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Jesus Christus, Unser Heiland, Der Den Tod überwand
"Jesus Christus, unser Heiland, der den Tod überwand" () is a hymn for Easter by Martin Luther. The text originated in 1524. Johannes Zahn listed three hymn tunes for it. Two of these, Zahn Nos. 1976 and 1977, were published in 1724. A third, Zahn No. 1978, is attributed to Luther and was first published in 1529. Variants of this melody originated up to the early 17th century. Text Below is the original German version of the text Jesus Christus unser Heiland, der den Tod überwand, ist auferstanden, die Sünd hat er gefangen. Kyrie eleison. Der ohn Sünden war geboren, trug für uns Gottes Zorn, hat uns versöhnet, dass Gott uns sein Huld gönnet. Kyrie eleison. Tod, Sünd, Leben und auch Gnad, alls in Händen er hat; er kann erretten alle, die zu ihm treten. Kyrie eleison. Jesus Christ, our Saviour true, He who Death overthrew, Is up arisen, And sin hath put in prison. Kyrieleison. Settings One of the early melodies for "Jesus Christus, unser Heiland, der den Tod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesus Christus, Unser Heiland, Der Den Tod überwand (1545)
"Jesus Christus, unser Heiland, der den Tod überwand" () is a hymn for Easter by Martin Luther. The text originated in 1524. Johannes Zahn listed three hymn tunes for it. Two of these, Zahn number, Zahn Nos. 1976 and 1977, were published in 1724. A third, Zahn No. 1978, is attributed to Luther and was first published in 1529. Variants of this melody originated up to the early 17th century. Text Below is the original German version of the text Jesus Christus unser Heiland, der den Tod überwand, ist auferstanden, die Sünd hat er gefangen. Kyrie eleison. Der ohn Sünden war geboren, trug für uns Gottes Zorn, hat uns versöhnet, dass Gott uns sein Huld gönnet. Kyrie eleison. Tod, Sünd, Leben und auch Gnad, alls in Händen er hat; er kann erretten alle, die zu ihm treten. Kyrie eleison. Jesus Christ, our Saviour true, He who Death overthrew, Is up arisen, And sin hath put in prison. Kyrieleison. Settings One of the early melodies for "Jesus Christus, unser Heiland, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Preludes And Variations (Zachow, Friedrich Wilhelm)
A chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony) * Such tune with a harmonic accompaniment (e.g. chorale monody, chorales included in ''Schemellis Gesangbuch'') * Such a tune presented in a homophonic or homorhythmic harmonisation, usually four-part harmony (e.g. Bach's four-part chorales, or the chorale included in the second movement of Mahler's Fifth Symphony) * A more complex setting of a hymn(-like) tune (e.g. chorale fantasia form in Bach's ''Schübler Chorales'', or a combination of compositional techniques in César Franck's ') The chorale originated when Martin Luther translated sacred songs into the vernacular language (German), contrary to the established practice of church music near the end of the first quarter of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymns By Martin Luther
The reformer Martin Luther, a prolific hymnodist, regarded music and especially hymns in German as important means for the development of faith. Luther wrote songs for occasions of the liturgical year (Advent, Christmas, Purification, Epiphany, Easter, Pentecost, Trinity), hymns on topics of the catechism (Ten Commandments, Lord's Prayer, creed, baptism, confession, Eucharist), paraphrases of psalms, and other songs. Whenever Luther went out from pre-existing texts, here listed as "text source" (bible, Latin and German hymns), he widely expanded, transformed and personally interpreted them. Luther worked on the tunes, sometimes modifying older tunes, in collaboration with Johann Walter. Hymns were published in the ''Achtliederbuch'', in Walter's choral hymnal '' Eyn geystlich Gesangk Buchleyn'' (Wittenberg) and the Erfurt ''Enchiridion'' (Erfurt) in 1524, and in the ''Klugsches Gesangbuch'', among others. For more information, see Martin Luther § Hymnodist. List Other hym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Hymns In German
The 16th century began with the Julian year 1501 (represented by the Roman numerals MDI) and ended with either the Julian or the Gregorian year 1600 (MDC), depending on the reckoning used (the Gregorian calendar introduced a lapse of 10 days in October 1582). The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion of the new sciences, invented the first thermometer and made substantial contributions in the fields of phy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutheran Hymns
Lutheranism is a major branch of Protestantism that emerged under the work of Martin Luther, the 16th-century German friar and reformer whose efforts to reform the theology and practices of the Catholic Church launched the Reformation in 1517. The Lutheran Churches adhere to the Bible and the Ecumenical Creeds, with Lutheran doctrine being explicated in the Book of Concord. Lutherans hold themselves to be in continuity with the apostolic church and affirm the writings of the Church Fathers and the first four ecumenical councils. The schism between Roman Catholicism and Lutheranism, which was formalized in the Edict of Worms of 1521, centered around two points: the proper source of authority in the church, often called the formal principle of the Reformation, and the doctrine of justification, the material principle of Lutheran theology. Lutheranism advocates a doctrine of justification "by Grace alone through faith alone on the basis of Scripture alone", the do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bertelsmann
The Bertelsmann SE & Co. KGaA, commonly known as Bertelsmann (), is a German privately held company, private multinational corporation, multinational conglomerate (company), conglomerate corporation based in Gütersloh, North Rhine-Westphalia, Germany. It is one of the world's largest media conglomerates and is also active in the service sector and educational technology, education. Bertelsmann was founded as a publishing house by Carl Bertelsmann in 1835. After World War II, Bertelsmann, under the leadership of Reinhard Mohn, went from being a medium-sized enterprise to a major conglomerate, offering not only books but also television, radio, music, magazines and services. Its principal divisions include the RTL Group, Penguin Random House, BMG Rights Management, BMG, Arvato, the Bertelsmann Printing Group, Bertelsmann Marketing Services, the Bertelsmann Education Group and Bertelsmann Investments. Bertelsmann is an unlisted and capital market-oriented company, which remains p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Melodien Der Deutschen Evangelischen Kirchenlieder (Zahn, Johannes)
A Lutheran chorale is a musical setting of a Lutheran hymn, intended to be sung by a congregation in a German Protestant church service. The typical four-part setting of a chorale, in which the sopranos (and the congregation) sing the melody along with three lower voices, is known as a ''chorale harmonization''. The practice of singing in unison was the rule of the reformed churches, both in Germany and in other countries. Lutheran hymns Starting in 1523, Martin Luther began translating worship texts into German from the Latin. He composed melodies for some hymns himself, such as "Ein feste Burg ist unser Gott" ("A Mighty Fortress Is Our God"), and even a few harmonized settings. For other hymns he adapted Gregorian chant melodies used in Catholic worship to fit new German texts, sometimes using the same melody more than once. For example, he fitted the melody of the hymn "Veni redemptor gentium" to three different texts, " Verleih uns Frieden gnädiglich", "Erhalt uns, Herr, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Hymns By Martin Luther
The Protestant Reformers, reformer Martin Luther, a prolific hymnodist, regarded music and especially hymns in German as important means for the development of faith. Luther wrote songs for occasions of the liturgical year (Advent, Christmas, Presentation of Jesus at the Temple, Purification, Epiphany (holiday), Epiphany, Easter, Pentecost, Trinity Sunday, Trinity), hymns on topics of the catechism (Ten Commandments, Lord's Prayer, creed, baptism, Confession in the Lutheran Church, confession, Eucharist in Lutheranism, Eucharist), paraphrases of psalms, and other songs. Whenever Luther went out from pre-existing texts, here listed as "text source" (bible, Latin and German hymns), he widely expanded, transformed and personally interpreted them. Luther worked on the tunes, sometimes modifying older tunes, in collaboration with Johann Walter. Hymns were published in the ''First Lutheran hymnal, Achtliederbuch'', in Walter's choral hymnal ''Eyn geystlich Gesangk Buchleyn'' (Wittenberg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV 364
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following: * four-part harmony * SATB vocal forces * pre-existing hymn tune allotted to the soprano part * text treatment: ** homophonic ** no repetitions (i.e., each syllable of the hymn text is sung one time) Around 400 of such chorale settings by Bach, mostly composed in the first four decades of the 18th century, are extant: * Around half of that number are chorales which were transmitted in the context of larger vocal works such as cantatas, motets, Passions and oratorios. A large part of these chorales are extant as autographs by the composer, and for nearly all of them a colla parte instrumental and/or continuo accompaniment are known. * All other four-part chorales exclusively survived in collections of short works, which include manuscripts and 18th-century prints. Apart from the '' Three Wedding Chorales'' collection ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Harmonization
A Lutheran chorale is a musical setting of a Lutheran hymn, intended to be sung by a congregation in a German Protestant church service. The typical four-part setting of a chorale, in which the sopranos (and the congregation) sing the melody along with three lower voices, is known as a ''chorale harmonization''. The practice of singing in unison was the rule of the reformed churches, both in Germany and in other countries. Lutheran hymns Starting in 1523, Martin Luther began translating worship texts into German from the Latin. He composed melodies for some hymns himself, such as "Ein feste Burg ist unser Gott" ("A Mighty Fortress Is Our God"), and even a few harmonized settings. For other hymns he adapted Gregorian chant melodies used in Catholic worship to fit new German texts, sometimes using the same melody more than once. For example, he fitted the melody of the hymn "Veni redemptor gentium" to three different texts, "Verleih uns Frieden gnädiglich", "Erhalt uns, Herr, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
