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Jidaigeki
is a genre of film, television, video game, and theatre in Japan. Literally meaning " period dramas", they are most often set during the Edo period of Japanese history, from 1603 to 1868. Some, however, are set much earlier—'' Portrait of Hell'', for example, is set during the late Heian period—and the early Meiji era is also a popular setting. ''Jidaigeki'' show the lives of the samurai, farmers, craftsmen, and merchants of their time. ''Jidaigeki'' films are sometimes referred to as chambara movies, a word meaning "sword fight", though chambara is more accurately a subgenre of ''jidaigeki''. ''Jidaigeki'' rely on an established set of dramatic conventions including the use of makeup, language, catchphrases, and plotlines. Types Many ''jidaigeki'' take place in Edo, the military capital. Others show the adventures of people wandering from place to place. The long-running television series '' Zenigata Heiji'' and '' Abarenbō Shōgun'' typify the Edo ''jidaigeki''. ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
時代劇
is a genre of film, television, video game, and theatre in Japan. Literally meaning "period dramas", they are most often set during the Edo period of Japanese history, from 1603 to 1868. Some, however, are set much earlier—''Portrait of Hell'', for example, is set during the late Heian period—and the early Meiji era is also a popular setting. ''Jidaigeki'' show the lives of the samurai, farmers, craftsmen, and merchants of their time. ''Jidaigeki'' films are sometimes referred to as chambara movies, a word meaning "sword fight", though chambara is more accurately a subgenre of ''jidaigeki''. ''Jidaigeki'' rely on an established set of dramatic conventions including the use of makeup, language, catchphrases, and plotlines. Types Many ''jidaigeki'' take place in Edo, the military capital. Others show the adventures of people wandering from place to place. The long-running television series ''Zenigata Heiji'' and ''Abarenbō Shōgun'' typify the Edo ''jidaigeki''. ''Mito Kō ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chambara
, also commonly spelled "''chambara''", meaning "sword fighting" films,Hill (2002). denotes the Japanese film genre called samurai cinema in English and is roughly equivalent to Western and swashbuckler films. ''Chanbara'' is a sub-category of ''jidaigeki'', which equates to period drama. ''Jidaigeki'' may refer to a story set in a historical period, though not necessarily dealing with a samurai character or depicting swordplay. Chanbara also refers to a martial arts sport similar to Fencing. While earlier samurai period pieces were more dramatic rather than action-based, samurai films produced after World War II have become more action-based, with darker and more violent characters. Post-war samurai epics tended to portray psychologically or physically scarred warriors.Silver (1977), p. 37. Akira Kurosawa stylized and exaggerated death and violence in samurai epics. His samurai, and many others portrayed in film, were solitary figures, more often concerned with concealing their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abarenbō Shōgun
(Abarenbō Shōgun) was a Japanese television program on the TV Asahi network. Set in the eighteenth century, it showed fictitious events in the life of Yoshimune, the eighth Tokugawa ''shōgun''. The program started in 1978 under the title ''Yoshimune Hyobanki: Abarenbo Shogun'' (''Chronicle in Praise of Yoshimune: The Unfettered Shogun'') who went after rogue councillors and ''daimyō'' who were abusing their power. After a few seasons, they shortened the first two words and the show ran for two decades under the shorter title until the series ended in 2003; a two-hour special aired in 2004. The earliest scripts occasionally wove stories around historic events such as the establishment of firefighting companies of commoners in Edo, but eventually the series adopted a routine of strictly fiction. Along with Zenigata Heiji and Mito Kōmon, it ranks among the longest-running series in the jidaigeki genre. Like many other jidaigeki, it falls in the category of ''kanzen-chōaku' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samurai Actors
were the hereditary military nobility and officer caste of medieval and early-modern Japan from the late 12th century until their abolition in 1876. They were the well-paid retainers of the ''daimyo'' (the great feudal landholders). They had high prestige and special privileges such as wearing two swords and ''Kiri-sute gomen'' (right to kill anyone of a lower class in certain situations). They cultivated the ''bushido'' codes of martial virtues, indifference to pain, and unflinching loyalty, engaging in many local battles. Though they had predecessors in earlier military and administrative officers, the samurai truly emerged during the Kamakura shogunate, ruling from 1185 to 1333. They became the ruling political class, with significant power but also significant responsibility. During the 13th century, the samurai proved themselves as adept warriors against the invading Mongols. During the peaceful Edo period (1603 to 1868), they became the stewards and chamberlains of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samurai
were the hereditary military nobility and officer caste of History of Japan#Medieval Japan (1185–1573/1600), medieval and Edo period, early-modern Japan from the late 12th century until their abolition in 1876. They were the well-paid retainers of the ''daimyo'' (the great feudal landholders). They had high prestige and special privileges such as wearing Daishō, two swords and ''Kiri-sute gomen'' (right to kill anyone of a lower class in certain situations). They cultivated the ''bushido'' codes of martial virtues, indifference to pain, and unflinching loyalty, engaging in many local battles. Though they had predecessors in earlier military and administrative officers, the samurai truly emerged during the Kamakura shogunate, ruling from 1185 to 1333. They became the ruling political class, with significant power but also significant responsibility. During the 13th century, the samurai proved themselves as adept warriors against the invading Mongols. During the peaceful Edo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zatoichi
is a fictional character created by Japanese novelist Kan Shimozawa. He is an itinerant blind masseur and swordsman of Japan's late Edo period (1830s and 1840s). He first appeared in the 1948 essay , part of Shimozawa's ''Futokoro Techō'' series that was serialized in the magazine ''Shōsetsu to Yomimono''. This originally minor character was drastically altered and developed for the screen by Daiei Film and actor Shintaro Katsu, becoming the subject of one of Japan's longest-running film series. A total of 26 films were made between 1962 and 1989. From 1974 to 1979, a television series was produced, starring Katsu and some of the same actors that appear in the films. Produced by Katsu Productions, 100 episodes were aired before the ''Zatoichi'' television series was cancelled. The seventeenth film of the ''Zatoichi'' series was remade in the US in 1989 by TriStar Pictures as '' Blind Fury'', starring Rutger Hauer. A 2003 film was directed by Takeshi Kitano, who also s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Hell
, also titled ''A Story of Hell'' and ''The Hell Screen'', is a 1969 Japanese ''jidaigeki'' film directed by Shirō Toyoda starring Tatsuya Nakadai and Kinnosuke Nakamura. The film is based on the short story ''Hell Screen'' by Ryūnosuke Akutagawa. Plot The story, set in the Heian period, depicts the conflict between Korean painter Yoshihide and his Japanese patron, the cruel and egotistical Lord Horikawa. Horikawa demands that Yoshihide decorate the walls of his new temple with an image of Buddha, but Yoshihide refuses, insisting that he cannot paint what he does not see. In Horikawa's realm, Yoshihide can see nothing but the suffering of peasants. He creates several gruesome images that appear to have some sort of magical power. (For example, a painting of a man killed by Horikawa's soldiers at the beginning of the film gives off the stench of a rotting corpse.) These all appall Horikawa, and he demands that the paintings be destroyed. Ultimately, Yoshihide asks that he be al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edo Period
The or is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's 300 regional ''daimyo''. Emerging from the chaos of the Sengoku period, the Edo period was characterized by economic growth, strict social order, isolationist foreign policies, a stable population, perpetual peace, and popular enjoyment of arts and culture. The period derives its name from Edo (now Tokyo), where on March 24, 1603, the shogunate was officially established by Tokugawa Ieyasu. The period came to an end with the Meiji Restoration and the Boshin War, which restored imperial rule to Japan. Consolidation of the shogunate The Edo period or Tokugawa period is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's regional ''daimyo''. A revolution took place from the time of the Kamakura shogunate, which existed with the Tennō's court, to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mito Kōmon
is a Japanese ''jidaigeki'' or period drama that was on prime-time television from 1969 to 2011, making it the longest-running ''jidaigeki'' in Japanese television history. The title character is the historic Tokugawa Mitsukuni, former vice-''shōgun'' and retired second ''daimyō'' of the Mito Domain. In the guise of Mitsuemon, a retired crepe merchant from Echigo, he roams Japan with two samurai retainers, fun-loving Sasaki Sukesaburō (Suke-san) and studious Atsumi Kakunoshin (Kaku-san). An episode typically starts with some injustice perpetrated by a corrupt official, a wealthy merchant or a gangster. The travelers arrive incognito, discover the injustice and quietly investigate it. The episode concludes with a brawl in which the unarmed, disguised protagonists defeat a crowd of samurai and gangsters, culminating in the presentation of the ''inrō'' that reveals the hero's identity. Afterwards, the hero passes judgement on the villains, sets things straight with comments an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historical Drama
A historical drama (also period drama, costume drama, and period piece) is a work set in a past time period, usually used in the context of film and television. Historical drama includes historical fiction and romance film, romances, adventure films, and swashbucklers. A period piece may be set in a vague or general era such as the Middle Ages, or a specific period such as the Roaring Twenties, or the recent past. Scholarship Films set in historical times have always been some of the most popular works. D. W. Griffith's ''The Birth of a Nation'' and Buster Keaton's ''The General (1926 film), The General'' are examples of popular early American works set during the U.S. Civil War. In different eras different subgenres have risen to popularity, such as the westerns and sword and sandal films that dominated North American cinema in the 1950s. The ''costume drama'' is often separated as a genre of historical dramas. Early critics defined them as films focusing on romance and relation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokugawa Shogunate
The Tokugawa shogunate (, Japanese 徳川幕府 ''Tokugawa bakufu''), also known as the , was the military government of Japan Japan ( ja, 日本, or , and formally , ''Nihonkoku'') is an island country in East Asia. It is situated in the northwest Pacific Ocean, and is bordered on the west by the Sea of Japan, while extending from the Sea of Okhotsk in the no ... during the Edo period from 1603 to 1868.Louis-Frédéric, Nussbaum, Louis-Frédéric. (2005)"''Tokugawa-jidai''"in ''Japan Encyclopedia'', p. 978.Nussbaum"''Edo-jidai''"at p. 167. The Tokugawa shogunate was established by Tokugawa Ieyasu after victory at the Battle of Sekigahara, ending the civil wars of the Sengoku period following the collapse of the Ashikaga shogunate. Ieyasu became the ''shōgun,'' and the Tokugawa clan governed Japan from Edo Castle in the eastern city of Edo (Tokyo) along with the ''daimyō'' lords of the ''samurai'' class.Nussbaum"Tokugawa"at p. 976. The Tokugawa shogunate organized ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokugawa Yoshimune
was the eighth ''shōgun'' of the Tokugawa shogunate of Japan, ruling from 1716 until his abdication in 1745. He was the son of Tokugawa Mitsusada, the grandson of Tokugawa Yorinobu, and the great-grandson of Tokugawa Ieyasu. Lineage Yoshimune was not the son of any former ''shōgun''. Rather, he was a member of a cadet branch of the Tokugawa clan. Tokugawa Ieyasu, the founder of the Tokugawa shogunate, well aware of the extinction of the Minamoto line in 1219, had realized that his direct descendants might die out, leaving the Tokugawa family at risk of extinction. Thus, while his son Tokugawa Hidetada was the second ''shōgun'', he selected three other sons to establish the ''gosanke,'' hereditary houses which would provide a ''shōgun'' if there were no male heir. The three ''gosanke'' were the Owari, Kii, and Mito branches. Yoshimune was from the branch of Kii. The founder of the Kii house was one of Tokugawa Ieyasu's sons, Tokugawa Yorinobu. Ieyasu appointed him ''daimy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
