origin of the Japanese archipelago, the , and the Japanese imperia ...'', Yamato Takeru and an elderly interlocutor composed a two-part poem together, this story being where practitioners of ''renga'' traced their tradition's origins. References {{DEFA ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramatic Structure
Story structure or narrative structure is the recognizable or comprehensible way in which a narrative's different elements are unified, including in a particularly chosen order and sometimes specifically referring to the ordering of the plot: the narrative series of events, though this can vary based on culture. In a play or work of theatre especially, this can be called dramatic structure, which is presented in audiovisual form. Story structure can vary by culture and by location. The following is an overview of various story structures and components that might be considered. Definition Story is a sequence of events, which can be true or fictitious, that appear in prose, verse or script, designed to amuse or inform an audience. Story structure is a way to organize the story's elements into a recognizable sequence. It has been shown to influence how the brain organizes information. Story structures can vary culture to culture and throughout history. The same named story stru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kishōtenketsu
describes the four-part Dramatic structure, structure of many classic Chinese language, Chinese, Korean language, Korean, Japanese language, Japanese and Vietnamese language, Vietnamese narratives. The parts can be summarized as: introduction, development, twist or reversal, and resolution. ''Kishōtenketsu'' as a narrative structure does not center Conflict (narrative), conflict as part of its structure, especially when compared to common Western narrative structures like Joseph Campbell's "Hero's Journey." This has led to the structure being popularly described as "without conflict," although narratives created using ''kishōtenketsu'', such as the 2019 South Korean film Parasite (2019 film), Parasite, can and often do contain conflict. History In China, this technique is called ''qǐchéngzhuǎnhé'' (). It was used in Chinese poetry in styles of four-line composition, such as Qijue. Qichengzhuanhe has been speculated to have originated with Li Bai during the Tang Dynasty, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Japanese Words And Phrases ...
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consensus among linguists on its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haikai
''Haikai'' ( Japanese 俳諧 ''comic, unorthodox'') may refer in both Japanese and English to ''haikai no renga'' ( renku), a popular genre of Japanese linked verse, which developed in the sixteenth century out of the earlier aristocratic renga. It meant "vulgar" or "earthy", and often derived its effect from satire and puns, though "under the influence of atsuo Bashō (1644–1694) the tone of haikai no renga became more serious". "Haikai" may also refer to other poetic forms that embrace the haikai aesthetic, including haiku and senryū (varieties of one-verse haikai), haiga (haikai art, often accompanied by haiku), and haibun (haiku mixed with prose, such as in the diaries and travel journals of haiku poets). However, haikai does not include orthodox renga or waka. Pre-Bashō Schools Teimon School The Teimon School, centred around Matsunaga Teitoku, did much to codify the rules of haikai, as well as to encourage the writing of stand-alone hokku. Danrin School The Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yonkoma
is a comic strip format that generally consists of gag comic strips within four panels of equal size ordered from top to bottom. They also sometimes run right-to-left horizontally or use a hybrid 2×2 style, depending on the layout requirements of the publication in which they appear. Although the word ''yonkoma'' comes from Japanese, the style also exists outside Japan in other Asian countries as well as in the English-speaking market, particularly in mid-20th century United States strips, where ''Peanuts'' popularized the format. Origin Rakuten Kitazawa (who wrote under the name Yasuji Kitazawa) produced the first ''yonkoma'' in 1902. Entitled ''Jiji Manga'', it is thought to have been influenced by the works of Frank Arthur Nankivell and of Frederick Burr Opper. Structure Traditionally, ''yonkoma'' follow a structure known as '' kishōtenketsu''. This word is a compound formed from the following Japanese kanji characters: *''Ki'' (): The first panel forms the basis of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concepts In Japanese Aesthetics
A concept is an abstract idea that serves as a foundation for more concrete principles, thoughts, and beliefs. Concepts play an important role in all aspects of cognition. As such, concepts are studied within such disciplines as linguistics, psychology, and philosophy, and these disciplines are interested in the logical and psychological structure of concepts, and how they are put together to form thoughts and sentences. The study of concepts has served as an important flagship of an emerging interdisciplinary approach, cognitive science. In contemporary philosophy, three understandings of a concept prevail: * mental representations, such that a concept is an entity that exists in the mind (a mental object) * abilities peculiar to cognitive agents (mental states) * Fregean senses, abstract objects rather than a mental object or a mental state Concepts are classified into a hierarchy, higher levels of which are termed "superordinate" and lower levels termed "subordinate". Additi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
