|
Irene (play)
''Irene'' is a Neoclassical tragedy written between 1726 and 1749 by Samuel Johnson. It has the distinction of being the work Johnson considered his greatest failure. Since his death, the critical consensus has been that he was right to think so. ''Irene'' was Johnson's only play, and was first performed on 6 February 1749 in a production by his friend and former pupil David Garrick. The play was a commercial success and earned Johnson more money than anything else he had written up to that point. It was never revived during his lifetime, and there is no subsequent evidence of any other full-scale productions of ''Irene'' anywhere until 1999, making it one of the most unsuccessful plays ever written by a major author. Background Johnson began writing ''Irene'' around 1726 when he first began to work in his father's bookshop. While in the bookshop he befriended Gilbert Walmesley, the Registrar of the Ecclesiastical Court of Lichfield. Johnson would discuss ''Irene'' with Walm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnson Irene
Johnson is a surname of Anglo-Norman origin meaning "Son of John". It is the second most common in the United States and 154th most common in the world. As a common family name in Scotland, Johnson is occasionally a variation of ''Johnston'', a habitational name. Etymology The name itself is a patronym of the given name '' John'', literally meaning "son of John". The name ''John'' derives from Latin '' Johannes'', which is derived through Greek ''Iōannēs'' from Hebrew '' Yohanan'', meaning "Yahweh has favoured". Origin The name has been extremely popular in Europe since the Christian era as a result of it being given to St John the Baptist, St John the Evangelist and nearly one thousand other Christian saints. Other Germanic languages * Swedish: Johnsson, Jonsson * Icelandic: Jónsson See also * List of people with surname Johnson * Gjoni (Gjonaj) *Ioannou * Jensen *Johansson * Johns *Johnsson * Johnston *Johnstone *Jones *Jonson *Jonsson Jonsson is a surname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fall Of Constantinople
The Fall of Constantinople, also known as the Conquest of Constantinople, was the capture of the capital of the Byzantine Empire by the Ottoman Empire. The city fell on 29 May 1453 as part of the culmination of a 53-day siege which had begun on 6 April. The city's collapse is usually agreed on as marking the end of the Middle Ages. The attacking Ottoman Army, which significantly outnumbered Constantinople's defenders, was commanded by the 21-year-old Sultan Mehmed II (later nicknamed "the Conqueror"), while the Byzantine army was led by Emperor Constantine XI Palaiologos. After conquering the city, Mehmed II made Constantinople the new Ottoman capital, replacing Adrianople. The conquest of Constantinople and the fall of the Byzantine Empire was a watershed of the Late Middle Ages, marking the effective end of the last remains of the Roman Empire, a state which began in roughly 27 BC and had lasted nearly 1500 years. Among many modern historians, the Fall of Constantinop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Vanity Of Human Wishes
''The Vanity of Human Wishes: The Tenth Satire of Juvenal Imitated'' is a poem by the English author Samuel Johnson. It was written in late 1748 and published in 1749 (see 1749 in poetry). It was begun and completed while Johnson was busy writing ''A Dictionary of the English Language'' and it was the first published work to include Johnson's name on the title page. As the subtitle suggests, it is an imitation of Satire X by the Latin poet Juvenal. Unlike Juvenal, Johnson attempts to sympathize with his poetic subjects. Also, the poem focuses on human futility and humanity's quest after greatness like Juvenal but concludes that Christian values are important to living properly. It was Johnson's second imitation of Juvenal (the first being his 1738 poem '' London''). Unlike ''London'', ''The Vanity of Human Wishes'' emphasizes philosophy over politics. The poem was not a financial success, but later critics, including Walter Scott and T. S. Eliot, considered it to be Johnson's g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bennet Langton
Bennet Langton ( – 1801) was an English writer and a founding member of the Literary Club. He is best known for his close friendship with writer Samuel Johnson and his numerous appearances in James Boswell's book ''The Life of Samuel Johnson''. Life Langton was born to the Reverend Bennet Langton (1696–1769) and his wife, Diana, daughter of Edmund Torner of Stoke Rochford Hall in Lincolnshire, and descendant of the old family of the Langtons of Langton by Spilsby, Lincolnshire. He was baptised in York on 11 January 1736, and he graduated from Trinity College, Oxford in 1757. He gained an introduction to Johnson as a young man due to his interest in ''The Rambler''. He attended to Johnson during his last illness and was left a book in his will. Despite Johnson's poor opinion of Langton's laziness with respect to his own finances, he left Langton £750, from which he was expected to pay an annuity to Francis Barber who had been Johnson's servant.Leslie Stephen, ‘Langton, Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Boswell
James Boswell, 9th Laird of Auchinleck (; 29 October 1740 ( N.S.) – 19 May 1795), was a Scottish biographer, diarist, and lawyer, born in Edinburgh. He is best known for his biography of his friend and older contemporary the English writer Samuel Johnson, which is commonly said to be the greatest biography written in the English language. A great mass of Boswell's diaries, letters and private papers were recovered from the 1920s to the 1950s, and their ongoing publication by Yale University has transformed his reputation. Early life Boswell was born in Blair's Land on the east side of Parliament Close behind St Giles' Cathedral in Edinburgh on 29 October 1740 ( N.S.). He was the eldest son of a judge, Alexander Boswell, Lord Auchinleck, and his wife Euphemia Erskine. As the eldest son, he was heir to his family's estate of Auchinleck in Ayrshire. Boswell's mother was a strict Calvinist, and he felt that his father was cold to him. As a child, he was delicate. Kay Jamison, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spranger Barry
Spranger Barry (23 November 1719 – 10 January 1777) was an Irish actor. Life He was born in Skinner's Row, Dublin, the son of a silversmith, to whose business he was brought up. He took over the business but was not successful. His first appearance on the stage was at the Theatre Royal, Smock Alley, Dublin, on 5 February 1744, and his engagement at once increased its prosperity. His first London appearance was made in 1746 as Othello at the Theatre Royal, Drury Lane. Here his talents were speedily recognized, and in ''Hamlet'' and ''Macbeth'' he alternated with David Garrick, arousing the latter's jealousy by his success as Romeo. This resulted in his leaving Drury Lane for the Covent Garden Theatre in 1750, accompanied by Mrs Cibber, his Juliet. Both houses now at once put on ''Romeo and Juliet'' for a series of rival performances, and Barry's Romeo was preferred by the critics to Garrick's. In 1758 Barry opened the Crow Street Theatre in Dublin, and later a new T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theophilus Cibber
Theophilus Cibber (25 or 26 November 1703 – October 1758) was an English actor, playwright, author, and son of the actor-manager Colley Cibber. He began acting at an early age, and followed his father into theatrical management. In 1727, Alexander Pope satirized Theophilus Cibber in his ''Dunciad'' as a youth who "thrusts his person full into your face" (III 132). On the stage, he was famous for playing Pistol in '' Henry IV, Part 2'', and some of the comic roles his father had played when younger, but unsympathetic critics accused him of overemphasis.Barker, p. 166 His private life later led Theophilus into bad reputation and scandal. He died in a shipwreck while bound for Ireland and a season in Dublin. Early life and career Theophilus Cibber was born during the Great Storm of 1703 and began acting in the Drury Lane Theatre at the age of 16 in 1721.Barker, p. 165 As a young man, Cibber was a notorious rake, and associated with young men of a similar mind and reputation, suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susannah Maria Arne
Susannah Maria Cibber (née Arne; February 1714 – 30 January 1766) was a celebrated English singer and actress. She was the sister of the composer Thomas Arne. Although she began her career as a soprano, her voice lowered in the early part of her career to that of a true contralto. She was universally admired for her ability to move her audiences emotionally both as an actress and vocalist. Possessing a sweet, expressive, and agile singing voice with a wide vocal range, Cibber was an immensely popular singer, even if at times her voice was criticized for a lack of polished technique. Charles Burney wrote of her singing that "by a natural pathos, and perfect conception of the words, she often penetrated the heart, when others, with infinitely greater voice and skill, could only reach the ear." Cibber was particularly admired by Handel, who wrote numerous parts especially for her including the contralto arias in his 1741 oratorio ''Messiah'', the role of Micah in ''Samson'', the r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hannah Pritchard
Hannah Pritchard (née Vaughan, 1711–1768) was an English actress who regularly played opposite David Garrick. She performed many significant Shakespearean roles and created on stage many important female roles by contemporary playwrights. Life She was born in 1711, and married in early life a poor actor named Pritchard. As Mrs. Pritchard she acted in 1733, at Fielding and Hippisley's booth, '' Bartholomew Fair'', the part of Loveit in an opera called ''A Cure for Covetousness, or the Cheats of Scapin''. She sang with great effect "Sweet, if you love me, smiling, turn". A duet between her and an actor called Salway was very popular, and she was berhymed by a writer in the ''Daily Post'', who spoke of this as her first essay, and predicted for her "a transportation to a brighter stage". This was soon accomplished, since she appeared at the Haymarket Theatre on 26 Sept. 1733 as Nell in ''The Devil to Pay'' of Coffey. She was one of the company known as the "Comedians of his Majes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shilling (United Kingdom)
The British shilling, abbreviated "1/-", was a unit of currency and a denomination of sterling coinage worth of one pound, or twelve pence. It was first minted in the reign of Henry VII as the testoon, and became known as the shilling, from the Old English , sometime in the mid-16th century. It circulated until 1990. The word ''bob'' was sometimes used for a monetary value of several shillings, e.g. "ten-bob note". Following decimalisation on 15 February 1971 the coin had a value of five new pence, and a new coin of the same value but labelled as "five new pence" or "five pence" was minted with the same size as the shilling until 1990, after which the shilling no longer remained legal tender. It was made from silver from its introduction in or around 1503 until 1946, and thereafter in cupronickel. Before Decimal Day in 1971, sterling used the Carolingian monetary system ("£sd"), under which the largest unit was a pound (£) divided into 20 shillings (s), each of 12 pence (d). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scansion
Scansion ( , rhymes with ''mansion''; verb: ''to scan''), or a system of scansion, is the method or practice of determining and (usually) graphically representing the metrical pattern of a line of verse. In classical poetry, these patterns are quantitative based on the different ''lengths'' of each syllable. In English poetry, they are based on the different levels of ''stress'' placed on each syllable. In both cases, the meter often has a regular foot. Over the years, many systems have been established to mark the scansion of a poem. Overview Systems of scansion, and the assumptions (often tacit or even subconscious) that underlie them, are so numerous and contradictory that it is often difficult to tell whether differences in scansion indicate opposed metrical theories, conflicting understandings of a line's linguistic character, divergent practical goals, or whether they merely constitute a trivial argument over who has the "better ear" for verse. There is even a debate am ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blank Verse
Blank verse is poetry written with regular metrical but unrhymed lines, almost always in iambic pentameter. It has been described as "probably the most common and influential form that English poetry has taken since the 16th century", and Paul Fussell has estimated that "about three quarters of all English poetry is in blank verse". The first known use of blank verse in English was by Henry Howard, Earl of Surrey in his translation of the ''Æneid'' (composed c. 1540; published posthumously, 1554–1557). He may have been inspired by the Latin original since classical Latin verse did not use rhyme, or possibly he was inspired by Ancient Greek verse or the Italian verse form of '' versi sciolti'', both of which also did not use rhyme. The play ''Arden of Faversham'' (around 1590 by an unknown author) is a notable example of end-stopped blank verse. History of English blank verse The 1561 play ''Gorboduc'' by Thomas Norton and Thomas Sackville was the first English play ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Theophilus Cibber")
.png "Click for more on -> Scansion")
