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Jean Adhémar
Jean Henri Jacques Adhémar (1908–1987) was a French art historian, curator, archivist and academic. Early life and education Jean Henri Jacques Adhémar was born on 18 March 1908 in the 17th arrondissement of Paris. In 1928 Adhémar entered the École Nationale des Chartes. A pupil of Marcel Aubert, Adhémar graduated in 1932 with a . Adhémar studied literature at the then University of Paris Faculty of Humanities, graduating with a Doctorate ès Lettre in 1938. Adhémar's doctoral advisor was Henri Focillon. Career Adhémar was a curator in the print department ("Cabinet Des Estampes") at the Bibliothèque Nationale de France from 1932 to 1961, and headed the department from 1961 until 1972. He introduced photography to the Bibliothèque. As a young scholar, Adhémar was an affiliate of the Warburg Institute in London. He introduced France to the ideas and methods of Erwin Panofsky, Meyer Schapiro, and Edgar Wind by broadening its analysis and research to widen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the Capital city, capital and List of communes in France with over 20,000 inhabitants, largest city of France. With an estimated population of 2,048,472 residents in January 2025 in an area of more than , Paris is the List of cities in the European Union by population within city limits, fourth-most populous city in the European Union and the List of cities proper by population density, 30th most densely populated city in the world in 2022. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, culture, Fashion capital, fashion, and gastronomy. Because of its leading role in the French art, arts and Science and technology in France, sciences and its early adoption of extensive street lighting, Paris became known as the City of Light in the 19th century. The City of Paris is the centre of the ÃŽle-de-France region, or Paris Region, with an official estimated population of 12,271,794 inhabitants in January 2023, or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Aubert
Marcel Aubert (April 9, 1884 – December 28, 1962) was a French art historian. Life Marcel Aubert was the son of an architect who died when he was only seven years old. Following his studies at the Lycée Condorcet, he entered the École Nationale des Chartes where he wrote a thesis on the Cathedral of Senlis in 1907 and won the goodwill of his professor Robert de Lasteyrie. He was named attache to the printing department of the National Library in 1909, and then assistant librarian in the prints department in 1911. He retained this post until 1919 (with three years' captivity in Germany). In 1920, Aubert moved into the world of museums, taking a position at the Louvre as assistant to Paul Vitry in the department of Medieval, Renaissance, and Modern Sculpture. He succeeded Vitry as chief curator in 1940 and was soon named senior curator of the National Museums, a post that he occupied until his retirement in 1955, as well as being curator of the Musée Rodin and the Institut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musée De L'Orangerie
The Musée de l'Orangerie () is an art gallery of Impressionist and Post-Impressionist paintings located in the west corner of the Tuileries Garden next to the Place de la Concorde in Paris. The museum is most famous as the permanent home of eight large '' Water Lilies'' murals by Claude Monet, and also contains works by Paul Cézanne, Henri Matisse, Amedeo Modigliani, Pablo Picasso, Pierre-Auguste Renoir, Henri Rousseau, Alfred Sisley, Chaïm Soutine, Maurice Utrillo, and others. Location The gallery is on the bank of the Seine in the old orangery of the Tuileries Palace on the Place de la Concorde near the Concorde metro station and not far from the Louvre and the Musee d'Orsay. History Napoleon III had the Orangerie built in 1852, to store the citrus trees of the Tuileries garden from the cold in the winter. The building was built by architect Firmin Bourgeois (1786–1853). Bourgeois built the Orangerie out of glass on the (south) Seine side to allow light t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeu De Paume (museum)
Jeu de Paume (, ''Real Tennis Court'') is an arts centre for modern and postmodern photography and media. It is located in the north corner (west side) of the Tuileries Palace, Tuileries Gardens next to the Place de la Concorde in Paris. In 2004, Galerie Nationale du Jeu de Paume, Centre national de la photographie and Patrimoine Photographique merged to form the Association Jeu de Paume.Jeu De Paume ", Saatchi Gallery. Accessed 24 November 2014. History The rectangular building was constructed in 1861 at the request of Napoleon III of France, Napoleon III. Napoleon III tasked Charles Delahaye (tennis), Charles Delahaye to oversee the construction of the building and he commissioned Hector-Martin Lefuel as the architect. It was designed for ''jeu de paume'', which nowadays is k ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louvre
The Louvre ( ), or the Louvre Museum ( ), is a national art museum in Paris, France, and one of the most famous museums in the world. It is located on the Rive Droite, Right Bank of the Seine in the city's 1st arrondissement of Paris, 1st arrondissement (district or ward) and home to some of the most Western canon, canonical works of Art of Europe, Western art, including the ''Mona Lisa,'' ''Venus de Milo,'' and ''Winged Victory''. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II of France, Philip II. Remnants of the Medieval Louvre fortress are visible in the basement of the museum. Due to urban expansion, the fortress eventually lost its defensive function, and in 1546 Francis I of France, Francis I converted it into the primary residence of the French kings. The building was redesigned and extended many times to form the present Louvre Palace. In 1682, Louis XIV chose the Palace of Versailles for his househ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Université Libre De Bruxelles
The (French language, French, ; lit. Free University of Brussels; abbreviated ULB) is a French-speaking research university in Brussels, Belgium. It has three campuses: the ''Solbosch'' campus (in the City of Brussels and Ixelles), the ''Plaine'' campus (in Ixelles) and the ''Erasmus'' campus (in Anderlecht). The Université libre de Bruxelles was formed in 1969 by the splitting of the Free University of Brussels (1834–1969), Free University of Brussels, which was founded in 1834 by the lawyer and Liberalism, liberal politician Pierre-Théodore Verhaegen. The founder aimed to establish a university independent from state and church, where academic freedom would prevail. This is still reflected in the university's motto , or "Conquering darkness through science". One of the leading Belgian universities open to Europe and the world, the ULB now has about 24,200 students, 33% of whom come from abroad, and an equally cosmopolitan staff. Name Brussels has two universities whose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
École Du Louvre
The École du Louvre () is a selective institution of higher education and prestigious ''grande école'' located in the Aile de Flore of the Louvre Palace in Paris, France. It is dedicated to the study of archaeology, art history, anthropology and epigraphy. Admission is based on a competitive entrance exam after secondary school (''lycée''), though candidates may also apply after two or three years of university studies in the subjects of history, classics, literature, geography, philosophy and art. The school offers an undergraduate programme, a master's programme and a doctoral programme as well as a preparation class for civil service entrance exams. History The École du Louvre was created in 1882 with the mission to "extract from the collections the knowledge they contain, and to train curators, missionaries and excavators". The school was originally dedicated to archaeology, but soon expanded to related disciplines, such as history of art, anthropology and ancient l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gazette Des Beaux-Arts
The ''Gazette des Beaux-Arts'' was a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as its first chief editor. Assia Visson Rubinstein was chief editorial secretary under the direction of George Wildenstein from 1936 until 1960. Her papers, which include all editions of the ''Gazette'' from this period, are intact at the Cantonal and University Library of Lausanne in Dorigny. The ''Gazette'' was a world reference work on art history for nearly 100 years - one other editor in chief, from 1955 to 1987, was Jean Adhémar. It was bought in 1928 by the Wildenstein family, whose last representative was Daniel Wildenstein, its director from 1963 until his death in 2001. The magazine was published monthly and was headquartered in Paris. The review closed in 2002. List of directors *1859–1863: Édouard Houssaye *1863–1872: Émile Galichon *1872–1875: Maurice Cottier, Édouard André and Ernest Hoschedé *1875–1882: Maurice Cott ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edgar Wind
Edgar Wind (; 14 May 1900 – 12 September 1971) was a British interdisciplinary art historian, specializing in iconology in the Renaissance era. He was a member of the school of art historians associated with Aby Warburg and the Warburg Institute as well as the first Professor of art history at Oxford University. Wind is best remembered for his research in allegory and the use of pagan mythology during the 15th and 16th centuries, and for his book on the subject, ''Pagan Mysteries in the Renaissance.'' Biography Wind was born in Berlin, Germany, one of the two children of Maurice Delmar Wind, an Argentinian merchant of Russian Jewish ancestry, and his Romanian wife Laura Szilard. He received a thorough training in mathematics and philosophical studies,Kleinbauer p. 63 both at his Gymnasium in Charlottenburg, and then at university in Berlin, Freiburg, and Vienna. He completed his dissertation in Hamburg, where he was Erwin Panofsky's first student. Wind left to teach briefly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meyer Schapiro
Meyer Schapiro (23 September 1904 – 3 March 1996) was a Lithuanian-born American art historian who developed new art historical methodologies that incorporated an interdisciplinary approach to the study of works. An expert on early Christian, Medieval and modern art, he explored periods and movements with an eye toward their works' social, political and material constructions. Credited with fundamentally changing the course of the art historical discipline, Schapiro's scholarly approach was dynamic and it engaged other scholars, philosophers and artists. An active professor, lecturer, student, writer and humanist, he maintained a long professional association with Columbia University in New York. Background Meir Schapiro was born in Šiauliai, Lithuania (then Governorate of Kaunas of the Russian Empire) on September 23, 1904. His ancestors were Talmudic scholars. His parents, Nathan Menachem Schapiro and Fanny Adelman Schapiro, were Lithuanian Jews. In 1906, his father ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erwin Panofsky
Erwin Panofsky (March 30, 1892 – March 14, 1968) was a German-Jewish art historian whose work represents a high point in the modern academic study of iconography, including his hugely influential ''Renaissance and Renascences in Western Art'' and his seminal '' Early Netherlandish Painting''.Shone, Richard and Stonard, John-Paul, eds. ''The Books that Shaped Art History'', chapter 7. London: Thames & Hudson, 2013. Panofsky's ideas were highly influential in intellectual history in general,Chartier, Roger. ''Cultural History'', pp. 23–24 (from "Intellectual History and the History of ''Mentalités''"). Ithaca: Cornell University Press, 1988 particularly in his use of historical ideas to interpret artworks and vice versa. Many of his books are still in print, including ''Studies in Iconology: Humanist Themes in the Art of the Renaissance'' (1939), ''Meaning in the Visual Arts'' (1955), and his 1943 study ''The Life and Art of Albrecht Dürer''. His academic career was pursue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warburg Institute
The Warburg Institute is a research institution associated with the University of London in central London, England. A member of the School of Advanced Study, its focus is the study of cultural history and the role of images in culture – cross-disciplinary and global. It is concerned with the histories of art and science, and their relationship with superstition, magic, and popular beliefs. The researches of the Warburg Institute are historical, philological and anthropological. It is dedicated to the study of the survival and transmission of cultural forms – whether in literature, art, music or science – across borders and from the earliest times to the present including especially the study of the influence of classical antiquity on all aspects of European Western culture, civilisation. Based originally in Hamburg, Germany, in 1933 the collection was moved to London, where it became incorporated into the University of London in 1944. Following a major renovation from 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
